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After rejoining social media, Robert Sullivan wrote and posted a poem a day over two and a half months &– the poems collected in Hopurangi— Songcatcher. Inspired by the cyclical energies of the Maramataka, these poems see the poet re-finding himself and his world &– in the matauranga of his kuia from the Ngati Hau and Ngati Kaharau hapu of Ngapuhi; in his mother' s stories from his Ngati Manu hapu at Karetu; in the singing and storytelling at Puketeraki Marae, home of his father' s people of Kati Huirapa, Kati Mamoe, Waitaha and Kai Tahu Whanui in Te Tai o Araiteuru; and in the fellowship of friends on Facebook. Tihei mauri ora!
Collection of poems inspired by a poetry trail and workshop for children held at Auckland Zoo. Includes poems written by children. Suggested level: primary, intermediate.
Kura Koiwi is both a personal account of Brian Flintoff's career as a carver, but also an important exploration of Maori art and how it relates to carving.
Dwayne is a rumble-tumble tabby cat who knows where he belongs - up on the farm at Muzzle Station. So, when he's taken to live far away in the town of Kaikoura, what's a cat to do? Shake the dust off his paws and start walking, of course! The trouble is, home is a very long way away . . . With a bouncy readaloud story by Sally Sutton and witty illustrations by Scott Tulloch, The Cat From Muzzle is a true tale of feline audacity that will delight readers the world over.
After rejoining social media, Robert Sullivan wrote and posted a poem a day over two and a half months - the poems collected in Hopurangi-- Songcatcher. Inspired by the cyclical energies of the Maramataka, these poems see the poet re-finding himself and his world - in the matauranga of his kuia from the Ngati Hau and Ngati Kaharau hapu of Ngapuhi; in his mother's stories from his Ngati Manu hapu at Karetu; in the singing and storytelling at Puketeraki Marae, home of his father's people of Kati Huirapa, Kati Mamoe, Waitaha and Kai Tahu Whanui in Te Tai o Araiteuru; and in the fellowship of friends on Facebook. Tihei mauri ora!
The first handbook of New Zealand criminology, for students and practitioners. With chapters by leading scholars of criminology from across the country, The Aotearoa Handbook of Criminology represents a state-of-the-art account of crime and criminal justice in Aotearoa New Zealand. The handbook is structured into four parts that explore the politics of researching and representing crime, key types of crime, the workings of criminal justice, and the differential experiences of crime and justice. The handbook outlines the foundations of current approaches to crime, victims and offenders alongside critical, decolonising, and feminist perspectives on criminological ideas and practices. Fully referenced and with study questions and further reading, The Aotearoa Handbook of Criminology will be a critical resource to New Zealand students and practitioners. It will also help propel future improvements to how we define crime, how we prevent it, and how we can respond in much better ways to those who are victimised by crimes and wider harms.
Lilting bees and unidentifiable birds, long-division problems and continental cornflakes: three remarkable voices arrive in AUP New Poets 8. In AUP New Poets 8, Lily Holloway, Tru Paraha, and Modi Deng come together to produce a volume of remarkable inventions and intoxications. Lily Holloway leads off with her collection 'a child in that alcove,' using an inventive approach to form to lead the reader into the ordinary extraordinary events of daily life, her poetry filling them with dazzle and dread, questions and memories. Then Tru Paraha takes us inside 'my darkling universe'—a world 'perpetually astral' and 'utterly spaghettified,' a poetic universe of unexpected letters and words and forms, where te reo Maori collides with atomic chemistry. Finally, Modi Deng travels through time and space into the lives of Brahms and backpackers, where uneasy conversations between mothers and children, between 'the subjects and myself,' between Beijing and London, provide beauty and solace. Three new voices, three compelling visions, all bound together in AUP New Poets 8.
Mauri Ola: Contemporary Polynesian Poems in English is a follow-up volume to the highly acclaimed Whetu Moana, the first anthology of Polynesian poems in English edited by Polynesians. The new book includes poetry written over the last 25 years by more than 80 writers from Aotearoa, Hawai'i, Tonga, Samoa, the Cook Islands, Niue, Tokelau, Tahiti and Rotuma &– some living in these islands and some dispersed around the globe. Together with works by established and celebrated poets, the editors have introduced the fresh voices of a younger generation. The anthology includes selections from poets including Alistair Te Ariki Campbell, Sia Figiel, J. C. Sturm, Konai Helu Thaman, Haunani-Kay Trask, Hone Tuwhare and Albert Wendt. The late Hawaiian poet Wayne Kaumualii Westlake is represented here by a unique set of concrete poems and experimental verse. Tusiata Avia tells tales of Nafanua in different settings around the world; Rangi Faith imagines &‘First Landing'; Imaikalani Kalahele writes a letter to his brother; Brandy Nalani McDougall discusses &‘cooking Captain Cook'; Karlo Mila, eating chocolate, watches &‘paul holmes apologise for calling kofi annan a darkie'; Robert Sullivan writes against the grain; and Apirana Taylor follows zigzag roads. Ranging from the lyrical and sensual to the harsh and gritty, from the political to the personal, the poems in Mauri Ola are infused with vivid imagery, claims of identity, laments, rages and celebrations that confront again a colonial past and a global present.
Published on the cusp of the new millennium, Sullivan's third book of poems, Star Waka, came with some strings attached: each poem had to feature either a star, a waka, or the ocean. Within these parameters, and in 2001 lines, Sullivan creates 100 poems that, he says, themselves function like a waka: 'members of the crew change, the rhythm and the view changes - it is subject to the laws of nature'.