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AFTER THE WORLD DIED, THE LEGEND WAS REBORN. When civilisation shuddered and died, Robert Stokes lost everything, including his wife and his son. The ex-cop retreated into the woods near Nottingham, to live off the land and wait to join his family. As the world descended into a new Dark Age, he turned his back on it all. The foreign mercenary and arms dealer De Falaise sees England is ripe for conquest. He works his way up the country, forging an army and pillaging as he goes. When De Falaise arrives at Nottingham and sets up his new dominion, Robert is drawn reluctantly into the resistance. From Sherwood he leads the fight and takes on the mantle of the world's greatest folk hero. The Hooded Man and his allies will become a symbol of freedom, a shining light in the horror of a blighted world, but he can never rest: De Falaise is only the first of his kind. This omnibus collects the novels Arrowhead, Broken Arrow and Arrowland, with a new introduction by editor Jonathan Oliver. The ebook edition also exclusively collects the stories "Servitor," "Perfect Presents," and "Signs and Portents."
You have to play his game. Participation is involuntary. The only choice you have is the one he chose for you. Few need to die so the city can be reborn. Eight days, eight dead. All high-profile victims (News Anchor, Priest, Terrorist, NYPD chief, Mayor, Lawyer, Rapper, Actor) are murdered on camera after failing in the twisted games of the masked killer. Each victim played a game designed by the masked killer based on the victim’s history of wrongdoings. In this gripping tale, the vigilante boldly confronts the corrupt heart of society, dismantling it with relentless determination. Armed with technology and masked anonymity, he targets wealthy elites and politicians, sparking a frantic pursuit by NYPD detectives. Rich live in fear in their mansions, and the poor rejoice in the street because they were not the targets the first time. The masked killer is in pursuit of making the powerful feel helpless. He is snatching power from a few and distributing it among many. In the ages-long tussle of Few vs. Many, the killer has chosen the side of many. He kills few to save many. The common man sees him as a leveler and the high-class society as a killer. One man’s killer is another man’s savior. This is how much the society is divided. The common man’s rage and frustration are embodied in the masked killer. This is the killer they wished for. Detective Rick of NYPD, a force of law, won’t have his city drowning in the anarchy. He is determined to capture the killer. Killer also sees Rick as the right adversary and challenges him to capture him. As the cat-and-mouse game unfolds, New York City descends into chaos, revealing the high stakes of justice versus power. This time, in the Cat-and-Mouse Game, the Police are the mouse, and the killer is the cat.
A DARK FANTASY ADVENTURE BEGINS . . . When Cassandra Delamare, a young woman capable of giving birth to a wizard, is taken during the night by those working for an evil tyrant, a rescue attempt begins. But as Cassandra, the so-called wizard bearer, is taken further from home, a deeper plot unfolds, connecting people from across the land of Elt. From magical wizards to a long-forgotten witch, warring kings to a common whore, a despairing queen to a lowly servant girl, the ripples of the wizard bearer's taking are felt far and wide. Hutchinson has woven local interest into this tale by naming all of the places on the map of Elt after real villages and locations in the Yorkshire Wolds, England, close to his birthplace of Kingston upon Hull. “A sprawling dark fantasy adventure set in a richly built land on the cusp of a brutal war.” “Move over the Mother of Dragons and make way for the Mother of Wizards.”
An original novel based on the bestselling comic book series and tied in to the new Playstation Network original drama series.
First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
Imagine the saddest day of your life and then have to deal with a long train ride. Yet, that train ride becomes a new hope for someone you least expected.
Whoever said fairy tales were easy has never been a wannabe fairy godmother. The truth is, making dreams come true can be a total nightmare. Bea is a lowly cabbage fairy, but she dreams of being an official Fairy Godmother. So when she is finally given a chance to prove her worth, Bea is determined to make a success of it. Besides, how hard can a Happy Ever After story be? Every girl wants to be rescued by a handsome man, don’t they? Apparently not. Bea's heroine doesn't want to be in her story, and her hero is much more interested in the ugly sister. The same ugly sister who is trying to overthrow the Kingdom. Suddenly, Bea must confront the fact that her characters are as real as she is - and just like her, they are determined to go their own way. The problem is, if she fails to finish the story, Bea faces a fate much worse than being put to sleep for a hundred years. Now Bea must figure out what Happy Ever After really means - and whose Happy Ever After she's prepared to fight for... Download The Fairy’s Tale and start your adventure today! “I never thought I would say this but thank you F. D. Lee for the lack of sleep!” The Fairy's Tale is the first novel in The Pathways Tree series. With surprising plot twists and compelling characters, The Fairy’s Tale is a whirlwind adventure into the sinister world behind classic folk tales and myths. If you love fractured fairy tales and a story you can talk about after you've finished reading, then The Fairy’s Tale is for you! The Fairy’s Tale has been featured in The Independent and was rated Outstanding in the 24th Annual Writer's Digest Self-Published Book Awards (2016) for Plot and Story Appeal; Structure, Organization and Planning; Character Appeal and Development; Voice and Writing Style, and Spelling, Punctuation and Grammar. Please note this book is written in British English.
The life of Jesus Christ is not just Gospel. Jesus life is action and adventure filled with heartache, sadness, laughter, love, and ultimately redemption. This work can enlighten readers, challenge their faith, and transform their lives.
The last time that anyone heard from 35-year-old Claudia Lawrence, a chef at the University of York, was when she sent a text message to a friend on 18 March 2009 at 8.23 p.m. She has never been heard from or seen again, and her disappearance is a mystery that endures to this day. What happened to Claudia that early spring evening – or was it early the following morning on her way to work? There had been nothing abnormal about her behaviour before she vanished, and there were no signs of a struggle at her home. A Crimewatch reconstruction has been broadcast, and the police investigation into the case has cost more than £750,000. Dozens of interviews have thrown up numerous leads, but there are no concrete clues. With extensive access to her family and friends, in Gone, Neil Root assesses the facts and theories and asks: where is Claudia?
The phrase “War on Terror” has quietly been retired from official usage, but it persists in the American psyche, and our understanding of it is hardly complete. Nor will it be, W. J. T Mitchell argues, without a grasp of the images that it spawned, and that spawned it. Exploring the role of verbal and visual images in the War on Terror, Mitchell finds a conflict whose shaky metaphoric and imaginary conception has created its own reality. At the same time, Mitchell locates in the concept of clones and cloning an anxiety about new forms of image-making that has amplified the political effects of the War on Terror. Cloning and terror, he argues, share an uncanny structural resemblance, shuttling back and forth between imaginary and real, metaphoric and literal manifestations. In Mitchell’s startling analysis, cloning terror emerges as the inevitable metaphor for the way in which the War on Terror has not only helped recruit more fighters to the jihadist cause but undermined the American constitution with “faith-based” foreign and domestic policies. Bringing together the hooded prisoners of Abu Ghraib with the cloned stormtroopers of the Star Wars saga, Mitchell draws attention to the figures of faceless anonymity that stalk the ever-shifting and unlocatable “fronts” of the War on Terror. A striking new investigation of the role of images from our foremost scholar of iconology, Cloning Terror will expand our understanding of the visual legacy of a new kind of war and reframe our understanding of contemporary biopower and biopolitics.