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This volume brings together twenty-one traditional tales recently retold by Hopi narrators. Complete with English translations and original Hopi transcriptions on facing pages and a bilingual glossary. Hopi Coyote Tales is important to an understanding of the Hopi language and folklore. To nomadic hunters such as the Navajo, who competed with him on the open range, Coyote was by turns a formidable trickster, a demonic witchperson, and a god. As sedentary planters, the Hopis tended to reduce Coyote to the level of a laughable fool. In these tales Coyote is a friendly bumbler whose mistakes teach listeners what tricks to avoid. Time after time he is hurt or killed for failing to understand a situation correctly. The collection is as amusing as animal fables should be, as simply told, and as instructive. Published as a companion volume to Father Berard Haile's Navajo Coyote Tales, Hopi Coyote Tales is a valuable contribution to cross-cultural studies.
Thirty Hopi tales about Coyote the Trickster, Medicine Man badger, and the Chipmunk Girls reflect Hopi attitudes towards such issues as courtship, friendship, courage, healing, and the treatment of children.
One of the most constant symbols of North American Indian mythology is coyote, a figure that has not only persisted but successfully crossed cultural barriers. Coyote survives both as an animal and a myth in literature and art. These stories illustrate the many roles and adventures of coyote. The Western Writers of America selected this book as a Spur Award winner for cover art. Readers will also want to read “Kachina Tales,” also published by Sunstone press.
Coyote is easily the most popular character in the stories of Indian tribes from Canada to Mexico. This volume contains seventeen coyote tales collected and translated by Father Berard Haile, O.F.M., more than half a century ago. The original Navajo transcriptions are included, along with notes. The tales show Coyote as a warrior, a shaman, a trickster; a lecher, a thief; a sacrificial victim, and always as the indomitable force of life. He is the paradoxical hero and scamp whose adventures inspire laughter or awe, depending upon what shape he takes in a given story. In his introduction to Navajo Coyote Tales, Karl W. Luckert considers Coyote mythology in a theoretical and historical framework.
The mysteries and complexities of sex-the wonder of sexual initiation, the discomfort of sexual desire, the penalties of indulgence, and the power of erotic love-have all found expression in Hopi tales. Sometimes cast in animal fables, sometimes presented in monstrous exaggeration to emphasize the power of sexual appetite, and sometimes as wildly bawdy as Shakespeare, the tales evoke the candor of Hopi imagination and the vitality of Hopi culture. This volume gives each tale in the original Hopi and in English translation on facing pages. The tales include Bedbug Boy and his constantly interrupted dinner, how the Hehey'as tricked the Itsivus and took advantage of their wives, and how the Horned Lizard girls found a new use for chili powder. Ekkehart Malotki's preface and glossary clarify terms and concepts and provide background for the stories and the storytelling. E. N. Genovese's introduction puts the collection in the broad context of classical Greek and Latin literature and describes how the Hopi stories are distinct in their own right. Michael Lomatuway'ma, Lorena Lomatuway'ma, Sidney Namingha Jr., Leslie Koyawena, and Herschel Talashoma, all gifted Hopi storytellers, have contributed to this collection. Ekkehart Malotki is a professor of languages at the University of Northern Arizona. He has compiled and translated many other books about Hopi language and culture, including Hopi Coyote Tales, available as a Bison Book, and Hopi Ruin Legends. E. N. Genovese is a professor and chair of the Classics and Humanities Department at San Diego State University. His articles have appeared in Classical Journal, MAIA, and Latomus.
The traditional Hopi world, as reflected in Hopi oral literature, is infused with magic?a seamless tapestry of everyday life and the supernatural. That magic and wonder are vividly depicted in this marvelous collection of authentic folktales. For the Hopis, the spoken or sung word can have a magical effect on others. Witchcraft?the wielding of magic for selfish purposes by a powaqa, or sorcerer?has long been a powerful, malevolent force. Sorcerers are said to have the ability to change into animals such as a crow, a coyote, a bat, or a skeleton fly, and hold their meetings in a two-tiered kiva to the northeast of Hopi territory. Shamanism, the more benevolent but equally powerful use of magic for healing, was once commonplace but is no longer practiced among the Hopis. Shamans, or povosyaqam, often used animal familiars and quartz crystals to help them to see, diagnose, and cure illnesses. Spun through these tales are supernatural beings, otherworldly landscapes, magical devices and medicines, and shamans and witches. One story tells about a man who follows his wife one night and discovers that she is a witch, while another relates how a jealous woman uses the guise of an owl to make a rival woman's baby sick. Other tales include the account of a boy who is killed by kachinas and then resurrected as a medicine man and the story of a huge rattlesnake, a giant bear, and a mountain lion that forever guard the entrance to Maski, the Land of the Dead.
ISSN: 2397-9607 Issue 32 In Issue 32 of the Baba Indaba Children's Stories, Baba Indaba narrates the American Indian Hopi legend of the Kachina and Coyote. Just before dawn one day, the Kachina bets the Coyote he can?t sing a certain song before the sun rises. Payment for the loser is extreme. So who won the bet? Well you?ll just have to read the story to find out. Look out for the moral in the story. It is believed that folklore and tales are believed to have originated in India and made their way overland along the Silk and Spice routes and through Central Asia before arriving in Europe. Even so, this does not cover all folklore from all four corners of the world. Indeed folklore, legends and myths from Africa, Australia, Polynesia, and some from Asia too, are altogether quite different and seem to have originated on the whole from separate reservoirs of lore, legend and culture. This book also has a "Where in the World - Look it Up" section, where young readers are challenged to look up a place on a map somewhere in the world. The place, town or city is relevant to the story, on map. HINT - use Google maps. Baba Indaba is a fictitious Zulu storyteller who narrates children's stories from around the world. Baba Indaba translates as "Father of Stories".ÿ