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Holy Grail and Holy Thorn: Glastonbury in the English Imagination explores the legends of King Arthur and Joseph of Arimathea at Glastonbury and how their influence has been felt from medieval to modern times. Joseph was said to have built at Glastonbury the first church in Christendom, which made it a centre of medieval pilgrimage, and gave Glastonbury an international profile in the fifteenth century. Through the winter-flowering holy thorn, said to have grown from Joseph’s staff, and later the Chalice Well, Glastonbury remained a focus of superstition in the Protestant centuries. In medieval romance Joseph of Arimathea had been the first keeper of the Holy Grail, a mystical past that was revived by Romantic writers and artists and ensured that Glastonbury retained a place in our national culture. In the twentieth century Glastonbury’s reputation was further elaborated by the belief that Joseph was the great-uncle of Jesus Christ, and that when he first came to Britain he brought the young Jesus with him, an idea suggested by William Blake’s Jerusalem. In the same mystical tradition, in the 1960s John Michell saw in Glastonbury the dimensions of New Jerusalem, which proved crucial in making Glastonbury the capital of New Age culture.
The Holy Thorn of Glastonbury is the stuff that legends are made of. Stories grow on it like fruit and wrap around it like creepers. It’s a shape-shifter. It’s been Catholic, Protestant, Pagan, universal. It’s succoured royalty, loyalty, defiance and subversion. It’s been condemned as patriarchal and revered as a feminine spirit. It’s been harnessed by imperialists and peacemakers and nationalists and universalists. It’s stood for better times and better days. For Christmas cheer and better nature, for all trees and all nature, for peace and for hope. This book is the biography of a symbol. “surely the definitive work on its beloved and important subject” Ronald Hutton "permanently changes our understanding of the mutable mythos without undermining our heart-felt connection to it" Paul Weston "a gem of historical writing" Maria Nita, Material Religion "a coherent and gripping narrative" Charles Watkins, Journal of Historical Geography "If you care about Glastonbury's history, and the origins of its legends, you need this book" Yuri Leitch "utterly accessible, written with flow and humour, zest and zeal" Johanna van Fessem, Glastonbury Oracle "a fusion of critical acumen and human sympathy" Jeremy Harte, Fortean Times "an amazing story unfolds from a hugely impressive mass of sources" Robert Dunning, The Local Historian Adam Stout is a writer and historian, and has been a Visiting Research Fellow at the Universities of Wales, Leicester, Exeter and Southampton. He has written and lectured widely on the idea of Glastonbury.
The medieval legend of the Grail, a tale about the search for supreme mystical experience, has never ceased to intrigue writers and scholars by its wildly variegated forms: the settings have ranged from Britain to the Punjab to the Temple of Zeus at Dodona; the Grail itself has been described as the chalice used by Christ at the Last Supper, a stone with miraculous youth-preserving virtues, or a vessel containing a man's head swimming in blood. In his classic exploration of the major versions, Roger Sherman Loomis shows how the Grail, once a Celtic vessel of plenty, evolved into the Christian Grail with miraculous powers. Loomis bases his argument on historical examples involving the major motifs and characters in the legends, beginning with the Arthurian legend recounted in the 1180 French poem by Chrétien de Troyes. Loomis's book builds suspense as he proceeds from one puzzle to the next in revealing the meaning behind the legends.--From publisher description.
Forges innovative connections between monastic archaeology and heritage studies, revealing new perspectives on sacred heritage, identity, medieval healing, magic and memory. This title is available as Open Access.
Arthur & Rosalind Eedle spent some years researching the history of the centuries before Augustine, coupled with field trips to Cornwall and Somerset. Fired by the enthusiasm of men like Henry Ardern Lewis who had the same life-long urgency to prove that Britain was the first nation to espouse Christianity, they have made known their results in this volume. It is a detective story which grips one's attention and imagination to reveal the hand and purpose of God for our nation.
The first in-depth study of Arthurian places in late medieval and early modern England and Wales. Places have the power to suspend disbelief, even concerning unbelievable subjects. The many locations associated with King Arthur show this to be true, from Tintagel in Cornwall to Caerleon in Wales. But how and why did Arthurian sites come to proliferate across the English and Welsh landscape? What role did the medieval custodians of Arthurian abbeys, churches, cathedrals, and castles play in "placing" Arthur? How did visitors experience Arthur in situ, and how did their experiences permeate into wider Arthurian tradition? And why, in history and even today, have particular places proven so powerful in defending the impression of Arthur's reality? This book, the first in-depth study of Arthurian places in late medieval and early modern England and Wales, provides an answer to these questions. Beginning with an examination of on-site experiences of Arthur, at locations including Glastonbury, York, Dover, and Cirencester, it traces the impact that they had on visitors, among them John Hardyng, John Leland, William Camden, who subsequently used them as justification for the existence of Arthur in their writings. It shows how the local Arthur was manifested through textual and material culture: in chronicles, notebooks, and antiquarian works; in stained glass windows, earthworks, and display tablets. Via a careful piecing together of the evidence, the volume argues that a new history of Arthur begins to emerge: a local history.
Immerse yourself in the beauty and power of nature with a different tree for every day of the year. Spend every day of the year with one of the world's most fascinating trees. In A Tree a Day seasoned nature writer and journalist Amy-Jane Beer shares 365 majestic and memorable trees from around the world. From the strength of Alder trees to the biology behind the autumn colors of New England; from folkloric medicines in tree sap to Shakespeare's Birnam Wood; from the giant sequoias of California to Klimt's Birch trees—A Tree a Day explores the botany, poetry, folklore, rich history, and natural beauty of trees. Dip in and out or spend each day exploring a new natural wonder. With award-winning photography, works of art, and detailed illustrations on every page, A Tree a Day illuminates the timeless splendor and power of the world's trees. GORGEOUS ILLUSTRATIONS: Each tree is illustrated with a unique work of art—from classical painting to breathtaking photographs. MEDITATIVE START TO EACH DAY: A Tree a Day is a beautiful reminder to pause each day and appreciate the natural world—no matter where you are. Each of the 365 entries offers a seasonal quote, fact, or story about trees to inspire gratitude and wonder. EVERGREEN: Nature lovers will return to this book day after day, year after year—it makes for the perfect bite-sized, bedside reading. AUTHOR EXPERTISE: In addition to being a nature writer for The Guardian, Amy Jane-Beer has written more than 30 books about science and natural history. Perfect for: Tree and Nature Enthusiasts; Gardeners; Hikers, Backpackers, and Campers; Environmentalist; Fans of A Cloud a Day
The Camino Made Easy: Reflections of a Parador Pilgrim relates three fascinating, culturally rich journeys on the Way of St. James, or the Camino, through Spain and Portugal to Santiago de Compostela. This personal, practical, and informational story testifies to the advantages of doing the Camino on a walking tour, while offering fresh perspectives on this long-distance medieval pilgrimage route for pilgrims and tourists alike. Olivia Pittet describes stunningly varied landscapes, including the Basque country, the Rioja wine region, and Celtic Galicia, as well as the World Heritage cities of Burgos, León, and Santiago, while gradually unfolding the Camino’s extraordinary cultural legacy and religious history, its present-day relevance, and its enduring appeal. She recalls what it was like to walk over one hundred miles on each journey, interweaving her Chaucer-style interactions with her fellow pilgrims, her love of landscape, and her special interest as a former medievalist in the Camino’s literature and legends. Olivia also interjects her own tale, tracing her unexpected spiritual journey from its initial stumbling blocks to a developing sense of pilgrimage the closer she came to Santiago, where there are as many answers waiting to be found as there are ways of walking the Camino. Beautifully written and deeply felt, this rich fusion of pilgrimage and personal narrative, landscape and cultural legacy, literature and legend vibrantly re-creates the Camino anew.