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This book addresses the problem of justifying the institution of criminal punishment. It examines the “paradox of retribution”: the fact that we cannot seem to reject the intuition that punishment is morally required, and yet we cannot (even after two thousand years of philosophical debate) find a morally legitimate basis for inflicting harm on wrongdoers. The book comes at a time when a new “abolitionist” movement has arisen, a movement that argues that we should give up the search for justification and accept that punishment is morally unjustifiable and should be discontinued immediately. This book, however, proposes a new approach to the retributive theory of punishment, arguing that it should be understood in its traditional formulation that has been long forgotten or dismissed: that punishment is essentially a defense of the honor of the victim. Properly understood, this can give us the possibility of a legitimate moral justification for the institution of punishment.​
Covers blood homicide and outcasting in Bedouin and rural Arab society in Israel. This edition includes material on the "Mebasha", a Bedouin legal judge who determines whether an individual speaks the truth by an ordeal by fire; licking a very hot spoon and inspecting the tongue for blisters.
Scholars of Jewish, European, and Israeli history as well as readers interested in issues of legal and social justice will be grateful for this detailed volume.
A seduction laced with secrets. Danger hidden in lies. A forbidden love that might get them killed. Sylvia enjoys beautiful things and when two handsome men knock on her door, the desire is instant and scorching. Lancelot is sexy-dangerous, Hugo is sexy-smart, and Sylvia expects to shock them by proposing a menage. But Hugo and Lancelot are part of a secret society with some very interesting rules. And they’re asking odd, pointed questions about her past. Hugo wants to protect her. Lancelot knows they need to use her. After all…she’s the key to finding a killer. In the hunt for an enemy who will stop at nothing to bring down the Masters Admiralty, both men are forced to decide between completing their mission or saving the only woman they could ever love. Honor's Revenge is a threesome romantic suspense. It can be read as a standalone or enjoyed as part of the ongoing Trinity Masters series.
From the exiled Bangladeshi poet and internationally acclaimed author of Shame comes a delicious tale about getting even. In modern Bangladesh, Jhumur marries for love and imagines life with her husband, Haroon, will continue just as it did when they were dating. But once she crosses the threshold of Haroon’s lavish family home, Jhumur is expected to play the role of a traditional Muslim wife: head covered, eyes averted, and unable to leave the house without an escort. When she becomes pregnant, Jhumur is shocked to discover that Haroon does not believe the baby is his, demanding an immediate termination of the pregnancy. Overwhelmed by his distrust, Jhumur plots her payback in the arms of a handsome and artistic neighbor. Readers the world over will eat up this cautionary tale of love, lust, and blood ties, delivered by the award-winning “voice of humanism everywhere” (Wole Soyinka).
Revenge: Narcissistic Injury, Rage, and Retaliation addresses the ubiquitous human wish to take revenge and settle scores. Featuring the contributions of eleven distinguished mental health professionals, it offers a panoramic and yet deep perspective on the real or imagined narcissistic injury that often underlies fantasies of revenge and the behavioral trait of vindictiveness. It describes various types of revenge and introduces the concept of a ‘good-enough revenge.’ Deftly blending psychoanalysis, ethology, religious studies, literary criticism, and clinical experience, the book goes a long way to enhance empathy with patients struggling with hurt, pain, and desires to get even with their tormentors. This volume is of great clinical value indeed!
As Brett watched, one hand slipped loose, then the other. Tom dropped, screaming, into the flames. His body, all red and bubbled, boiled up once to the surface, then was gone. PLAYER ONE HAS ONE LIFE REMAINING. GAME CONTINUES. Flaming fire rivers. Divebombing buzz-bugs. A cruel king waiting to do battle in his computer-generated castle. Video game whizzes Brett Wilder and Tom Houston think that new virtual reality game Rodomonte’s Revenge is awesome-until it takes over their minds. Then the game playing becomes dangerously real, and one wrong move could be the last.
"A Secret Offense, a Secret Revenge" (A Secreto Agravio, Secreta Venganza) is a play by Pedro Calderón de la Barca, written in the 17th century, during the Golden Age of Spain. The work falls within the drama genre. The plot revolves around themes such as honor, revenge, and the moral dilemma that these concepts can generate. The story follows Don Lope, a nobleman, who discovers a betrayal and decides to act outside the social and personal norms of honor of the time, that is, a duel, to not shed light on his dishonor. "A Secreto Agravio, Secreta Venganza" aptly represents the culture and values of the 17th century in Spain and Portugal, where the play's story is set, in addition to its historical contribution to the dramatic genre.
This is a powerful exploration of our attitudes to serious wrong-doings and a careful examination of the values that underlie our thinking about revenge and forgiveness.This text examines the impact of revenge and forgiveness.
We call it justice—the assassination of Osama bin Laden, the incarceration of corrupt politicians or financiers like Rod Blagojevich and Bernard Madoff, and the climactic slaying of cinema-screen villains by superheroes. But could we not also call it revenge? We are told that revenge is uncivilized and immoral, an impulse that individuals and societies should actively repress and replace with the order and codes of courtroom justice. What, if anything, distinguishes punishment at the hands of the government from a victim’s individual desire for retribution? Are vengeance and justice really so very different? No, answers legal scholar and novelist Thane Rosenbaum in Payback: The Case for Revenge—revenge is, in fact, indistinguishable from justice. Revenge, Rosenbaum argues, is not the problem. It is, in fact, a perfectly healthy emotion. Instead, the problem is the inadequacy of lawful outlets through which to express it. He mounts a case for legal systems to punish the guilty commensurate with their crimes as part of a societal moral duty to satisfy the needs of victims to feel avenged. Indeed, the legal system would better serve the public if it gave victims the sense that vengeance was being done on their behalf. Drawing on a wide range of support, from recent studies in behavioral psychology and neuroeconomics, to stories of vengeance and justice denied, to revenge practices from around the world, to the way in which revenge tales have permeated popular culture—including Hamlet, The Godfather, and Braveheart—Rosenbaum demonstrates that vengeance needs to be more openly and honestly discussed and lawfully practiced. Fiercely argued and highly engaging, Payback is a provocative and eye-opening cultural tour of revenge and its rewards—from Shakespeare to The Sopranos. It liberates revenge from its social stigma and proves that vengeance is indeed ours, a perfectly human and acceptable response to moral injury. Rosenbaum deftly persuades us to reconsider a misunderstood subject and, along the way, reinvigorates the debate on the shape of justice in the modern world.