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Curious about what it was like to be a cowboy and homesteader in the Badlands of South Dakota in 1912? This amateur phographer's memoir is full of stories and photographs.
An award-winning novel with incredible heart, about life on the prairie as it's rarely been seen When Rachel, hired help in a Chicago boardinghouse, falls in love with Isaac, the boardinghouse owner's son, he makes her a bargain: he'll marry her, but only if she gives up her 160 acres from the Homestead Act so he can double his share. She agrees, and together they stake their claim in the forebodingly beautiful South Dakota Badlands. Fourteen years later, in the summer of 1917, the cattle are bellowing with thirst. It hasn't rained in months, and supplies have dwindled. Pregnant, and struggling to feed her family, Rachel is isolated by more than just geography. She is determined to give her surviving children the life they deserve, but she knows that her husband, a fiercely proud former Buffalo Soldier, will never leave his ranch: black families are rare in the West, and land means a measure of equality with the white man. Somehow Rachel must find the strength to do what is right-for herself, and for her children. Reminiscent of The Color Purple as well as the frontier novels of Laura Ingalls Wilder and Willa Cather, The Personal History of Rachel DuPree opens a window on the little-known history of African American homesteaders and gives voice to an extraordinary heroine who embodies the spirit that built America.
The South Dakota Badlands seldom fails to stir a sense of wonder to those who encounter its surreal landscape for the first time. From a distance, the eroded formations look like the ruins of an alabaster city, but upon closer inspection, the sculptured terrain appears rough and rugged. Within these pages of historic photographs, the remarkable story of the Badlands unfolds. After the process of geological changes, Indians came to the Badlands on seasonal hunting trips. In the mid 1800s, fur traders, fossil hunters, and freight haulers passed through to places more hospitable. Cattlemen and homesteaders arrived in the 1890s, intent on staying, but most gave up and left. To preserve its grandeur, Congressman Peter Norbeck and his associate Ben Millard worked for many years to set aside thousands of acres of the unyielding land for a national monument in 1939. The Badlands became a national park in 1978.
A definitive visitor’s guide to the beauty and tranquility of South Dakota, covering not only historical sites and tourist attractions, but also hiking, hunting, fishing and camping as well as other forms of outdoor exploration. The first and most comprehensive guide to South Dakota highlights the state’s natural beauty and includes coverage of its major historical sites and tourist attractions, from Mount Rushmore and Deadwood to the Black Hills. The guide is especially family-friendly, outlining free or inexpensive activities as well as little known treasures that were discovered through personal experience and research on the ground. As in all Explorer's Guides, this book includes up-to-date maps and handy icons that point out places of extra value, family- and pet-friendly establishments, those that provide wheelchair access, and even selective shopping and special events listings.
"In Great Plains Homesteaders Richard Edwards offers a concise and colorful overview of our country's successful experiment in populating the Plains with permanent settlers"--
The highly publicized obscenity trial of Radclyffe Hall's The Well of Loneliness (1928) is generally recognized as the crystallizing moment in the construction of a visible modern English lesbian culture, marking a great divide between innocence and deviance, private and public, New Woman and Modern Lesbian. Yet despite unreserved agreement on the importance of this cultural moment, previous studies often reductively distort our reading of the formation of early twentieth-century lesbian identity, either by neglecting to examine in detail the developments leading up to the ban or by framing events in too broad a context against other cultural phenomena. Fashioning Sapphism locates the novelist Radclyffe Hall and other prominent lesbians -- including the pioneer in women's policing, Mary Allen, the artist Gluck, and the writer Bryher -- within English modernity through the multiple sites of law, sexology, fashion, and literary and visual representation, thus tracing the emergence of a modern English lesbian subculture in the first two decades of the twentieth century. Drawing on extensive new archival research, the book interrogates anew a range of myths long accepted without question (and still in circulation) concerning, to cite only a few, the extent of homophobia in the 1920s, the strategic deployment of sexology against sexual minorities, and the rigidity of certain cultural codes to denote lesbianism in public culture.