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Describes how black guide Holt Collier's plea for Teddy Roosevelt to spare the life of a bear led to the creation of the teddy bear.
Uptown is the 2001 winner of the Coretta Scott King Illustrator Award.
Author Mark Neaves guides readers on an incredible tale through the life of one of America's greatest adventurers. Born into slavery in the Mississippi Delta in 1847, Holt Collier was taught to hunt at an early age, killing his first bear at age 10, the first of 3,000 bears he killed during his lifetime, more than Davy Crockett and Daniel Boone combined. The number sounds impossible, until considered in the context of a life that reads like the stuff of fiction. When war erupted in the South, he remained loyal to the Confederacy, a teenager off to war. By the turn of the century, he'd become such a legendary hunter he was tapped to lead Teddy Roosevelt on a hunt that gave birth to the "Teddy Bear." As a former slave, Confederate soldier, and professional hunting guide, Holt goes down as an American legend.
A biography about Rosa Parks, the Alabama black seamstress who refused to give up her seat on a bus and helped establish the civil rights movement.
A POWERFUL AND INSPIRING RECORD OF ONE OF THE MOST SIGNIFICANT PERIODS IN AMERICA'S HISTORY, MY SOUL IS A WITNESS PRESENTS THE FULL HISTORIC SCOPE OF THE HARD-FOUGHT BATTLE FOR CIVIL RIGHTS. From the landmark Brown v. Board of Education decision, in which legal segregation in public schools was declared unconstitutional, the Nashville sit-ins, and the Freedom Rides to the March on Washington, Bloody Sunday, the march from Selma to Montgomery, and the subsequent passage of the Voting Rights Act of 1965 -- and everything in between -- My Soul Is a Witness is the first comprehensive book-length chronology of the civil rights era in America. My Soul Is a Witness extends the examination of civil rights activities between 1954 and 1965 beyond the southern states to include the rest of the country. Although Martin Luther King, Jr., was a central towering figure of the era, this volume shifts the focus to the thousands of people, places, and events that the Civil Rights Movement encompassed. And while the movement began in the arena of education, My Soul Is a Witness covers events in the areas of employment, public accommodations, housing, voting rights, religion, entertainment, sports, and the military. The more than 2,500 entries are based on information found in articles and reports published in three sources: The New York Times, Jet magazine, and the Southern School News. The basic chronology is supplemented with longer features that explore topics in greater depth as well as highlight issues well known at the time but largely unknown today by scholars and the general public.
Examines the possible origins of jazz, its variety, greatness, and individual artists.
Set in 1957, Jericho Walls is an unforgettable and inspiring novel about the power of friendship for a young girl growing up amid racism. "I woke early that first Sunday in Jericho. The sun was barely a stain in the sky, but the air was hot and clammy. My nightgown stuck to my skin. I padded to the bathroom and splashed my face with cold water. My stomach clenched in a queasy ball . . . I'd keep myself out of trouble in Jericho, I promised myself. I'd do all the right things and make lots of good friends and no one would care a whit about my being a preacher's daughter." Jo Clawson isn't the boy her father wanted, and she's not the "young lady" her neighbors expect of the preacher's daughter, either. But even though Jo doesn't always meet the expectations of the people around her, she still longs to fit in. When she and her family leave their northern home for the small southern town of Jericho, Alabama, Jo might finally stop picking fights and settle in right. But when Jo befriends a young black boy, she discovers that "fitting in" is about a lot more than proper manners or a smart outfit. Suddenly she's faced with a new set of questions that call up her own values. Maybe some fights are worth picking, after all.
A New York Times Notable Book of 2019 A unique exploration of the life and work of Rudyard Kipling in Gilded Age America, from a celebrated scholar of American literature At the turn of the twentieth century, Rudyard Kipling towered over not just English literature but the entire literary world. At the height of his fame in 1907, he was awarded the Nobel Prize for Literature, becoming its youngest winner. His influence on major figures—including Freud and William James—was pervasive and profound. But in recent decades Kipling’s reputation has suffered a strange eclipse. Though his body of work still looms large, and his monumental poem “If—” is quoted and referenced by politicians, athletes, and ordinary readers alike, his unabashed imperialist views have come under increased scrutiny. In If, scholar Christopher Benfey brings this fascinating and complex writer to life and, for the first time, gives full attention to Kipling's intense engagement with the United States—a rarely discussed but critical piece of evidence in our understanding of this man and his enduring legacy. Benfey traces the writer’s deep involvement with America over one crucial decade, from 1889 to 1899, when he lived for four years in Brattleboro, Vermont, and sought deliberately to turn himself into a specifically American writer. It was his most prodigious and creative period, as well as his happiest, during which he wrote The Jungle Book and Captains Courageous. Had a family dispute not forced his departure, Kipling almost certainly would have stayed. Leaving was the hardest thing he ever had to do, Kipling said. “There are only two places in the world where I want to live,” he lamented, “Bombay and Brattleboro. And I can’t live in either.” In this fresh examination of Kipling, Benfey hangs a provocative “what if” over Kipling’s American years and maps the imprint Kipling left on his adopted country as well as the imprint the country left on him. If proves there is relevance and magnificence to be found in Kipling’s work.
More than 150 years after the end of the Civil War, scores of websites, articles, and organizations repeat claims that anywhere between 500 and 100,000 free and enslaved African Americans fought willingly as soldiers in the Confederate army. But as Kevin M. Levin argues in this carefully researched book, such claims would have shocked anyone who served in the army during the war itself. Levin explains that imprecise contemporary accounts, poorly understood primary-source material, and other misrepresentations helped fuel the rise of the black Confederate myth. Moreover, Levin shows that belief in the existence of black Confederate soldiers largely originated in the 1970s, a period that witnessed both a significant shift in how Americans remembered the Civil War and a rising backlash against African Americans' gains in civil rights and other realms. Levin also investigates the roles that African Americans actually performed in the Confederate army, including personal body servants and forced laborers. He demonstrates that regardless of the dangers these men faced in camp, on the march, and on the battlefield, their legal status remained unchanged. Even long after the guns fell silent, Confederate veterans and other writers remembered these men as former slaves and not as soldiers, an important reminder that how the war is remembered often runs counter to history.