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This collection of twelve ghost stories leads readers into a world of obake, supernatural creatures, fireballs, choking ghosts at the University of Hawai'i dormitories the "faceless woman" of the Waialae Drive-in Theater, the "green lady" of Wahiawa, the mo'o wahine or supernatural lizard woman, inugami or dog spirit possession, mysterious occurrences in Kaimuki and Kipapa and other "chicken skin" encounters in Hawai'i. Invisible Ink calls this book true in spirit to the many ghostly traditions of the Islands.
Elegant, brutal, and profound—this magnificent debut captures the grit and glory of modern Hawai'i with breathtaking force and accuracy. In a stunning collection that announces the arrival of an incredible talent, Kristiana Kahakauwila travels the islands of Hawai'i, making the fabled place her own. Exploring the deep tensions between local and tourist, tradition and expectation, façade and authentic self, This Is Paradise provides an unforgettable portrait of life as it’s truly being lived on Maui, Oahu, Kaua'i and the Big Island. In the gut-punch of “Wanle,” a beautiful and tough young woman wants nothing more than to follow in her father’s footsteps as a legendary cockfighter. With striking versatility, the title story employs a chorus of voices—the women of Waikiki—to tell the tale of a young tourist drawn to the darker side of the city’s nightlife. “The Old Paniolo Way” limns the difficult nature of legacy and inheritance when a patriarch tries to settle the affairs of his farm before his death. Exquisitely written and bursting with sharply observed detail, Kahakauwila’s stories remind us of the powerful desire to belong, to put down roots, and to have a place to call home.
Forty-five tales, stories and legends adapted from various sources about the natural history of Hawaii and the customs, crafts, arts and history of Polynesian Hawaiians. Includes one original story by the compiler.
Forty-five tales, stories and legends adapted from various sources about the natural history of Hawaii and the customs, crafts, arts and history of Polynesian Hawaiians. Includes one original story by the compiler.
From the bestselling author of the "dazzling historical saga" (The Washington Post), Moloka'i, comes the irresistible story of a young immigrant bride in a ramshackle town that becomes a great modern city "In Korea in those days, newborn girls were not deemed important enough to be graced with formal names, but were instead given nicknames, which often reflected the parents' feelings on the birth of a daughter: I knew a girl named Anger, and another called Pity. As for me, my parents named me Regret." Honolulu is the rich, unforgettable story of a young "picture bride" who journeys to Hawai'i in 1914 in search of a better life. Instead of the affluent young husband and chance at an education that she has been promised, she is quickly married off to a poor, embittered laborer who takes his frustrations out on his new wife. Renaming herself Jin, she makes her own way in this strange land, finding both opportunity and prejudice. With the help of three of her fellow picture brides, Jin prospers along with her adopted city, now growing from a small territorial capital into the great multicultural city it is today. But paradise has its dark side, whether it's the daily struggle for survival in Honolulu's tenements, or a crime that will become the most infamous in the islands' history... With its passionate knowledge of people and places in Hawai'i far off the tourist track, Honolulu is most of all the spellbinding tale of four women in a new world, united by dreams, disappointment, sacrifices, and friendship.
Talking Hawaii’s Story is the first major book in over a generation to present a rich sampling of the landmark work of Hawaii’s Center for Oral History. Twenty-nine extensive oral histories introduce readers to the sights and sounds of territorial Waikiki, to the feeling of community in Palama, in Kona, or on the island of Lanai, and even to the experience of a German national interned by the military government after Pearl Harbor. The result is a collection that preserves Hawaii’s social and cultural history through the narratives of the people who lived it—co-workers, neighbors, family members, and friends. An Introduction by Warren Nishimoto and Michi Kodama-Nishimoto provides historical context and information about the selection and collection methods. Photos of the interview subjects accompany each oral history. For further reading, an appendix also provides information about the Center for Oral History’s major projects.
Many people who live outside the island state don't realize that, like anywhere else, many places in Hawai'i are very haunted, perhaps more so. Local residents seem to take Hawaii's hauntings as a part of everyday life. Lopaka Kapanui is Hawaii's "Ghost Guy" who collects and shares the ghost stories of Hawai'i.Na Mo'olelo Lapu is a collection of ghost stories from different people who have lived in Hawai'i long enough to have experienced their own hauntings personally. From an old woman who longs for her lost child and a Royal Princess who has been known to make a ghostly appearance, to an old Hawaiian man in a former hospital and a regal man who died in a tragic accident, Kapanui shares a myriad of stories of the ghosts of different cultures who all lived, and died, in Hawai'i.Some of the tales are the author's own experiences while others have been shared by those who were haunted. All of them are true as told by everyday people.
R. Kikuo Johnson has created an intimate and compelling graphic novel-length drama of young men on the cusp of adulthood. First-rate prep school, S.U.V., and a dream house in the heights: This was the island paradise handed to Loren Foster when he moved to Hawaii with his father six years ago. Now, with the end of high school just around the corner, his best friend, Shane, has grown distant. The rumors say it's hard drugs, and Loren suspects that Shane has left him behind for a new group of friends. What sets Johnson's drama apart is the naturalistic ease with which he explores the relationships of his characters. It is at once an unsentimental portrait of that most awkward period between adolescence and young adulthood and that rarest of things: a mature depiction of immature lives.