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Two college seniors: Noah, frail like the hollow-boned birds he enjoys watching, caged by his intellect, and by his sense that the only boy as smart as himself is his best friend; Ray who has spent years aping leading men so that his every gesture is suave, but who has become bored with petty cheats and tricks, and now, during summer break in Chicago, needs something momentous to occupy himself. Noah's text says, I've found some candidates for murder. Ray chuckles and knows that Noah sent the message to cheer him. Both boys realize they stand apart from others their age. One lacks social graces, the other has perfected being charming. Both are too willing to embark on a true challenge of their superiority but neither realizes what such a crime will do because no matter how they see themselves, how they need one another, they still possess the same emotions of H. sapiens.
No one raises an eyebrow if you suggest that a guy who arranges his furniture just so, rolls his eyes in exaggerated disbelief, likes techno music or show tunes, and knows all of Bette Davis's best lines by heart might, just possibly, be gay. But if you assert that male homosexuality is a cultural practice, expressive of a unique subjectivity and a distinctive relation to mainstream society, people will immediately protest. Such an idea, they will say, is just a stereotype-ridiculously simplistic, politically irresponsible, and morally suspect. The world acknowledges gay male culture as a fact but denies it as a truth. David Halperin, a pioneer of LGBTQ studies, dares to suggest that gayness is a specific way of being that gay men must learn from one another in order to become who they are. Inspired by the notorious undergraduate course of the same title that Halperin taught at the University of Michigan, provoking cries of outrage from both the right-wing media and the gay press, How To Be Gay traces gay men's cultural difference to the social meaning of style. Far from being deterred by stereotypes, Halperin concludes that the genius of gay culture resides in some of its most despised features: its aestheticism, snobbery, melodrama, adoration of glamour, caricatures of women, and obsession with mothers. The insights, impertinence, and unfazed critical intelligence displayed by gay culture, Halperin argues, have much to offer the heterosexual mainstream.
2019 Best-Of Lists: 10 Best Science Books of the Year (Smithsonian Magazine) · Best Science Books of the Year (NPR's Science Friday) · Best Science and Technology Books from 2019” (Library Journal) An astute and timely examination of the re-emergence of scientific research into racial differences. Superior tells the disturbing story of the persistent thread of belief in biological racial differences in the world of science. After the horrors of the Nazi regime in World War II, the mainstream scientific world turned its back on eugenics and the study of racial difference. But a worldwide network of intellectual racists and segregationists quietly founded journals and funded research, providing the kind of shoddy studies that were ultimately cited in Richard Herrnstein and Charles Murray’s 1994 title The Bell Curve, which purported to show differences in intelligence among races. If the vast majority of scientists and scholars disavowed these ideas and considered race a social construct, it was an idea that still managed to somehow survive in the way scientists thought about human variation and genetics. Dissecting the statements and work of contemporary scientists studying human biodiversity, most of whom claim to be just following the data, Angela Saini shows us how, again and again, even mainstream scientists cling to the idea that race is biologically real. As our understanding of complex traits like intelligence, and the effects of environmental and cultural influences on human beings, from the molecular level on up, grows, the hope of finding simple genetic differences between “races”—to explain differing rates of disease, to explain poverty or test scores, or to justify cultural assumptions—stubbornly persists. At a time when racialized nationalisms are a resurgent threat throughout the world, Superior is a rigorous, much-needed examination of the insidious and destructive nature of race science—and a powerful reminder that, biologically, we are all far more alike than different.
Alice Echols reveals the ways in which disco transformed popular music, propelling it into new sonic territory and influencing rap, techno, and trance. She probes the complex relationship between disco and the era's major movements: gay liberation, feminism, and African American rights. You won't say "disco sucks" as disco thumps back to life in this pulsating look at the culture and politics that gave rise to the music.
First rule of survival: Never fall for the enemy. In the last week, Iris Flores has been blackmailed, blamed for a terrorist attack, and survived an execution. Now she’s on the run, trying to find a way to get back home to learn why her family and friends are all disappearing. Xander Kendrick has lost his mother but isn't allowed to mourn his loss in private. The eyes of an entire nation are on him, watching his every move as he unwillingly becomes a public figure. He's forced to risk everything, though, when his sister disappears at the same time as the world's most wanted criminal. Caught between two countries that want them dead, Iris and Xander must find a way to save themselves, their loved ones, and the world.
Towards the end of 1943 and during all of 1944 the war on all Fronts was relentlessly and violently building to a dangerous and complex climax Although the Allies had massively invaded Europe in the early summer of 1944, we didn't see German capitulation for almost a year and even then only after the Russians, renewed from their awful Battle of Stalingrad, were rolling west into the very heartland of Germany, taking Berlin block by block, building by building. With equal ferocity the Allies had rolled east. Eisenhower was poised fifty miles west at the Elbe River. April 30th, Hitler killed himself. Two days later Berlin capitulated. American losses in "Europe" totaled 170,000. The German end came fast. Although the World celebrated Victory in Europe on May 5th Germans had been surrendering in big numbers through late April and early May. By May 15th Allies had imprisoned five million German military personnel. Some of the best news I heard was the surrender of 153 German submarines. The foe in the Pacific would prove as implacable. In contrast to the land war in Europe, for us the war in the Pacific had always been a sea war with island invasions and battles taking place over great distances. A few months after Pearl Harbor the author went to war in the Engineering Department of a shipyard in Los Angeles Harbor and enjoyed a brief but rigorous engineering apprenticeship earning an "Industrial Deferment", which required draft board renewal every six months. In late summer of 1943 the U. S. Merchant Marine Academy accepted him but with a "string attached". Unlike the other three Federal academies, this Academy required a six-month "tour of duty" at sea, preceded by ninety days of "Basic Training", wartime or peacetime.
This edition of Giraldus Odonis' "Logica" for the first time gives access to an important and original treatise, which has unduly been neglected since the author's death. It is also important in that it gives evidence of interesting achievements in the field of logic outside the anti-metaphysical circle surrounding Ockham.
The X-Men comic book franchise is one of the most popular of all time and one of the most intriguing for critical analysis. With storylines that often contain overt social messages within its "mutant metaphor," X-Men is often credited with having more depth than the average superhero property. In this collection, each essay examines a specific era of the X-Men franchise in relationship to contemporary social concerns. The essays are arranged chronologically, from an analysis of popular science at the time of the first X-Men comic book in 1963 to an interpretation of a storyline in light of rhetoric of President Obama's first presidential campaign. Topics ranging from Communism to celebrity culture to school violence are addressed by scholars who provide new insights into one of America's most significant popular culture products.
This is an exhaustive study of the major directors of horror films in the six decade period. For each director there is a complete filmography including television work, a career summary, critical assessment, and behind-the-scenes production information. Fifty directors are covered in depth, but there is an additional section on the hopeless, the obscure, the promising, and the up-and-coming.