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Air America flight crews, hired as civilians, but castigated as mercenaries, malcontents, and psychopaths, operated military aircraft and performed yeoman service for twenty-five years until the war in Southeast Asia ended on a rooftop in downtown Saigon. They have never been recognized for their sacrifices. Author and former Air America pilot Allen Cates cuts through the myths and subterfuge surrounding this elite stealth Air Force used by the United States to fight a secret war in Honor Denied. The culmination of Catess years as a pilot and his in-depth research into Air Americas murky past, this intense study follows his escape from rural, small-town America to the US Marines, as well as his time as an officer and pilot flying combat operations in Vietnam and rescue missions for Air America. Peppering the narrative with vivid personal details, Cates describes the background and purpose of this unique organization and then discloses the startling casualtiesboth those killed in action and those wounded and injured with permanent disability. He shines the light on their cause, long hidden from the general public, and reveals how these brave men and women were denied recognition and benefits by those who knew the truth, including the US President, secretaries of state and defense, and even the director of the CIA. Proud, yet never boastful, Honor Denied tells a story that needs to be toldand heard.
American Revenge Narratives critically examines the nation’s vengeful storytelling tradition. With essays on late twentieth and twenty-first century fiction, film, and television, it maps the coordinates of the revenge genre’s contemporary reinvention across American culture. By surveying American revenge narratives, this book measures how contemporary payback plots appraise the nation’s political, social, and economic inequities. The volume’s essays collectively make the case that retribution is a defining theme of post-war American culture and an artistic vehicle for critique. In another sense, this book presents a scholarly coming to terms with the nation’s love for vengeance. By investigating recent iterations of an ancient genre, contributors explore how the revenge narrative evolves and thrives within American literary and filmic imagination. Taken together, the book’s diverse chapters attempt to understand American culture’s seemingly inexhaustible production of vengeful tales.
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