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During the 19th century, New Zealand's South Island underwent an environmental transformation at the hands of European settlers. They diverted streams and drained marshes, burned native vegetation and planted hedges and grasses, stocked farms with sheep and cattle and poured on fertilizer. Through various letter books, ledgers, diaries, and journals, this book reveals how the first European settlers learned about their new environment: talking to Maori and other Pakeha, observing weather patterns and the shifting populations of rabbits, reading newspapers, and going to lectures at the Mechanics' Institute. As the New Zealand environment threw up surprise after surprise, the settlers who succeeded in farming were those who listened closely to the environment. This rich and detailed contribution to environmental history and the literature of British colonial history and farming concludes—contrary to the assertions of some North American environmental historians—that the first generation of European settlers in New Zealand were by no means unthinking agents of change.
A major new account of Pākehā and the land in New Zealand. During the nineteenth century European settlers transformed the environment of New Zealand’s South Island. They diverted streams and drained marshes, burned native vegetation and planted hedges and grasses, stocked farms with sheep and cattle and poured on fertiliser. In Home in the Howling Wilderness Peter Holland undertakes a deep history of that settlement to answer key questions about New Zealand’s ecological transformation. Did the settlers pursue farming regardless of the ecological consequences? Did they impose European plants, animals and farming methods on a very different environment? And did their efforts lead to the erosion, rabbit plagues and declining soil fertility of the late nineteenth century? Drawing on letter books and ledgers, diaries and journals, Peter Holland reveals how the first European settlers learned about their new environment: talking to Māori and other Pākehā, observing weather patterns and the shifting populations of rabbits, reading newspapers and going to lectures at the Mechanics’ Institute. Examining the knowledge they built up by these routes, Holland lays out how the settlers grappled with droughts and floods, worked out which plants and animals made sense, and worked out how to beat erosion and rabbits. As the New Zealand environment threw up surprise after surprise, the settlers who succeeded in farming were those who listened closely to the environment. They learned to predict weather more accurately, to farm differently with different soil types, to use different techniques of land management. In its depth and breadth of research, and with a visual component of 16 photographs and 22 figures, Home in the Howling Wilderness is a major new account of Pākehā and the land in New Zealand. --Publisher's information.
A great military history about the early days of the American Revolution, Thomas A. Desjardin's Through a Howling Wilderness is also a timeless adventure narrative that tells of heroic acts, men pitted against nature's fury, and a fledgling nation's fight against a tyrannical oppressor. Before Benedict Arnold was branded a traitor, he was one of the colonies' most valuable leaders. In September 1775, eleven hundred soldiers boarded ships in Massachusetts, bound for the Maine wilderness. They had volunteered for a secret mission, under Arnold's command to march and paddle nearly two hundred miles and seize British Quebec. Before they reached the Canadian border, hundreds died, a hurricane destroyed canoes and equipment and many deserted. In the midst of a howling blizzard, the remaining troops attacked Quebec and almost took Canada from the British simultaneously weakening the British hand against Washington. With the enigmatic Benedict Arnold at its center, Desjardin has written one of the great American adventure stories.
Through the Howling Wilderness is replete with in-depth coverage on the geography of the region, the Congressional hearings after the Campaign, and the Confederate defenses in the Red River Valley.
First performed in 1908, How the Vote Was Won is a one act play by actress Cicely Hamilton and Christopher St. John. Set in England during the early 18th century, How the Vote Was Won uses comedy to tell a story in support of women’s suffrage. In this one act the English government tells its people that women do not need to worry about having the right to vote because the men will be in charge of taking care of them. This was part of the ridiculous idea held by the United Kingdom, and the world at the time. Women were held under the authority of their husbands, and would be solely supported by them. This allowed them no place in politics and took away their autonomy. The play stars Horace, an anti-suffragist, who is confronted by many of his female relatives demanding that he start supporting them since they have no rights. Many of these women formally held jobs, financially supporting themselves but have quit in protest and support of the movement for women to have voting rights, the same as men. Now, Horace is forced to either support each of these women, practicing what he preaches, or admit to his hypocritical beliefs. Written by two of the most notable champions in literature for women’s rights in the United Kingdom, How the Vote Was Won by Cecily Hamilton and Christopher St. John served as a clever and humorous way to address the inequalities women suffered. Today, the work of these two passionate activists still provides an accurate portrayal of the political landscape they lived in. This edition of How the Vote Was Won by Cecily Hamilton and Christopher St. John features an eye-catching new cover design and is presented in a font that is both modern and readable. With these accommodations, this edition is accessible and appealing to contemporary audiences, restoring How the Vote Was Won to modern standards while preserving the clever comedy and impact of the work of Cecily Hamilton and Christopher St. John.
While biblical scholars increasingly use insights from postcolonial theory to interpret the Bible, the Bible itself is often neglected by postcolonial criticism, with the result that there is little influence in the other direction: from the Bible to postcolonial criticism. This second edition of Last Stop before Antarctica begins to repair the imbalance by pointing to the vital role that the Bible played in colonization, using Australia????????????????????????one of the first centers of postcolonial criticism????????????????????????as a specific example. Drawing upon colonial literature, including explorer journals, poetry, novels, and translations, it creates a mutually enlightening dialogue between postcolonial literature and biblical texts on themes such as exodus and exile, translation, identity, and home.