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For many people beyond Nevada’s borders, the state is no more than the nation’s desert dumping ground for dangerous waste. Others know it only for its hedonistic centers of gambling and entertainment. This scandal belies the extraordinary beauty and wonder of the state’s wilderness areas and the precious natural, aesthetic, and cultural resources to be found there. In Wild Nevada, editors Roberta Moore and Scott Slovic have assembled twenty-nine writers who know and love the Nevada wilderness to testify on its behalf. Contributors include literary artists and scholars, environmental and community activists, leading politicians, ranchers, scientists, and park rangers. Some essays offer observations on the political and philosophical discussions of wilderness that heat up the halls of academia and Congress; others recount moving personal encounters with wild places within Nevada; and still others comment on the ambiguities of preserving wild places through wilderness designation. But despite the eclectic backgrounds of the writers and their varied perspectives on public policy, they are all united in their devotion to the ecological and aesthetic values of Nevada’s threatened wilderness areas. Foreword by Michael Frome.
Adrian has fallen in love with a man, who seems almost impossibly perfect for her,She has a new better paying job modeling underwear and she has just learned that herBeloved father is not dead as reported, but in the Amazon searching for a miracleMedication with an ancient medicine man and falling in love with a naked jungleTeenager. What could possibly go wrong? Does Cole Slaugh, the handsome FBI agentWho has fallen in love with her while tailing her and her lover knows?Joyce Keveren is a writer, painter, semi-hermit and mother of four grown childrenWho is currently living in Phoenix, Arizona.I was raised on my grandfather's isolated cattle ranch in northeastern Wyoming. I lived for twenty years on the Zuni Indian Reservation in west central New Mexico where I raised my four children. I am now living in the city of Phoenix Arizona.I have been writing since I was very young, have self-published 4 novels.
From the Andes to the Himalayas, mountains have an extraordinary power to evoke a sense of the sacred. In the overwhelming wonder and awe that these dramatic features of the landscape awaken, people experience something of deeper significance that imbues their lives with meaning and vitality. Drawing on his extensive research and personal experience as a scholar and climber, Edwin Bernbaum's Sacred Mountains of the World takes the reader on a fascinating journey exploring the role of mountains in the mythologies, religions, history, literature, and art of cultures around the world. Bernbaum delves into the spiritual dimensions of mountaineering and the implications of sacred mountains for environmental and cultural preservation. This beautifully written, evocative book shows how the contemplation of sacred mountains can transform everyday life, even in cities far from the peaks themselves. Thoroughly revised and updated, this new edition considers additional sacred mountains, as well as the impacts of climate change on the sacredness of mountains.
This book explores the morphology of early medieval Irish religious settlement. It seeks to shift the focus of academic interest away from simply the materiality of settlement towards a greater concern for its possible theological significance. The critical literature is reviewed and the archaeological and literary evidence revisited in search of evidence for a consistent early medieval Irish schema for the layout of religious settlement. This study suggests that the enclosure and zoning of religious space was primarily inspired by depictions of the Jerusalem Temple through the medium of a universally received scriptural 'canon of planning'. The distinctive early Irish religious landscape is a result of the convergence of this Christian exemplar of ordered holy space with vernacular building forms.These building forms were shaped by the legacy of Ireland's recent pagan past whose architectural leitmotif was the circular or sub-circular form, in contrast to the buildings described in Christian texts. Some of the traditional assumptions about the possible heterodox nature of the ecclesiology of the early medieval Irish church are also challenged. Irish religious topography is set within the context of a universal Christian understanding of holy space which impacts upon the topography of religious settlement not just in Ireland but further afield in Anglo-Saxon England, Gaul and the Middle East. In this the book, like many other recent studies, challenges the presumption that there was a 'Celtic church' distinctive in its practices from the wider church, while documenting the local contribution to Christian architecture.