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Moving away from the verbal and thematic repetitions that have dominated Homeric studies and exploiting the insights of cognitive psychology, this highly innovative and accessible study focuses on the visual poetics of the Iliad as the narrative is envisioned by the poet and rendered visible. It does so through a close analysis of the often-neglected 'Battle Books'. They here emerge as a coherently visualized narrative sequence rather than as a random series of combats, and this approach reveals, for instance, the significance of Sarpedon's attack on the Achaean Wall and Patroclus' path to destruction. In addition, Professor Strauss Clay suggests new ways of approaching ancient narratives: not only with one's ear, but also with one's eyes. She further argues that the loci system of mnemonics, usually attributed to Simonides, is already fully exploited by the Iliad poet to keep track of his cast of characters and to organize his narrative.
From Robert Fagles’s acclaimed translation, An Iliad telescopes Homer’s Trojan War epic into a gripping monologue that captures both the heroism and horror of war. Crafted around the stories of Achilles and Hector, in language that is by turns poetic and conversational, An Iliad brilliantly refreshes this world classic. What emerges is a powerful piece of theatrical storytelling that vividly drives home the timelessness of mankind’s compulsion toward violence.
Simon Armitage is rightly celebrated as one of the country's most original and engaging poets; but he is also an adaptor and translator of some of our most important epics, such as Sir Gawain and the Green Knight, The Death of King Arthur and Homer's Odyssey. The latter, originally a commission for BBC Radio, rendered the classical tale with all the flare, wit and engagement that we have come to expect from this most distinctive of contemporary authors, and in so doing brought Odysseus's return from the Trojan War memorably to life. The Last Days of Troy, a prequel of kinds, tells the tale of the Trojan War itself in a vivid new dramatic adaptation that is published to coincide with the Royal Exchange's stage performance in April 2014.
Given the wealth of formal debate contained in this tragedy, Troilus and Cressida was probably written in 1602 for a performance at one of the Inns of the Court. Shakespeare's treatment of the age-old tale of love and betrayal is based on many sources, from Homer and Ovid to Chaucer andShakespeare's near contemporary Robert Greene. In the introduction the various problems connected with the play, its performance, and publication, are considered succinctly; its multiple sources are discussed in detail, together with its peculiar stage history and its renewed popularity in recentyears.
For years theater director Bryan Doerries has been producing ancient Greek tragedies for a wide range of at-risk people in society. His is the personal and deeply passionate story of a life devoted to reclaiming the timeless power of an ancient artistic tradition to comfort the afflicted. Doerries leads an innovative public health project—Theater of War—that produces ancient dramas for current and returned soldiers, people in recovery from alcohol and substance abuse, tornado and hurricane survivors, and more. Tracing a path that links the personal to the artistic to the social and back again, Doerries shows us how suffering and healing are part of a timeless process in which dialogue and empathy are inextricably linked. The originality and generosity of Doerries’s work is startling, and The Theater of War—wholly unsentimental, but intensely felt and emotionally engaging—is a humane, knowledgeable, and accessible book that will both inspire and enlighten.
'Another triumph from a master storyteller.' Alistair Forrest, author of Nest of Vipers Greece. Circa 1190 BCE. The Greek world is in turmoil as Agamemnon prepares for war against Troy. His friends and allies scour the cities and islands, demanding that lesser kings supply armies to join him in his approaching conflict but all too many fear a lengthy campaign will destroy their countries and cost them their thrones. Meanwhile a merchant's son, beaten and crippled during a robbery on the dockside in Troy is trying to make a living as an apprentice rhapsode in the port city of Aulis, singing songs of the great heroes of an earlier generation. Passing through Aulis on his way to Phthia in search of Prince Achilles, who he plans to recruit along with his army of Myrmidons, King Odysseus of Ithaca conscripts the young rhapsode onto his crew. Odysseus and his young associate travel from the city of Phthia to the island of Skyros searching for Achilles. But as they do so they find themselves confronted by a ruthless killer who will stop at nothing to prevent them completing their mission. So, as the campaign against Troy turns on their success or failure, Odysseus and his young rhapsode must solve a series of murders and attempted and stay alive themselves - long enough to find and recruit Achilles to Agamemnon's cause. The first book in a new series, from the author of the bestselling series Caesar's Spies. Recommended for fans of Steven Saylor, Lindsey Davis and CJ Samson. Peter Tonkin was born in Ulster, Northern Ireland and was raised in the UK, Holland, Germany, and the Persian Gulf. The son of an RAF officer, Tonkin spent much of his youth travelling the world from one posting to another. He is the author of the Richard Mariner Thriller Collection, Caesar's Spies and the Tom Musgrave Mysteries. 'Homer meets Holmes in this delightful twist on the Iliad. Through the eyes of a young rhapsode, playing Watson to Odysseus's Sherlock, the murder mystery unfurls amid the build-up to the legendary Trojan war. Tonkin has managed to weave a story that remains true to the spirit of the original myths but keeps the reader guessing. With the stage set for further fun as the ancient detective double-act continues on towards Troy, a series of entertaining stories has only just begun.' Peter Sandham, author of the Porphy Novels Praise for Peter Tonkin: 'Riveting tale full of fast action.' Publishers Weekly 'Good technical detail, plus an exciting climax, makes this entertaining reading.' Publishing News 'A welcome aura of old-fashioned expertise.' Publishers Weekly 'A good thriller, recommended.' Library Journal 'Tonkin is a superb storyteller who creates big, brash, swashbuckling adventures with taut suspense, fast-paced action and tough, resourceful characters.' Booklist 'Equals the best of James Clavell.' Daily Telegraph 'A master of sea-going adventure. Enough taut suspense to satisfy any reader.' Clive Cussler 'Good technical detail, plus an exciting climax, makes this entertaining reading.' Publishing News 'Edge-of-the-seat terror on the high seas.' Daily Post
Offering a new, Plato-inspired reading of the Iliad and the Odyssey, this book traces the divergent consequences of love of honor and love of one's own private life for human excellence, justice, and politics. Analyzing Homer's intricate character portraits, Michelle M. Kundmueller concludes that the poet shows that the excellence or virtue to which humans incline depends on what they love most. Ajax's character demonstrates that human beings who seek honor strive, perhaps above all, to display their courage in battle, while Agamemnon's shows that the love of honor ultimately undermines the potential for moderation, destabilizing political order. In contrast to these portraits, the excellence that Homer links to the love of one's own, such as by Odysseus and his wife, Penelope, fosters moderation and employs speech to resolve conflict. It is Odysseus, rather than Achilles, who is the pinnacle of heroic excellence. Homer's portrait of humanity reveals the value of love of one's own as the better, albeit still incomplete, precursor to a just political order. Kundmueller brings her reading of Homer to bear on contemporary tensions between private life and the pursuit of public honor, arguing that individual desires continue to shape human excellence and our prospects for justice.
Using a combination of archaeological data, textual analysis, and ancient documents, this Very Short Introduction to the Trojan War investigates whether or not the war actually took place, whether archaeologists have correctly identified and been excavating the ancient site of Troy, and what has been found there.
Exploring the functions of space in the Iliad, Christos Tsagalis shows how active spatial representation in similes and descriptive passages influences characterization and narrative action. He also analyzes Homeric modes of visual memory, implicit knowledge, and mnemonic formats in order to better understand descriptive and ekphrastic passages