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In February 1985, Jackie Gleason announced that the original Honeymooner sketches, assumed lost forever, had been found. These lost epsiodes virtually triple the number of show available to fans. National syndication of these episodes in fall 1986. Photographs throughout.
Two outlaws of love (and literature) at large in their own Wild West. Ralph Crawford may be a talented short-story writer -- one of the best in the Bay Area, in America, in the 1970s; hell, in the whole English-speaking, late-middle-twentieth century -- but off the page he's only human. In fact, as his wife, Alice Ann, can attest, he's a mess: a jealous but faithless husband, an inveterate bouncer of checks, a plunderer of private misadventures for the sake of his fiction, and an often hapless drunk. When his (similarly human) buddy, Jim Stark -- a novelist burning with ambition, promise, and humiliation over his own failed marriage -- promises to deliver a cargo of incriminating letters to Ralph's latest paramour, a dark lady in Missoula named Lindsay Wolfe, the lives of all four are changed in ways none of them could predict.Careening across the western states during the twilight of the San Francisco underground, Chuck Kinder's already semi-legary masterpiece, twenty-five years in the making, is a rueful, comi-tragic juggernaut of good and bad intentions gone awry, high seriousness and hard living, and the gradual, painful coming of age of two couples who have spent the best years of their lives raising bad judgment to an art. With affection and self-savaging wit, Kinder captures the siren song of the writerly vocation in all its squalor, destructiveness, and glory.
THE INSTANT NEW YORK TIMES BESTSELLER! Starred reviews from Kirkus Reviews * Publishers Weekly * Library Journal Named a “Must-Read” by TODAY, Us Weekly, Bustle, BuzzFeed, Goodreads, Entertainment Weekly, Publishers Weekly, Southern Living, Book Riot, Woman’s Day, The Toronto Star, and more! For two sworn enemies, anything can happen during the Hawaiian trip of a lifetime—maybe even love—in this romantic comedy from the New York Times bestselling authors of Roomies. Olive Torres is used to being the unlucky twin: from inexplicable mishaps to a recent layoff, her life seems to be almost comically jinxed. By contrast, her sister Ami is an eternal champion...she even managed to finance her entire wedding by winning a slew of contests. Unfortunately for Olive, the only thing worse than constant bad luck is having to spend the wedding day with the best man (and her nemesis), Ethan Thomas. Olive braces herself for wedding hell, determined to put on a brave face, but when the entire wedding party gets food poisoning, the only people who aren’t affected are Olive and Ethan. Suddenly there’s a free honeymoon up for grabs, and Olive will be damned if Ethan gets to enjoy paradise solo. Agreeing to a temporary truce, the pair head for Maui. After all, ten days of bliss is worth having to assume the role of loving newlyweds, right? But the weird thing is...Olive doesn’t mind playing pretend. In fact, the more she pretends to be the luckiest woman alive, the more it feels like she might be. With Christina Lauren’s “uniquely hilarious and touching voice” (Entertainment Weekly), The Unhoneymooners is a romance for anyone who has ever felt unlucky in love.
Examines the cultural, historical, and artistic significance of The Honeymooners in the context of postwar American values. The Honeymooners chronicles the lives of New York City bus driver Ralph Kramden and his wife, Alice, as they search for domestic happiness inside a confining Brooklyn apartment. As a stand-alone television program, it ran for just thirty-nine weeks from 1955 to 1956, but its characters appeared in long-running sketches on Calvalcade of Stars and The Jackie Gleason Show and the program has lived on for generations in reruns and home video releases. David Sterritt investigates The Honeymooners as an enduring and valuable index of societal norms and televisual tastes in the 1950s--a project made all the more intriguing by the diverse ways in which The Honeymooners both reaffirms and diverges from the typical broadcast idioms of its day. With chapter headings borrowed from Honeymooners episode titles, this volume considers the program's cultural, historical, and artistic dimensions in connection with the values of postwar America at large. Sterritt traces the roots of The Honeymooners within the context of the golden age of television, demonstrating that the show was central to early television history in ways that surpassed most of its rivals. He also details the many distinctive features, relating to both comedy style and ideological import, that set The Honeymooners apart from other shows and made it profoundly influential on family-based situation comedies in later decades. Ultimately, Sterritt shows that the program's treatment of race, class, and gender was a revealing mirror of its time and that its characters, aesthetic qualities, and plot devices were more complex and sophisticated than they may have seemed. Scholars of film and television studies, fans of The Honeymooners, and readers interested in 1950s American culture and television history will enjoy Sterritt's analysis of The Honeymooners.
From bestselling author Melanie Summers comes the wickedly funny, ridiculously romantic spinoff of her highly-acclaimed Crown Jewels Series
Just in time for the 40th birthday of television's favorite show, here's an expanded edition of the very sucessful Official Honeymooners Treasury, now complete with material on The Lost Episodes. Included are brief skit synopses, trivia, ratings, and lists of new characters.
Women are predators too, only the prey is different” - A.J. Strindberg A Hundred Honeymoons’ storyline develops like a carnally driven small town soap opera revolving around two innocent teenagers, Todd and Sally. Drenched in hormonal confusion, Todd’s teenage adventures offer a good number of relatable moments for the reader to quip, “Yeah, I remember feeling like that.” While Sally’s journey takes her from naive cheerleader to a mature woman. Exploitive and corrupt characters woven throughout, it is a story premeditated with carnal adventures, broken hearts, and true love. Can these infatuated, yet durable teenagers, survive and prove, love does conquer all?
NEW YORK TIMES BESTSELLER • “Macomber hits the sweet spot with this tender tale of impractical love. . . . A delicious Christmas miracle well worth waiting for.”—Publishers Weekly (starred review) Carrie Slayton, a big-city society-page columnist, longs to write more serious news stories. So her editor hands her a challenge: She can cover any topic she wants, but only if she first scores the paper an interview with Finn Dalton, the notoriously reclusive author. Living in the remote Alaskan wilderness, Finn has written a megabestselling memoir about surviving in the wild. But he stubbornly declines to speak to anyone in the press, and no one even knows exactly where he lives. Digging deep into Finn’s past, Carrie develops a theory on his whereabouts. It is the holidays, but her career is at stake, so she forsakes her family celebrations and flies out to snowy Alaska. When she finally finds Finn, she discovers a man both more charismatic and more stubborn than she even expected. And soon she is torn between pursuing the story of a lifetime and following her heart. Filled with all the comforts and joys of Christmastime, Starry Night is a delightful novel of finding happiness in the most surprising places. Don’t miss Debbie Macomber’s short story “Lost and Found in Cedar Cove” in the back of the book.