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"Does Hong Kong culture still matter? This informative and interdisciplinary volume proves unmistakably so. It stands as an essential Hong Kong reader, a rich resource not only for those specialized in Hong Kong culture and history but also for students, teachers, and researchers interested in cosmopolitanism, postcolonial conditions, as well as cultural globalization."-Laikwan Pang, The Chinese University of Hong Kong "A very timely, ambitious and fascinating book. The essays are based on solid research, and full of theoretical or analytical insights illustrating the complexity of social and cultural life in Hong Kong. In addition to offering excellent essays on Hong Kong cinema, the book also surveys alternative performance art and documentary, which are undoubtedly the least researched aspects of Hong Kong's cultural scene."-Law Wing Sang, Lingnan University Hong Kong as a world city draws on a rich variety of foundational "texts" in film, fiction, architecture and other forms of visual culture. The city has been a cultural fault-line for centuries ù a translation space where Chinese-ness is interpreted for "Westerners" and Western-ness is translated for Chinese. Though constantly refreshed by its Chinese roots and global influences, this hub of Cantonese culture has flourished along cosmopolitan lines to build a modern, outward-looking character. Successfully managing this perpetual instability helps make Hong Kong a postmodern stepping-stone city, and helps make its citizens such prosperous and durable survivors in the modern world. This volume of essays engages many fields of cultural achievement. Several pieces discuss the tensions of English, closely associated with a colonial past, yet undeniably the key to Hong Kong's future. Hong Kong provides a vital point of contact, where cultures truly meet and a cosmopolitan traveler can feel at home and leave a sturdy mark. Contributors include John Carroll, Carolyn Cartier, David Clarke, Elaine Ho, Douglas Kerr, Michael Ingham, C. J.W.-L. Wee, Chu Yiu-Wai, Gina Marchetti, Esther M.K. Cheung, Pheng Cheah, Chris Berry, and Giorgio Biancorosso. Kam Louie is dean of the Faculty of Arts at the University of Hong Kong.
Trope Hong Kong, the third volume in the Trope City Editions series, celebrates the juxtaposition of colorful chaos and architectural order of this iconic, constantly changing city. The collection highlights the work of emerging photographers from Hong Kong and around the world. This carefully curated and bound collection offers a unique modern perspective of Hong Kong. Each chapter in Trope Hong Kong is accompanied by a map of the area along with the locations where the photographs were taken. In many cases, there are several photographs of the same location, shot at different times of the day, in different seasons, with different tones. The images here - digitally processed, filtered, toned, de-saturated, sharpened - showcase distinct styles and compelling points of view, with a very urban sensibility. Showcasing old world tradition alongside the modernism of contemporary Hong Kong, the images here reveal distinctive and dramatic visions of one of the world's most multi-faceted cities.
Not your typical photo book! David Bellis, founder of the popular local history website Gwulo, shows you a selection of his favourite photos of old Hong Kong. So far, so familiar. But then he takes you on a deep dive to discover and understand the photos’ most minute and revealing details. Plague-ridden rats (pg. 7), flapper hats (pg. 56), and chocolates (pg. 73) are just a few of the surprising clues you’ll investigate. Finally, David helps you piece the clues together to uncover the photos’ hidden stories.
Hundreds of Chinese export paintings of Canton trading houses and shopping streets are in museums and private collections throughout the world, and scholars of art and history have often questioned the reliability of these historical paintings. In this illustrated volume, Paul Van Dyke and Maria Mok examine these Chinese export paintings by matching the changes in the images with new historical data collected from various archives. Many factory paintings are reliable historical records in their own right and can be dated to a single year. Dating images with such precision was not possible in the past owing to insufficient information on the scenes. The new findings in this volume provide unprecedented opportunities to re-date many art works and prove that images of the Canton factories painted on canvas by Chinese artists are far more trustworthy than what scholars have believed in the past.
Hong Kong Yesterday presents a singular vision of this enigmatic city by award winning photographer, Fan Ho. Black and white images capturing life in mid-century Hong Kong range from quiet voyeuristic tableaus to chaotic crowds, most focusing on the citys inhabitants. Businessmen, families, dockworkers, alleys, markets and street scenes are all rendered in a style that is simultaneously abstract and humanistic. Fan Ho was born in Shanghai in 1937; he immigrated to Hong Kong as child and passed away in 2016.
The Peak is Hong Kongs top residential district, where property prices are as high as the altitude. How did it become an exclusive enclave in the bustling business centre of 19th-century Asia? The British wanted relief from summer heat and the Peak was the obvious place to escape it. When the Governor adopted Mountain Lodge as a summer getaway, development accelerated and the opening of the Peak Tram in 1888 made access easier. Gradually a community developed and a church, a club and a school were established. This book describes how the now-popular tourist area developed over time and adapted as needs changed.
For more than a century, trams have plied their trade along the shore of Hong Kong Island. They have witnessed the transformation of the city from a colonial backwater to a financial powerhouse. Today, the trams still carry vast numbers of passengers daily, and Hong Kong is one of the few places in the world where you can ride a double-deck tram. Using fascinating photographs, most of which have never been published before, this book is a vivid reminder of how much Hong Kong has changed.
Like the other Sasek classics, this is a facsimile edition of the original book. The brilliant, vibrant illustrations have been meticulously preserved, remaining true to his vision more than 40 years later. Facts have been updated for the 21st-century, appearing on a "This is . . . Today" page at the back of the book. These charming illustrations, coupled with Sasek's witty, playful narrative, make for a perfect souvenir that will delight both children and their parents, many of whom will remember the series from their own childhoods. This is Hong Kong, first published in 1965, captures the enchantment and the contrasts of Hong Kong in the sixties. Roaring jets bring in the tourists; bamboo rickshaws taxi them through exotic streets fragrant with incense, roasting chestnuts, and honey-glazed Peking duck. Sasek shows you the sweeping panorama of gleaming Kowloon Bay framed by misty mountain ridges, then moves in for close-ups of laborers and hawkers, refugees from the mainland, and sailors of flame-red junks, and the strange "water people" who, it is said, never set foot on dry land.
In September 1946, when the photographer Hedda Morrison reached Hong Kong, it remained little changed from decades earlier. Acclaimed for her images of China taken in the 1930s and 1940s, Hedda Morrison delighted in recording the patterns of everyday life. Now, captivated by Hong Kong and its people, she embraced the colony's diversity. For six months, cameras in hand, Morrison roamed its districts, streets, coasts and valleys. Within years, much of what Hedda Morrison witnessed in 1946-47 would be swept aside. Yet when she was there Hong Kong life still had its old feel and traditions, with fine colonial precincts, tenement streets, bustling markets, itinerant hawkers, fisherfolk and rice farmers. In this book, Morrison's telling images are complemented by Edward Stokes' essays portraying the postwar years. Hedda Morrison's photographs are the work of a masterful, artistic photographer. However, fewer than thirty of this book's photographs had been published before. It was those images, first sighted in a 1946 government report, that led Edward Stokes to begin searching for Morrison's original negatives--which later were discovered at the Harvard-Yenching Library, Harvard University. This is a unique record of a now vanished Hong Kong--the most complete pictorial account of how the colony looked during the decades from the early 1930s to the 1950s. Hedda Morrison's photographs will appeal to all who value documentary images and Asian history. This new edition contains over three-quarters of the photographs from Hedda Morrison's Hong Kong, the original edition of this book published in 2005. The complete English text, which has been widely praised, accompanies the photographs. Reviews of Hedda Morrison's Hong Kong appear below and on the back jacket.
The papers in this volume, prepared by social scientists with different specializations, address selected aspects of Hong Kong's post-War development.