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"Nearly 200 photographs chronicle the evolution of Hopi jewelry over the last four decades and illustrate, through the Kaopavi collection, the innovative and often stunning creations of twelve well-known Hopi artists. Included are Victor Coochwytewa, Phillip Honanie, and Michael Kabotie, as well as Ricky Coochwytewa, Sidney Sekakuku, Sharold Nutumya, Watson Honanie, Bradley Gashwazra, Norman Honie Sr., John Coochyumptewa, Beauford Dawahoya, and Jason Takala Sr. The artists incorporate gold, platinum, diamonds, and rare turquoise into a tradition previously identified predominantly with silver, while expanding the range of designs to include narrative and ceremonial representations. Some of the iconography speaks to the merging of two cultures: ancient Hopi and contemporary commodity. These objects have a historical voice and represent a major change not only in jewelry styles, but in Hopi culture."--Page 4 of cover.
"This revised edition includes over 100 new hallmarks as it traces the history of Hopi silversmithing. From early Hopi silversmith experiences to modern jewelry and hallmarks, the book blends black and white and color illustrations with excellent reviews of Hopi history and culture."--Reviewer's Bookwatch
The history and hallmarks of Hopi silversmithing.
Contemporary Southwestern Jewelry reveals the captivating history of the art of American Indian jewelry making, uncovering the ancient techniques, tools, and materials that have made contemporary southwestern jewelry what it is today. Revolutionists such as Hopi artist Charles Loloma, Navajo silversmith Kenneth Begay, Mexican/Mission jeweler Preston Monongye, and other jewelers began using varied materials and techniques traditionally unknown to the southwest. Pardue has researched the history and contemporary forms of metalworking, gems, stone patterning, and more, plus has dedicated a portion of the book to emerging artists whose work is capturing attention today. As you explore Contemporary Southwestern Jewelry's stunning photography, let the art speak to you of how it came to be and what it represents, echoing a similar message still told by traditional Native American jewelry
Poems dealing with separation, transition, and loss.
A full-color tribute to distinctive Hopi jewelry and the artists who create it--past and present. View the intricate and splendid nature of this art form and craft. Detailed descriptions accompany photos.
In the summer of 1912 Hopi runner Louis Tewanima won silver in the 10,000-meter race at the Stockholm Olympics. In that same year Tewanima and another champion Hopi runner, Philip Zeyouma, were soundly defeated by two Hopi elders in a race hosted by members of the tribe. Long before Hopis won trophy cups or received acclaim in American newspapers, Hopi clan runners competed against each other on and below their mesas—and when they won footraces, they received rain. Hopi Runners provides a window into this venerable tradition at a time of great consequence for Hopi culture. The book places Hopi long-distance runners within the larger context of American sport and identity from the early 1880s to the 1930s, a time when Hopis competed simultaneously for their tribal communities, Indian schools, city athletic clubs, the nation, and themselves. Author Matthew Sakiestewa Gilbert brings a Hopi perspective to this history. His book calls attention to Hopi philosophies of running that connected the runners to their villages; at the same time it explores the internal and external forces that strengthened and strained these cultural ties when Hopis competed in US marathons. Between 1908 and 1936 Hopi marathon runners such as Tewanima, Zeyouma, Franklin Suhu, and Harry Chaca navigated among tribal dynamics, school loyalties, and a country that closely associated sport with US nationalism. The cultural identity of these runners, Sakiestewa Gilbert contends, challenged white American perceptions of modernity, and did so in a way that had national and international dimensions. This broad perspective linked Hopi runners to athletes from around the world—including runners from Japan, Ireland, and Mexico—and thus, Hopi Runners suggests, caused non-Natives to reevaluate their understandings of sport, nationhood, and the cultures of American Indian people.
Illustrates the development of religious art in northern New Mexico over a period of 150 years through more than three hundred santos.
The Hopi people and their way of life are nothing short of captivating, enchanting those who visit their land. This book offers an account of the Hopi tribe that dispels the notion that "a good Indian is a dead Indian", which was a common belief during the 19th century. The author's affection and respect for the Hopi, whom Lummis calls "Quaker Indians," is evident, and his commendations are well deserved. The pages that follow are a pleasure to read and provide a glimpse into a tribe of Native Americans living on the cusp of modern civilization while still retaining their ancient customs and traditions.