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Captivate the hearts and minds of young adult readers! Writing for young adult (YA) and middle grade (MG) audiences isn't just "kid's stuff" anymore--it's kidlit! The YA and MG book markets are healthier and more robust than ever, and that means the competition is fiercer, too. In Writing Irresistible Kidlit, literary agent Mary Kole shares her expertise on writing novels for young adult and middle grade readers and teaches you how to: • Recognize the differences between middle grade and young adult audiences and how it impacts your writing. • Tailor your manuscript's tone, length, and content to your readership. • Avoid common mistakes and cliches that are prevalent in YA and MG fiction, in respect to characters, story ideas, plot structure and more. • Develop themes and ideas in your novel that will strike emotional chords. Mary Kole's candid commentary and insightful observations, as well as a collection of book excerpts and personal insights from bestselling authors and editors who specialize in the children's book market, are invaluable tools for your kidlit career. If you want the skills, techniques, and know-how you need to craft memorable stories for teens and tweens, Writing Irresistible Kidlit can give them to you.
Readers subconsciously want certain things from a book...and best-selling writers make sure they deliver it. Thanks to evolution, the magic of story is wired into our brains-some of us can articulate why, many of us can't-but science certainly can. Story serves a unique function in the human psyche, a purpose so vital to our success as a species that humans are inescapably drawn to it. The multibillion-dollar publishing industry is a testament to this. But readers aren't drawn to any old story, there are certain elements that tip the scales between the slush pile and the yes pile, the bottom-dwellers and the best-sellers, the meh books and the holy-hardcover-I-can't-put-this-down! books. And now you can discover exactly what these elements are. Packed with real-life examples and practical exercises, Hook your Reader breaks down the essential components of chart-busting books. Writers of all genres and experience levels will learn how to: Give readers what they are really looking for Capture their readers by sparking curiosity Engage their readers with the power of emotion Craft a compelling character that readers can't help but connect with From the unique perspective of practicing psychologist and best-selling author, Tamar Sloan, Hook Your Readers allows you to hack your reader's brain by creating a book that they'll be unable to put down. So, go ahead, discover what makes a best-selling book and why, but more importantly, how you can write one too.
In the dead of winter, a super EMP destroys the nation's power grid. No electricity. No cars or phones. Worst of all: No heat. The country is plunged into instant chaos. But for twenty-six-year-old Hannah Sheridan, it's the best day of her life. For the last five years, she's been held captive by a sadistic psychopath--until the EMP releases the lock of her prison.Hannah emerges from her underground cell into a hostile winter landscape with no way to call for help, no vehicle that will drive, armed with nothing but the clothes on her back and her own determination to survive.Liam Coleman, cynical loner and former soldier, is headed nowhere fast. He believed he was prepared for any disaster--until the EMP took everything he'd ever cared about in a matter of seconds. When he runs across a desperate woman who will die without his help, he's forced to make a choice.Two hundred frozen, perilous miles stand between them and their destination in rural Michigan. But the lack of power, desperate people, and the treacherous elements aren't the only threats.Hannah's captor isn't about to let her go. He will hunt her to the ends of the earth and beyond, destroying anything and anyone who gets in his way. For she has something he wants--she's nine months pregnant with his child.Edge of Collapse is a gripping post-apocalyptic EMP thriller perfect for fans of Ryan Schow, Grace Hamilton, Harley Tate, Jack Hunt, and Boyd Craven.
WHAT IS THE STORY GRID? The Story Grid is a tool developed by editor Shawn Coyne to analyze stories and provide helpful editorial comments. It's like a CT Scan that takes a photo of the global story and tells the editor or writer what is working, what is not, and what must be done to make what works better and fix what's not. The Story Grid breaks down the component parts of stories to identify the problems. And finding the problems in a story is almost as difficult as the writing of the story itself (maybe even more difficult). The Story Grid is a tool with many applications: 1. It will tell a writer if a Story ?works? or ?doesn't work. 2. It pinpoints story problems but does not emotionally abuse the writer, revealing exactly where a Story (not the person creating the Story'the Story) has failed. 3. It will tell the writer the specific work necessary to fix that Story's problems. 4. It is a tool to re-envision and resuscitate a seemingly irredeemable pile of paper stuck in an attic drawer. 5. It is a tool that can inspire an original creation.
When 16-year-old poetry blogger Tessa Dickinson is involved in a car accident and loses her eyesight for 100 days, she feels like her whole world has been turned upside-down. Terrified that her vision might never return, Tessa feels like she has nothing left to be happy about. But when her grandparents place an ad in the local newspaper looking for a typist to help Tessa continue writing and blogging, an unlikely answer knocks at their door: Weston Ludovico, a boy her age with bright eyes, an optimistic smile...and no legs. Knowing how angry and afraid Tessa is feeling, Weston thinks he can help her. But he has one condition -- no one can tell Tessa about his disability. And because she can't see him, she treats him with contempt: screaming at him to get out of her house and never come back. But for Weston, it's the most amazing feeling: to be treated like a normal person, not just a sob story. So he comes back. Again and again and again. Tessa spurns Weston's "obnoxious optimism", convinced that he has no idea what she's going through. But Weston knows exactly how she feels and reaches into her darkness to show her that there is more than one way to experience the world. As Tessa grows closer to Weston, she finds it harder and harder to imagine life without him -- and Weston can't imagine life without her. But he still hasn't told her the truth, and when Tessa's sight returns he'll have to make the hardest decision of his life: vanish from Tessa's world...or overcome his fear of being seen. 100 Days of Sunlight is a poignant and heartfelt novel by author Abbie Emmons. If you like sweet contemporary romance and strong family themes then you'll love this touching story of hope, healing, and getting back up when life knocks you down.
Want to engage a reader from the first page of your novel? Better yet, want to keep them engaged and turning the pages? Learning how to write ACTIVE HOOKS can not only help you create page-turning manuscripts but set YOUR novels apart, no matter what you write. -Discover the ten most common and universal types of hooks. -Learn why readers will respond to hooks. -Notice which hooks are most effective given the type of story you're writing. -Give your readers stronger reasons to keep reading. -Learn how to craft hooks consistently for every story. -Find out where hooks MUST be used to create a page-turning manuscript. -Step by step, watch sentences change from zero to multiple hooks. Now discover all ten universal hooks in one complete volume. The Complete How-to Guide covers the full set of universal hooks, plus an analysis of the key locations for hooks across genres. See ALL-New examples for every hook and gain fresh insight into a cornerstone of the writer's craft. If you don't yet have a solid understanding of hooks and where to use them, don't second-guess yourself. See first-hand how authors in all genres incorporate hooks into their work. Use the before-and-after examples to learn how you can duplicate the process and immediately master hooks in your own manuscripts. Every story needs hooks. (Even non-fiction books can benefit from the power of hooks.) The best writers know how and where to create them to keep the reader turning the pages. Do you? Understanding how to compel a reader to keep reading doesn't happen by accident. Powerful writing--no matter what you write--doesn't happen by accident. Get ready to create page-turning novels! "WRITING ACTIVE HOOKS is a powerful combination of fresh insights, practical examples, and how-to advice on the often overlooked but critical element of Hooks...written in a quick-to-read and easy to understand style, and packed with useful application exercises." KELLY L. STONE, author of THINKING WRITE: The Secret to Freeing Your Creative Mind "The Writing Active series takes an all too often overlooked technique, and elevates it to a next-level game changer for powerful fiction." CATHY YARDLEY, author of ROCK YOUR PLOT
Yes, you can hook your readers from page one. This book is based on a workshop I gave a while ago. Even as I was preparing the workshop, trying to distill the essence of crafting hooky stories in simple, easy-to-understand concepts, I was amazed. Nobody had ever explained this to me. Most of the books and courses on writing and structure don't really touch on that. Truly. You could do all the steps in Save the Cat and totally miss how to hook readers because this information simply isn't there. I realized I had found something special; an easy way to help writers identify what works and doesn't for their beginning paragraphs, and how to get the readers hooked in their stories. And that's why I'm putting it in this book; because I think my explanation can help writers. When I say help, I truly mean help, I don't mean tying writers down with another concept that might stifle their creativity. This book is not about sticking your writing into a box or following rigid rules. While it provides tips and techniques to help you craft stories that readers won't quit, the advice is simple, easy, and flexible enough not to hinder your writing style or dampen your inspiration. Still, it should quench many of your doubts on whether your writing is hooky or not, so that you can spend more time creating and less time worrying. I'll also provide you with advice for beginnings and examples of efficient first paragraphs so that you'll never again freak out wondering how to start your book. Instead, you'll feel confident that you can hook your reader from page one.
Yes, you can hook your readers from page one. This book is based on a workshop I gave a while ago. Even as I was preparing the workshop, trying to distill the essence of crafting hooky stories in simple, easy-to-understand concepts, I was amazed. Nobody had ever explained this to me. Most of the books and courses on writing and structure don’t really touch on that. Truly. You could do all the steps in Save the Cat and totally miss how to hook readers because this information simply isn’t there. I realized I had found something special; an easy way to help writers identify what works and doesn’t for their beginning paragraphs, and how to get the readers hooked in their stories. And that’s why I’m putting it in this book; because I think my explanation can help writers. When I say help, I truly mean help, I don’t mean tying writers down with another concept that might stifle their creativity. This book is not about sticking your writing into a box or following rigid rules. While it provides tips and techniques to help you craft stories that readers won’t quit, the advice is simple, easy, and flexible enough not to hinder your writing style or dampen your inspiration. Still, it should quench many of your doubts on whether your writing is hooky or not, so that you can spend more time creating and less time worrying. I’ll also provide you with advice for beginnings and examples of efficient first paragraphs so that you’ll never again freak out wondering how to start your book. Instead, you’ll feel confident that you can hook your reader from page one.
This guide reveals how writers can utilize cognitive storytelling strategies to craft stories that ignite readers’ brains and captivate them through each plot element. Imagine knowing what the brain craves from every tale it encounters, what fuels the success of any great story, and what keeps readers transfixed. Wired for Story reveals these cognitive secrets—and it’s a game-changer for anyone who has ever set pen to paper. The vast majority of writing advice focuses on “writing well” as if it were the same as telling a great story. This is exactly where many aspiring writers fail—they strive for beautiful metaphors, authentic dialogue, and interesting characters, losing sight of the one thing that every engaging story must do: ignite the brain’s hardwired desire to learn what happens next. When writers tap into the evolutionary purpose of story and electrify our curiosity, it triggers a delicious dopamine rush that tells us to pay attention. Without it, even the most perfect prose won’t hold anyone’s interest. Backed by recent breakthroughs in neuroscience as well as examples from novels, screenplays, and short stories, Wired for Story offers a revolutionary look at story as the brain experiences it. Each chapter zeroes in on an aspect of the brain, its corresponding revelation about story, and the way to apply it to your storytelling right now.
Does your book bog down in the middle? Do you have pages on which nothing really happens? Do people skip or skim large portions of text? Then you're probably lacking tension. From years of teaching writing, novelist Angela Hunt knows that maintaining tension is one of the most difficult challenges a fiction writer faces. Learn some of the techniques you can use to maintain tension and hook readers so completely that they can't put your book down.