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Since Cherie Priest burst onto the speculative fiction scene, she's built a huge following through novels that have earned her accolades and the titles "The Queen of Horror" and "The High Priestess of Steampunk" at various times. A nominee for the Nebula, Hugo, and Goodreads Choice Awards and a winner of the Locus Award, Priest is also a master of the short form. In her first collection of short fiction, Holy Terror: Stories by Cherie Priest, readers will be taken on haunting journeys that showcase Priest's unparalleled range. In an early story, "The October Devotion," William Miller's predicted mid-19th century apocalypse ends up with a girl discovering what might or might not be Lovecraftian salvation in the forest. A soldier brings a dragon home from World War II to east Tennessee in "The Immigrant." Two stories here take place in Priest's beloved Clockwork Century universe: "Reluctance," in which a teen veteran with a war injury lands his dirigible in a town that seems empty, only to end up in a race against time and zombies, and the novella "Clementine," following the adventures of Maria Isabella Boyd and Captain Croggon Beauregard Hainey. Another novella, The Wreck of the Mary Byrd, weaves the story of a disappearing boat in 1870 in the words of the captain and some of the passengers...as well as an unforgettable villain. And there's so much more. Holy Terror also features an introduction from New York Times' bestselling author Kevin Hearne, extensive notes on each story from Priest, and an exclusive new novelette, "Talking in Circles" that is sure to become a fan favorite. Get ready to hide under the covers, crack this volume open, and take a delicious trip to the dark side.
“Short stories have to accomplish a nearly impossible magic trick: to introduce a world often much stranger than our own and make you care about it in a matter of pages,” writes R. F. Kuang in her introduction. “The most important part of this magic trick is just a willingness to get weird.” The stories in The Best American Science Fiction and Fantasy 2023 are brimming with bizarre and otherworldly premises. Women can’t lie or fall in love. Fathers feed their children ghost preserves. Souls chase one another through animal incarnations. Yet these stories are grounded deeply in our reality. Out of these stories’ weirdness emerges the cruelty of border enforcement, the horror of legislation restricting reproductive freedom, the frightening pace of AI. The result is a stunning, immersive, intensely felt experience, showing us less of what the world is, and more of what it could be. The Best American Science Fiction and Fantasy 2023 includes Nathan Ballingrud • KT Bryski • Isabel Cañas • Maria Dong • Kim Fu • Theodora Goss • Alix E. Harrow • S. L. Huang • Stephen Graham Jones • Shingai Njeri Kagunda • Isabel J. Kim • Samantha Mills • MKRNYILGLD • Malka Older • Susan Palwick • Linda Raquel Nieves Pérez • Sofia Samatar • Kristina Ten • Catherynne M. Valente • Chris Willrich
"It's a Holy Terror," said Betsy Barnacle, the monthly nurse. "I never heard such a baby. Scream and scream it does. And its little fists!" "There ain't nothing wrong with it?" asked cook. "Only it's a little Turk," said Betsy. "Goes stiff it does and if you tried to stop it, there'd be convulsions. Hark at it now! You'd think it would rupture itself." The two women listened judicially. Their eyes met in a common wonder. "I shouldn't have thought its father had it in him," said cook. The baby grew into an incessantly active, bilious little boy with a large white face, a slight scowl and the devil of a temper. He was a natural born kicker; he went straight for the shins. He was also a wrist-twister, but he bit very little. On the other hand he was a great smasher of the cherished possessions of those who annoyed him, and particularly the possessions of his brothers Samuel and Alf. He seemed to have been born with the idea of "serving people out." He wept very little, but when he wept he howled aloud, and jabbered wild abuse, threats and recriminations through the wet torrent of his howling. The neighbours heard him. Old gentlemen stopped and turned round to look at him in the street. By the time he was seven or eight quite a number of people had asked: "What can you do with a boy like that?" Nobody had found a satisfactory solution to the problem. Many suggestions were made, from "Knock his little block off," to "Give him more love." Nowadays many people deny that the unpleasantness of unpleasant children comes naturally. They say they are love-starved. His Aunt Julia, for example, did. "You think so," said his mother, and did not argue about it, because at times she was very doubtful indeed whether she did love him. She was for a mother unusually clear-headed. She was affectionate but she was critical. And what to do with him she did not know. His name was Rudolf, not perhaps the wisest name to give a child, which shortened naturally into Rudie, but which after he had heard of the existence and world-wide fame of Mr. Kipling he insisted upon shortening further and improperly-since it altered the vowel sound-into "Rud." He was also called Young Whitlow, Whitlow Tertius, Wittles and Drink, Wittles and Stink, Grub and simply The Stink. He objected strenuously to the last and always attempted the murder of anyone not too obviously an outsize who used it. It referred to some early accident in his career which he desired to have forgotten.