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Dashing and valiantly wounded, Captain John Gallows could have stepped straight out of an army recruitment poster. Leanne Sample can't help being impressed—although the lovely Red Cross nurse tries to hide it. She knows better than to get attached to the daring captain who is only home to heal and help rally support for the war's final push. As soon as he's well enough, he'll rush back to Europe, back to war—and far away from South Carolina and Leanne. But when an epidemic strikes close to home, John comes to realize what it truly means to be a hero—Leanne's hero.
The Virgin's Promise demystifies the complexities of archetypes and clearly outlines the steps of a Virgin's Journey to realize her dream. Audiences need to see more than brave, self-sacrificing Heroes. They need to see Virgins who bring their talents and self-fulfilling joys to life. The Virgin's Promise describes this journey with beats that feel incredibly familiar but have not been illustrated in any other screenwriting book. It explores the yin and yang of the Virgin and Hero journeys to take up their power as individuals, and includes a practical guide to putting this new theory into action.
Princess Jehosheba wants nothing more than to please the harsh and demanding Queen Athaliah, daughter of the notorious Queen Jezebel. Her work as a priestess in the temple of Baal seems to do the trick. But when a mysterious letter from the dead prophet Elijah predicts doom for the royal household, Jehosheba realizes that the dark arts she practices reach beyond the realm of earthly governments. To further Athaliah and Jezebel's strategies, she is forced to marry Yahweh's high priest and enters the unfamiliar world of Yahweh's temple. Can her new husband show her the truth and love she craves? And can Jehosheba overcome her fear and save the family--and the nation--she loves? With deft skill, Mesu Andrews brings Old Testament passages to life, revealing a fascinating story of the power of unconditional love.
One of Oprah Daily’s Most Anticipated Romances of 2022! A fake engagement brings together a lady with bold and daring dreams, and the heir whose heart she captured—perfect for fans of Bridgerton! Tall, dark, and brooding—to say that American Maxwell Crenshaw stood out in the glittering ballrooms of London is an understatement. He vowed never to set foot in England again, but when a summons from his father along with an ultimatum to secure his legacy has him crossing the Atlantic for the last time, reuniting him with the delectable Lady Helena March, he can’t deny the temptation she presents. Or the ideas she inspires… Lady Helena March is flirting with scandal. Instead of spending her time at teas and balls in search of another husband, as is expected of a young widow, Helena pours her energy into The London Home for Young Women. But Society gives no quarter to unmarried radicals who associate with illegitimate children and fallen women, and Helena’s funding is almost run out. So when the sinfully seductive Crenshaw heir suggests a fake engagement to save them both—him from an unwanted marriage and her from scorn and financial ruin—Helena finds herself too fascinated to refuse the sexy American. As their arrangement of convenience melts oh so deliciously into nights of passion, their deception starts to become real. But if Max knew the true reason Helena can never remarry, he wouldn’t look at her with such heat in his eyes. Or might the Crenshaw heir be willing to do whatever it takes to win the one woman he’s never been able to forget…
A polemic against love that is “engagingly acerbic ... extremely funny.... A deft indictment of the marital ideal, as well as a celebration of the dissent that constitutes adultery, delivered in pointed daggers of prose” (The New Yorker). Who would dream of being against love? No one. Love is, as everyone knows, a mysterious and all-controlling force, with vast power over our thoughts and life decisions. But is there something a bit worrisome about all this uniformity of opinion? Is this the one subject about which no disagreement will be entertained, about which one truth alone is permissible? Consider that the most powerful organized religions produce the occasional heretic; every ideology has its apostates; even sacred cows find their butchers. Except for love. Hence the necessity for a polemic against it. A polemic is designed to be the prose equivalent of a small explosive device placed under your E-Z-Boy lounger. It won’t injure you (well not severely); it’s just supposed to shake things up and rattle a few convictions.
1851 Ireland. After enduring years of a devastating potato famine, Ellen Kittrick is a survivor. Crop failures and a descent into poverty changes her from a happy wife and mother to a woman struggling to keep her children alive. To put food on the table and to stop the landowner's agent from tearing down their cottage due to unpaid rent, Ellen defies her family and works at an Englishman's manor, but with her husband out of work, and a secretive brother-in-law wanting her for his own, Ellen must face every challenge with new strength. When several shocking events occur, it forces her to make an enormous decision. With aid coming from an unlikely source, namely Englishman Rafe Hamilton, Ellen leaves Ireland with what is left of her family to start again in a new country. But will the colony give her the security and happiness she longs for, especially when she has left her heart behind? Can Ellen thrive in a strange land? Or has she made the greatest mistake of her life?
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Should she confess to her husband? Marianne had been thrilled when Hudson de Sance proposed. But could she really go ahead with the wedding? She was being blackmailed, and the only solution seemed to be disappearing from Hudson's life . Only, Hudson had found her, and he was still determined to make Marianne his wife. But now he was driven by revenge, not love! Marianne longed to marry him but what would happen when Hudson discovered his bride's secret?
U.S. History is designed to meet the scope and sequence requirements of most introductory courses. The text provides a balanced approach to U.S. history, considering the people, events, and ideas that have shaped the United States from both the top down (politics, economics, diplomacy) and bottom up (eyewitness accounts, lived experience). U.S. History covers key forces that form the American experience, with particular attention to issues of race, class, and gender.