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A Vintage Shorts “Short Story Month” Selection From the Man Booker Prize-winning author of The Sense of an Ending and one of Britain’s greatest writers, a twist on the workshop story and defense of Papa Hemingway, with art, love, ambition mixed in. “Homage to Hemingway” is modeled after the oft-overlooked Ernest Hemingway story “Homage to Switzerland,” a formally experimental work composed of three related vignettes. Here, Barnes composes three portraits of the modern writing life, a rhapsodic, witty and hopeful account of the writer’s search for what is good and what is true. From Barnes’s collection of miscellaneous prose, Through the Window. An eBook short.
Step into the heart of revolutionary Spain with George Orwell's powerful account, Homage to Catalonia. In this poignant narrative, Orwell recounts his firsthand experiences fighting in the Spanish Civil War, offering a vivid and deeply personal perspective on the political and social upheaval of the time. Orwell’s writing brings to life the intense struggles, challenges, and betrayals he witnessed as he joined the militia in Catalonia. With sharp clarity, he paints a stark picture of the ideological divides that tore the country apart, and the complexities of war that blurred the lines between friend and foe.But here's the twist that will captivate you: What does Orwell’s experience reveal about the nature of truth, power, and the human spirit during times of war? Can we learn from the past to avoid repeating its mistakes? This extraordinary memoir offers a rare look into the realities of war, filled with unflinching honesty and a deep sense of humanism. Through Orwell’s eyes, the reader gains an intimate understanding of the personal costs of conflict and the difficult choices soldiers had to make. Are you ready to witness the raw, unfiltered truths of war as seen through the eyes of one of history's most influential writers?Dare to immerse yourself in the brutal honesty of Homage to Catalonia and experience a unique chapter of history that continues to resonate today. Purchase it now, and begin your journey through Orwell’s compelling narrative of war, ideology, and survival.
What if William Shakespeare were asked to generate the Fibonacci series or Jane Austen had to write a factorial program? In If Hemingway Wrote JavaScript, author Angus Croll imagines short JavaScript programs as written by famous wordsmiths. The result is a peculiar and charming combination of prose, poetry, and programming. The best authors are those who obsess about language—and the same goes for JavaScript developers. To master either craft, you must experiment with language to develop your own style, your own idioms, and your own expressions. To that end, If Hemingway Wrote JavaScript playfully bridges the worlds of programming and literature for the literary geek in all of us. Featuring original artwork by Miran Lipova?a.
The hoax proposed to John Baird by a two-bit con man in a seedy Key West bar was shady but potentially profitable. With little left to lose, the struggling, middle-aged Hemingway scholar agreed to forge a manuscript and pass it off as Papa's lost masterpiece. But Baird never realized his actions would shatter the history of his own Earth . . . and others. Now the unsuspecting academic is trapped out of time - propelled through a series of grim parallel worlds - and pursued by an interdimensional hitman with a literary license to kill.
In the fall of 1948, Ernest Hemingway made his first extended visit to Italy in thirty years. His reacquaintance with Venice, a city he loved, provided the inspiration for Across the River and into the Trees, the story of Richard Cantwell, a war-ravaged American colonel stationed in Italy at the close of the Second World War, and his love for a young Italian countess. A poignant, bittersweet homage to love that overpowers reason, to the resilience of the human spirit, and to the worldweary beauty and majesty of Venice, Across the River and into the Trees stands as Hemingway's statement of defiance in response to the great dehumanizing atrocities of the Second World War. Hemingway's last full-length novel published in his lifetime, it moved John O'Hara in The New York Times Book Review to call him “the most important author since Shakespeare.”
Some 25 Hemingway scholars critique Hemingway's works from the early apprentice fiction of 1919, stories Hemingway wrote, dog."
Honoring the female part of the divine, from a refreshingly modern perspective. Call Her Goddess--call her God the Mother--call her the Feminine Principle--Her children need Her, and our world deeply suffers the pains of Her absence. Through the warmth and the wit of poetry, this book is an invitation for all--women, men, of any religion or of no religion--to welcome Her home and set a permanent place for Her at the family table. Carol Lynn Pearson's poetry are accessible, thoughtful, and thought-provoking--the perfect balance of wisdom, humility, and humor. Carol Lynn Pearson has been a professional writer, speaker, and performer for many years. In addition to her volumes of poetry, she is well known for such books as The Ghost of Eternal Polygamy; Goodbye, I Love You, her autobiography; Consider the Butterfly, which was a finalist in the inspiration/spiritual category of the 2002 Independent Publishers Book Awards; and a series of inspirational books that began with The Lesson. Carol Lynn has been a guest on such programs as The Oprah Winfrey Show and Good Morning, America and has been featured in People magazine. She has a master of arts in theater, is the mother of four grown children, and lives in Walnut Creek, California. You can visit her at www.clpearson.com.
A study of surprising similarities in their lives and works “adds an important element to the existing discussion” of two twentieth-century literary icons (Studies in American Humor). In this original comparative study of Kurt Vonnegut and Ernest Hemingway, Lawrence R. Broer maps the striking intersections of biography and artistry in works by both writers, and compares the ways they blend life and art. Broer views Hemingway as the “secret sharer” of Vonnegut’s literary imagination and argues that the two writers—traditionally considered as adversaries because of Vonnegut’s rejection of Hemingway’s emblematic hypermasculinism—inevitably address similar deterministic wounds in their fiction: childhood traumas, family insanity, deforming wartime experiences, and depression. Rooting his discussion in these psychological commonalities, Broer traces their personal and artistic paths by pairing sets of works and protagonists in ways that show the two writers not only addressing similar concerns, but developing a response that in the end establishes an underlying kinship when it comes to the fate of the American hero of the twentieth century. Hemingway provided frequent fodder for Vonnegut, inspiring a cadre of characters who celebrate war and death. In his sardonic response to this vision of a Hemingwayesque world, Vonnegut espoused kindness and restraint as moral imperatives against the more violent yearnings of human nature, which Hemingway in turn embraced as stoic, virile, and heroic. Though their paths were radically different, Broer finds in both an overarching obsession with the scars of war as chief adversary in a personal quest for understanding and wholeness. He locates in each writer’s canon moments of spiritual awaking leading to literary evolution—if not outright reinvention. In their later works Broer detects an increasing recognition of redemptive feminine aspects in themselves and their protagonists, pulling against the destructively tragic fatalism that otherwise dominates their worldviews. Broer sees Vonnegut and Hemingway as fundamentally at war—with themselves, with one another’s artistic visions, and with the idea of war itself. Against this onslaught, he asserts, they wrote as a mode of therapy and achieved literary greatness through combative opposition to the shadows that loomed so large around them.
In this entertaining homage to the golden age of the cocktail, illustrator Edward Hemingway and writer Mark Bailey present the best (and thirstiest) American writers, their favorite cocktails, true stories of their saucy escapades, and intoxicating excerpts from their literary works. It’s the perfect blend of classic cocktail recipes, literary history, and tales of the good old days of extravagant Martini lunches and delicious excess. When Algonquin Round Table legend Robert Benchley was asked if he knew that drinking was a slow death, Benchley took a sip of his cocktail and replied, “So who’s in a hurry?” Hunter S. Thompson took Muhammad Ali’s health tip to eat grapefruit every day; he just added liquor to the mix. Invited to a “come as you are” party, F. Scott Fitzgerald and his wife, Zelda, arrived in their pajamas ready for their cocktail of choice: a Gin Rickey. Forty-three classic American writers, forty-three authentic cocktail recipes, forty-three telling anecdotes about the high life, and forty-three samples of the best writing in literature –Hemingway & Bailey’s Bartending Guide to Great American Writers delivers straight-up fun.
A compelling and authoritative reading of Hemingway's final collection of short stories Written in 1933 and one of Hemingway's lesser-known books, Winner Take Nothing was his third and final collection of short stories. These stories are about loners and losers and misfits and ne'er-do-wells. Its characters are ill, tortured, maligned, and frustrated by Hemingway's world. Like the characters it depicts, Winner Take Nothing is likewise a misfit in Hemingway's career, a volume of short stories that, as of this writing, is not even in print. Its more popular predecessors, In Our Time (1925) and Men without Women (1927), are held up as iconic collections in the American short story tradition. The grotesqueries of these 14 stories are outcasts in Hemingway's corpus and have been neglected virtually from the beginning. Editors Cirino and Vandagriff recover an underrated work that still reflects contemporary concerns. Through line-by-line annotations and accompanying commentary, this book weaves together the biographical, historical, and cultural threads of one of Hemingway's more overlooked works, thus providing much needed guidance for Hemingway scholars and general readers alike. Included in this Collection: Introduction--Mark Cirino and Susan Vandagriff "After the Storm"--Kirk Curnutt "A Clean Well-Lighted Place"--Alberto Lena "The Light of the World"--Bryan Giemza "God Rest You Merry, Gentlemen"--Suzanne del Gizzo "The Sea Change"--Carl Eby "A Way You'll Never Be"--Mark Cirino "The Mother of a Queen"--Krista Quesenberry "One Reader Writes"--Robert W. Trogdon "Homage to Switzerland"--Boris Vejdovsky "A Day's Wait"--Verna Kale "A Natural History of the Dead"--Ryan Hediger "Wine of Wyoming"--Susan Vandagriff "The Gambler, the Nun, and the Radio"--Nicole J. Camastra "Fathers and Sons"--Donald A. Daiker