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Converging evidence from disciplines including sociobiology, evolutionary psychology and human biology forces us to adopt a new idea of what it means to be a human. As cherished concepts such as free will, naïve realism, humans as creation's crowning glory fall and our moral roots in ape group dynamics become clearer, we have to take leave of many concepts that have been central to defining our humanness. What emerges is a new human, the homo novus, a human being without illusions. Leading authors from many different fields explore these issues by addressing a range of illusions and providing evidence for the need, despite considerable reluctance, to relinquish some of our most cherished ideas about ourselves.
20ths century research in St. Paul is widely impacted by Adolf Deissmann's prominent view on the apostle as a "homo novus" (1911). But where does this concept originate from, and what does it imply? This collection of articles does not only re-evaluate Deissmann's concept by tracing it back to its historical and socio-political origins in Cicero and exploring how authors from (early) Imperial Time perceive and transform the homo novus paradigm by diverse modes and strategies of literary self-fashioning. Scholars ranging the fields of New Testament Studies, Greek and Latin Philology, Ancient History, Patristics, and Comparative Literature also examine how the Ciceronian paradigm was early on transformed, disseminated, and applied as a literary concept and an authorial topos of self-molding. One of the leading questions throughout the volume thus is: How do authors like Cicero, Horace, Paul, Tacitus, Seneca, Athanasius, and Augustine fashion themselves in accordance to or in difference from the idea of being a "new man"? It is argued that by means of literary self-configuration, indeed, some of these writers – such as Paul and Augustine – want to appear as "new men" by either altering traditional social, moral, religious, or political roles, or by creating new patterns of social behavior and religious self-understanding.
This book is about the famous Roman orator and statesman Cicero and his rhetorical and political strategy as a newcomer in Roman republican politics. Henriette van der Blom argues that Cicero advertised himself as a follower of chosen models of behaviour from the past - his role models - and in turn presented himself as a role model to others. This new angle provides fresh insights into the political and literary career of one of the best-known Romans, and into the political discourse of the late Roman Republic.
This multi-vocal assemblage of literary and cultural responses to contagions provides insights into the companionship of posthumanities, environmental humanities, and medical humanities to shed light on how we deal with complex issues like communicable diseases in contemporary times. Examining imaginary and real contagions, ranging from Jeep and SHEVA to plague, HIV/AIDS, and COVID-19, Posthuman Pathogenesis discusses the inextricable links between nature and culture, matter and meaning-making practices, and the human and the nonhuman. Dissecting pathogenic nonhuman bodies in their interactions with their human counterparts and the environment, the authors of this volume raise their diverse voices with two primary aims: to analyse how contagions trigger a drive to survival, and chaotic, liberating, and captivating impulses, and to focus on the viral interpolations in socio-political and environmental systems as a meeting point of science, technology, and fiction, blending social reality and myth. Following the premises of the post-qualitative turn and presenting a differentiated experience of contagion, this ‘rhizomatic’ compilation thus offers a non-hierarchised array of essays, composed of a multiplicity of genders, geographies, and generations.