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One of them has been eliminated…permanently. The traveling TV dance show, Ballroom with the B-Listers, is coming to Washington, D.C., and ballroom dancer Stacy Graysin is first in line to participate. Not only will the publicity propel Graysin Motion, Stacy’s dance studio, into the limelight, but the prize money could help offset her looming debt. Plus, Stacy’s teen idol, heartthrob Zane Savage, specifically requested to be her partner. But the whirlwind reality contest stumbles when the show’s coproducer, Tessa King, is found dead in the Potomac River. All the clues point to Tessa being murdered—and the suspects are the contestants and crew of B-Listers. Now Zane and the rest of the B-Listers must promenade back to fame, and Stacy will need to hustle to maintain her reputation, win the competition, and catch a killer.
What if your dance partner, business partner, and fiancé was stepping out with another woman? That's exactly what happens to Stacy Graysin, who shares ownership of a ballroom dance studio with the man who broke her heart, Rafe Acosta. But when Stacy discovers Rafe's dead body in the studio one dark night, the police suspect her of killing him. To clear her name and save her studio, Stacey teams up with Rafe's estranged cousin from Argentina, Tav, to find the real killer. And if Stacy doesn't watch her step, the killer may make this dance her last.
DIVWager hunts for the killer of a black councilman, as the city threatens to riot/div DIVGabe’s girlfriend Jo is drowning. She stares up at him, eyes wide with terror, as he fights to grab her hand. In a moment, the frothing river swallows her up, and Jo is gone./divDIV /divDIVNine months have passed since Jo’s death, and Detective Wager cannot get the image out of his mind. Rather than fight the urge to blame himself, he embraces the guilt, punishing himself for it every day. Only his work on the homicide squad can distract him, and he has just landed a case fraught with political implications. A crusading black city councilman is found murdered in an abandoned lot, and the city teeters on the edge of a riot. As Wager investigates the politician’s secret past, he must balance his own pain with a burning need to see justice done./div
"February 2013 was a good month for murder in suburban Washington, D.C. After gaining unparalleled access to the homicide unit in Prince George's County, which borders the nation's capital, Del Quentin Wilber begins shadowing the talented, often quirky detectives who get the call when a body falls... And then, after a quiet couple of months, all hell breaks loose: suddenly every detective in the squad is working day and night to solve one shooting and stabbing after another. In particular, the entire unit becomes obsessed with a "red ball," a high-profile case involving a 17-year-old honor student attacked by a gunman who kicked down the door to her house and murdered her in her bed."--
"It's October in South Cove, California, and the locals in the quaint resort town seem to be happily pairing off in the lull before the holidays. Everyone, that is, except for Jill Gardner's elderly aunt, who just dumped her besotted fiancé - and she won't say why. Then, when a volunteer from the Senior Project is found murdered, Jill's detective boyfriend is on the case - and it soon becomes clear no one is safe when a caller from beyond becomes a killer in their midst."--Publisher description.
A Colorado writers’ retreat is interrupted by a murder plot in this cozy mystery by the New York Times bestselling author of A Story to Kill. Ever since her business partner, Shauna, fell for a wealthy landowner in town, Cat Latimer has been working double time to keep her Aspen Hills writers’ retreat running. And with the January session almost underway, that spells trouble. As if scheduling mishaps aren’t disastrous enough, Shauna skips out on kitchen duties one morning, forcing Cat to serve unsuspecting guests store-bought muffins… But best laid plans go seriously awry when Shauna’s beau goes missing from their bed. When his body turns up in the horse barn, they quickly discover that the victim’s scandalous lifestyle left many dying for revenge. While balancing an eccentric group of aspiring writers and a suspect list for the record books, Cat works to catch a killer before someone writers her a death sentence.
This volume is a comprehensive collection of critical essays on The Taming of the Shrew, and includes extensive discussions of the play's various printed versions and its theatrical productions. Aspinall has included only those essays that offer the most influential and controversial arguments surrounding the play. The issues discussed include gender, authority, female autonomy and unruliness, courtship and marriage, language and speech, and performance and theatricality.
"Jacob Kidwell, a young man seemingly on the rise, is found dead at the bottom of his stairs. There is strange, unexplained bruising which doesn’t coincide with his fall. Could his death simply have been an accident or was it something more sinister? That is the question that Major Crimes Detectives Quinn Delaney and Marci Burkett must answer. While they search for the truth, someone else is also determined to uncover what really happened to Kidwell. He’s sticking his nose where it doesn’t belong and it’s getting noticed by the wrong people and causing problems for Delaney and Burkett. Secrets, lies, and double crosses are exposed as the detectives work to discover the truth about Jacob Kidwell’s life. All the while, Quinn Delaney struggles to hide his own secret that threatens to derail the investigation and potentially his career." -- Amazon.com
A death row confession sparks an investigation that will tear Miami apart in this “engrossing thriller” from the #1 New York Times–bestselling author (Booklist). Detective-Sergeant Malcolm Ainslie, a former Catholic priest, is about to start his vacation when a call comes in from death row. Before serial killer Elroy Doil is taken to the electric chair, he wants to make a full confession to the cop who put him away. To close the books on additional murder cases in which Doil is a suspect, Ainslie drives four hundred miles to Florida State Prison. Although Doil confesses to ten other homicides, he insists that he didn’t commit the crime for which he will be executed the following day: the grisly slaying of a city commissioner and his wife. In his search for the real killer, Ainslie will discover that the upper levels of Miami’s government—including some of his closest colleagues—are more corrupt and dangerous than he ever imagined.
Far too many poor Black communities struggle with gun violence and homicide. The result has been the unnatural contortion of Black families and the inter-generational perpetuation of social chaos and untimely death. Young people are repeatedly ripped away from life by violence, while many men are locked away in prisons. In neighborhoods like those of Wilmington, Delaware, residents routinely face the pressures of violence, death, and incarceration. Murder Town, USA is thus a timely ethnography with an innovative structure: the authors helped organize fifteen residents formerly involved with the streets and/or the criminal justice system to document the relationship between structural opportunity and experiences with violence in Wilmington's Eastside and Southbridge neighborhoods. Earlier scholars offered rich cultural analysis of violence in low-income Black communities, and yet this literature has mostly conceptualized violence through frameworks of personal responsibility or individual accountability. And even if acknowledging the pressure of structural inequality, most earlier researchers describe violence as the ultimate result of some moral failing, a propensity for crime, and the notion of helplessness. Instead, in Murder Town USA, Payne, Hitchens, and Chamber, along with their collaborative team of street ethnographers, instead offer a radical re-conceptualization of violence in low-income Black communities by describing the penchant for violence and involvement in crime overall to be a logical, "resilient" response to the perverse context of structural inequality.