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Twenty years after his iconic memoir Losing My Virginity, the world’s ultimate entrepreneur is back with the rest of the story. Richard Branson’s Losing My Virginity shared the outrageous tale of how he built Virgin from a student magazine into one of the greatest brands in history. No challenge was too daunting, no opportunity too outlandish to pursue. And each new adventure started with five simple words: “Screw it, let’s do it.” Now, fifty years after starting his first business, Branson shares the candid details of a lifetime of triumphs and failures and what he really thinks about his unique life and career. Finding My Virginity is an intimate look at his never-ending quest to push boundaries, break rules, and seek new frontiers—even after launching a dozen billion-dollar businesses and hundreds of other companies. As he led Virgin into the new millennium, Branson fearlessly expanded the brand into new categories such as mobile, media, fitness, and banking and into every corner of the globe—all while preserving its iconoclastic, scrappy spirit. He even brought Virgin into space with Virgin Galactic, the world’s first commercial spaceline. Finding My Virginity takes us behind the scenes of the incredible brains, heart, and sacrifices that have gone into making private spaceflight an imminent reality—even after the biggest crisis Branson has ever faced. But this book is much more than a series of business adventures. It’s also the story of Branson’s evolution from hotshot entrepreneur to passionate philanthropist and public servant, via Virgin Unite’s environmental and health initiatives and through the Elders, a council of influential global leaders. And it’s the story of his personal quest to become a better son, husband, father, and “grand-dude” to his four grandchildren. Featuring a supporting cast that includes everyone from Bill Gates to Kate Moss, Nelson Mandela to Barack Obama, this is the gripping account of a man who will never stop reaching for the stars, in more ways than one. Find out how Branson did it for the first time—all over again.
The third installment in the "Come and See" Catholic Bible Study Series, The Synoptics invites you on a journey through the Holy Land and the Gospel texts of Matthew, Mark, and Luke. Drawing insights from biblical archeology and the writings of the early Church Fathers, this study compares parallel passages from the three Synoptic Gospels to construct a vivid picture of the life and mission of Jesus Christ. - 22 lessons, approx. 60 min. each - Illustrated with classical art - Frequent references to the Catechism of the Catholic Church - Memory verses from Scripture, quotes from the saints, popular Catholic prayers - Practical guidance for leaders: how to organize a study, what to expect - Large workbook format, with ample space to write/respond to questions Level: Basic, Foundational About the Series: Especially designed for families to do together, "Come and See" Catholic Bible Study series presents the rich heritage of the Catholic Faith in clear and simple language. With its practical direction for leaders, easy-to-use workbook format, and appealing design, this Bible study series is ideal for use in the classroom, home study, or parish catechesis.
A critical investigation of how virginity is represented in film. It considers virginity as it is produced and marketed in film. With chapters that span a range of periods, genres, and performances, it intends to prove that although it seems like an obvious quality at first glance, virginity in film is anything but simple.
Virginity--a major adolescent rite of passage--has been explored in the coming-of-age film genre for many decades. This book examines the evolution of teen movies over the past 40 years, posing crucial questions about how film shapes our cultural understanding of virginity. By surveying more than 30 mainstream and independent coming-of-age films from the 1980s to the present, it considers what types of first-time sexual experiences are represented on screen, how they are different for men and women, and whether they are subverting or reinforcing gender stereotypes. Drawing from notable teen movies such as Dirty Dancing (1987), American Pie (1999), Real Women Have Curves (2002), Lady Bird (2017), and Plan B (2021), the book identifies a progressive shift toward more sex-positive and feminist representations of first-time sexual experiences on screen. Each chapter studies how the political climate, sex education policies, and cultural norms specific to each era impact the film's release and its teenage audience.
Seven articles discuss discoveries about the Milky Way galaxy, covering its formation, its growth, the sun's corona paradox, the interstellar medium, and other topics.
Once upon a time, hockey playerJoe Hart fell in love with sweet, beautifulEmma Donovan. But then Joe discoveredthat Emma's father owned the NHL teamhe played for. Heartbroken, angry andkicked off the team, Joe disappeared totry to start his life anew. Seven years later,Joe has returned to Holly Springs for a second chance.…For the past seven years heiress Emma Donovan hasunsuccessfully tried to put Joe Hart out of her mind. Butwhen their scandalous “reunion” is caught on the localnews, the town's gossips are delighted.… Especially whenit's publicly revealed that Emma and Joe eloped all thoseyears ago—and they're still married!
Power and Pilgrimage is an in-depth anthropological study of life at a Bolivian pilgrimage site. It focuses on the experiences of pilgrims and how, in their Marian devotion, they express and learn to live with the various inequalities they experience in everyday life. Issues of poverty and class inequality lead them to approach the Virgin of Urkupina to support them in their quest for economic betterment. Another social inequality that comes to the fore is based on gender: in particular Bolivian women seek Mary's support to deal with violence and oppression in their homes. Finally, ethnic inequalities are discussed by analysing the dance processions in honour of the Virgin, since these reflect contested ethnic identities.
A New York Times Book Review Editors' Choice In the spirit of The Right Stuff, updated for the 21st century, Test Gods is an epic story about extreme bravery and sacrifice, about the thin line between lunacy and genius. Most of all, it is a story about the pursuit of meaning in our lives—and the fulfillment of our dreams. Working from exclusive inside reporting, New Yorker writer Nicholas Schmidle tells the remarkable story of the test pilots, engineers, and visionaries behind Virgin Galactic’s campaign to build a space tourism company. Schmidle follows a handful of characters—Mark Stucky, Virgin’s lead test pilot; Richard Branson, the eccentric billionaire funding the venture; Mike Moses, the grounded, unflappable president; Mike Alsbury, the test pilot killed in a fatal crash; and others—through personal and professional dramas, in pursuit of their collective goal: to make space tourism a reality. Along the way, Schmidle weaves his relationship with his father—a former fighter pilot and decorated war hero—into the tragedies and triumphs that Branson’s team confronts out in the Mojave desert as they design, build, and test-fly their private rocket ship. Gripping and novelistic, Test Gods leads us, through human drama, into a previously unseen world—and beyond.
Spanish architect and designer, Antoni Gaudí (1852-1926) was an important and influential figure in the history of contemporary Spanish art. His use of colour, application of a range of materials and the introduction of organic forms into his constructions were an innovation in the realm of architecture. In his journal, Gaudí freely expressed his own feelings on art, “the colours used in architecture have to be intense, logical and fertile.” His completed works (the Casa Batlló, 1905-1907 and the Casa Milà, 1905-1910) and his incomplete works (the restoration of the Poblet Monastery and the altarpiece of Alella in Barcelona) illustrate the importance of this philosophy. His furniture designs were conceived with the same philosophy, as shown, for example, in his own office (1878) or the lamps in the Plaza Real in Barcelona. The Sagrada Familia (1882-1926) was a monumental project which eventually took over his life (it was still incomplete at the time of his death).