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When the First World War raged from 1914 to 1918, hundreds of thousands troops fought valiantly and millions of lives were lost. Much has been written about the allies (Britain, France and other European powers, Russia, the United States, Canada) battles with the opposing central powers (Germany, Austria - Hungary, Italy, Turkey) but few know that 1.38 million men from India were also sent to various theatres of war. As many as seven Indian expeditionary forces fought battles far from home. Whether it was the damp, flat fields of Flanders or the burning sands of Mesopotamia, the rocky, cold and windy hills of Gallipoli or unhealthy uplands and stifling jungles of East Africa, Indian soldiers left indelible imprints of their heroism, winning world-wide acclaim. For the first time, this book fills in the abysmal gap in the records of the war. Drawn from archives, regimental histories and other sources, this book tells the story of the tremendous contribution of the Indian corps to the victory of the allied forces.
The First World War is tremendously significant to India's history. Largely considered a European war, it actually involved the participation of more than a hundred countries, allowing for it to be also known as, The Great War. In 1914, it was thought by Indian political leaders, that offering support to the British would further the cause of India's independence. Accordingly, Indian soldiers were sent to fight alongside the British in Mesopotamia (modern-day Iraq), Egypt, Palestine, France, Aden, Belgium, East Africa, Gallipoli and Salonika. About twenty-five princely states contributed over 26,000 combatants. The Dalai Lama offered his support through Tibetan troops, and Gurkhas were deployed from Nepal as well. They accompanied Britain's soldiers in the artillery, cavalry, infantry, engineers, signals service, sappers, and miners, arms of the army. Indian services to Britain extended to the Royal Navy as well as the Queen Alexandra's Imperial Military Nursing Service. Indian troops who fought in Europe, had stepped outside their homeland, across the kala pani, for the first time. The sophistication of the artillery used abroad, required remarkable adaptation on the part of the soldiers. The drastically different landscape and colder weather was a shock as well. Socially too, they felt displaced among the Europeans, with their vastly different cultures and mannerisms. This was a very new scenario for Indian men; to fight side-by-side the people who were their colonizers back home. Though the Indian combatants received care matching their British counterparts, a close eye was kept on their outings, making them feel trapped. The entire experience of fighting overseas was culturally alienating for many Indians, as mentioned in their letters home, which were also often subject to military censorship. Though mentally ill equipped to deal with an emotional and physical relocation as vast as this, Indian soldiers fought valiantly. Inder Singh, in a letter back home from the Somme in September 1916, wrote, 'It is quite impossible that I should return alive. [But] don't be grieved at my death, because I shall die arms in hand, wearing the warrior's clothes. This is the most happy death that anyone can die'. By the end of the war, about 60,000 troops from India had fought for Britain. Eleven Victoria Crosses were awarded and over 13,000 gallantry medals were earned. Despite India backing it s efforts during the Great War, Britain s denial to grant India independence, created conflict and unrest among Indians, leading to the beginning of the uprising for independence. The author, Captain Amarinder Singh is himself a product of the Indian army. He served as ADC to the GOC-in-C, Western Command, during the 1965 war with Pakistan. A published military historian, he painstakingly retraces the footsteps of the Indian battalions during the First World War, using official battle details, war diaries, and maps.
Accustomed to conducting low-intensity warfare before 1914, the Indian Army learnt to engage in high-intensity conventional warfare during the course of World War I, thereby exhibiting a steep learning curve. Being the bulwark of the British Empire in South Asia, the ‘brown warriors’ of the Raj functioned as an imperial fire brigade during the war. Studying the Indian Army as an institution during the war, Kaushik Roy delineates its social, cultural, and organizational aspects to understand its role in the scheme of British imperial projects. Focusing not just on ‘history from above’ but also ‘history from below’, Roy analyses the experiences of common soldiers and not just those of the high command. Moreover, since society, along with the army, was mobilized to provide military and non-military support, this volume sheds light on the repercussions of this mass mobilization on the structure of British rule in South Asia. Using rare archival materials, published autobiographies, and diaries, Roy’s work offers a holistic analysis of the military performance of the Indian Army in major theatres during the war.
The book addresses the important global role of the Indian Army during the First World War. It is an academic reassessment of the army by both established and early career scholars of the Indian Army, as well as naval historians. It looks at the historiography of the army - taking into account the recent work on the army (particularly on the Western Front in 1914-1915). The edited volume covers the traditional areas of the Indian Army on the Western Front, in Palestine, Mesopotamia and the defence of the Suez Canal; however, there are also chapters on combined operations; Indian prisoners of war in Germany and Turkey; the expansion of the officer corps; and the Sikh experience, as well as the mobilisation of the equine army at the beginning of the war and the demobilisation of the army in the period from 1918 until 1923. Three additional chapters are related to the theme, such as the role of the Royal Indian Marine; the Territorial Army in India; and Churchill’s portrayal of the Indian Army during the Gallipoli campaign in his account The World Crisis.
From the Treaty of Versailles to the 2018 centenary and beyond, the history of the First World War has been continually written and rewritten, studied and contested, producing a rich historiography shaped by the social and cultural circumstances of its creation. Writing the Great War provides a groundbreaking survey of this vast body of work, assembling contributions on a variety of national and regional historiographies from some of the most prominent scholars in the field. By analyzing perceptions of the war in contexts ranging from Nazi Germany to India’s struggle for independence, this is an illuminating collective study of the complex interplay of memory and history.
This book offers diverse and original perspectives on South Asia’s imperial military history. Unlike prevailing studies, the chapters in the volume emphasize both the vital role of culture in framing imperial military practice and the multiple cultural effects of colonial military service and engagements. The volume spans from the early East India Company period through to the Second World War and India’s independence, exploring themes such as the military in the field and at leisure, as well as examining the effects of imperial deployments in South Asia and across the British Empire. Drawing extensively on new archival research, the book integrates previously disparate accounts of imperial military history and raises new questions about culture and operational practice in the colonial Indian Army. This work will be of interest to scholars and researchers of modern South Asian history, war and strategic studies, military history, the British Empire, as well as politics and international relations.
This volume recounts India’s contribution to World War I. Please note: Taylor & Francis does not sell or distribute the Hardback in India, Pakistan, Nepal, Bhutan, Bangladesh and Sri Lanka
This book explores the intricate and intimate relationship between military organization, imperial policy, and society in colonial South Asia. The chapters in the volume focus on technology, logistics, and state building. The present volume highlights the salient features of expansion and consolidation of imperial control over the subcontinent, and ultimate demise of the Raj. Further, it turns the spotlight on to subaltern challenges to imperialism as well as the role of non-combatants in warfare. The volume: • Deals with both conventional and guerrilla conflicts and focuses on the frontiers (both North-West and North-East, including Burma); • Looks at the army as an institution rather than present a chronological account of military operations, which highlights the complex and tortuous relationship between combat institution, colonial state, and Indian society; • Integrates top-down approaches in military and strategic studies with the bottom-up perspectives and discusses on how the conduct of war (organisation and technology) is related to the economic, societal, and cultural impact of war. A rich account of the British ‘Army in India’, this book will be essential reading for scholars and researchers of South Asian history, military history, political history, colonialism, and the British Empire.
In 1946, 20,000 non-commissioned sailors of the Royal Indian Navy mutinied. They were inspired by the heroism of the Azad Hind Fauj. But their anger was sparked by terrible service conditions, racism, and broken recruitment promises. In less than 48 hours, 20,000 men took over 78 ships and 21 shore establishments and replaced British flags with the entwined flags of the Congress, the Muslim League, and the communists. The British panicked and announced a Cabinet Mission to discuss modalities of transfer of power. By this time, Indian troops had refused to fire on the ratings, and the mutiny sparked revolts in other branches of the armed forces. The young ratings presented a charter of demands, even as they fought pitched battles against British troops. People thronged the streets in support, and hartals were followed by street fights between civilians and British soldiers resulting in over 400 deaths and 1,500 injured. To quell the rebellion, British commanded their powerful warship HMS Glasgow to sail rapidly from Trincomalee and ordered low sorties by the Royal Air Force fighter planes. In retaliation, the ratings trained the guns mounted on the captured ships towards the shore, threatening to blow Gateway of India, Yacht Club, and the dockyards. As violence escalated, telegrams flew between the Viceroy’s office and the British Cabinet. The British realized they could no longer hold India by force. While the communists continued to support the rebellious ratings, the Congress and the Muslim League persuaded them to surrender, promising they would not be victimized. Shamefully, years later, the governments of India and Pakistan refused to honour those promises after Independence. The mutiny caused public disagreements between Gandhiji and Aruna Asaf Ali, and between Sardar Patel and Nehru. Historians say it accelerated the transfer of power. But this seminal event, which inspired songs, art and theatre has been edited out of the popular narratives of the Freedom Movement.
This is the first cultural and literary history of India and the First World War, with archival research from Europe and South Asia.