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The first comprehensive guide to Holst's orchestral suite considers the music in detail and places the work in its historical context.
Music from Holst's famous orchestral suite, based on the Solar System. Press the buttons embedded in the pages to hear the special arrangements of Holst's music while exploring the mysterious world of Space. Each planet is beautifully illustrated and there are little bits of information about each one. WARNING! This product contains button or coin cell batteries which are dangerous. Dispose of used batteries immediately. Keep new and used batteries away from children. Batteries can cause serious injuries if they are swallowed or placed inside any part of the body. If you think batteries may have been swallowed or placed inside any part of the body, seek immediate medical attention. Different types of batteries (i.e. Alkaline and Zinc) or new and used batteries are not to be mixed. Only batteries of the same or equivalent type as recommended are to be used. Batteries are to be inserted with the correct polarity. Exhausted batteries are to be removed from the product. The supply terminals are not to be short-circuited. Do not throw batteries into a fire. Batteries should never be left in the product when not in use for long periods of time. Non rechargeable batteries are not to be recharged. Rechargeable batteries are to be removed from the product before being charged. Rechargeable batteries are only to be charged under adult supervision. This product contains batteries and electronics that may be harmful to the environment; they should not be discarded with normal household waste but taken to your local collection centre for recycling. Please retain this information for future reference.Battery removal and installation instructions: With a screwdriver, loosen the captive screw and remove the lid to the battery compartment keeping it away from children. Insert the new button cell batteries as shown in the polarity diagram (+/-) inside the battery compartment. Lower the lid back onto the compartment and re-tighten the captive screw.
Resonances: Engaging Music in Its Cultural Context offers a fresh curriculum for the college-level music appreciation course. The musical examples are drawn from classical, popular, and folk traditions from around the globe. These examples are organized into thematic chapters, each of which explores a particular way in which human beings use music. Topics include storytelling, political expression, spirituality, dance, domestic entertainment, and more. The chapters and examples can be taught in any order, making Resonances a flexible resource that can be adapted to your teaching or learning needs. This textbook is accompanied by a complete set of PowerPoint slides, a test bank, and learning objectives.
After the huge national and international success of ‘Longitude’ and ‘Gallileo’s Daughter’, Dava Sobel tells the human story of the nine planets of our solar system.
This fabulous Isaac arrangement from Firebird Suite is available again! Berceuse and Finale is one of the editors' personal favorites for festival. Stravinsky at its best and perfectly arranged for high school orchestra! A Belwin Classic orchestra piece.
First published in 2011, this text provides citations to the core Holst literature. The volume is intended for students and researchers, as well as those seeking an introduction to Holst. The inclusion of materials for the non- specialist seems entirely appropriate as Holst devoted much of his career to teaching amateur musicians. The contents of this book presents a selective, annotated list of essential materials published through the end of 2009, although a very few exceptions were made for a limited number of post-2009 print and web resources.
For over half a century, scholars have laboured to show that C. S. Lewis's famed but apparently disorganised Chronicles of Narnia have an underlying symbolic coherence, pointing to such possible unifying themes as the seven sacraments, the seven deadly sins, and the seven books of Spenser's Faerie Queene. None of these explanations has won general acceptance and the structure of Narnia's symbolism has remained a mystery. Michael Ward has finally solved the enigma. In Planet Narnia he demonstrates that medieval cosmology, a subject which fascinated Lewis throughout his life, provides the imaginative key to the seven novels. Drawing on the whole range of Lewis's writings (including previously unpublished drafts of the Chronicles), Ward reveals how the Narnia stories were designed to express the characteristics of the seven medieval planets - - Jupiter, Mars, Sol, Luna, Mercury, Venus, and Saturn - - planets which Lewis described as "spiritual symbols of permanent value" and "especially worthwhile in our own generation". Using these seven symbols, Lewis secretly constructed the Chronicles so that in each book the plot-line, the ornamental details, and, most important, the portrayal of the Christ-figure of Aslan, all serve to communicate the governing planetary personality. The cosmological theme of each Chronicle is what Lewis called 'the kappa element in romance', the atmospheric essence of a story, everywhere present but nowhere explicit. The reader inhabits this atmosphere and thus imaginatively gains connaître knowledge of the spiritual character which the tale was created to embody. Planet Narnia is a ground-breaking study that will provoke a major revaluation not only of the Chronicles, but of Lewis's whole literary and theological outlook. Ward uncovers a much subtler writer and thinker than has previously been recognized, whose central interests were hiddenness, immanence, and knowledge by acquaintance.