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Holocaust Memory in the Digital Age explores the nexus of new media and memory practices, raising questions about how advances in digital technologies continue to influence the nature of Holocaust memorialization. Through an in-depth study of the largest and most widely available collection of videotaped interviews with survivors and other witnesses to the Holocaust, the University of Southern California Shoah Foundation's Visual History Archive, Jeffrey Shandler weighs the possibilities and challenges brought about by digital forms of public memory. The Visual History Archive's holdings are extensive—over 100,000 hours of video, including interviews with over 50,000 individuals—and came about at a time of heightened anxiety about the imminent passing of the generation of Holocaust survivors and other eyewitnesses. Now, the Shoah Foundation's investment in new digital media is instrumental to its commitment to remembering the Holocaust both as a subject of historical importance in its own right and as a paradigmatic moral exhortation against intolerance. Shandler not only considers the Archive as a whole, but also looks closely at individual survivors' stories, focusing on narrative, language, and spectacle to understand how Holocaust remembrance is mediated.
Annotation This important and original book is the first sustained analysis of the unique ways in which oral testimony of survivors contributes to our understanding of the Holocaust. Langer argues that it is necessary to deromanticize the survival experience and that to burden it with accolades about the "indomitable human spirit" is to slight its painful complexity and ambivalence.
Discusses the events of the Holocaust and includes personal accounts from survivors of their experiences of the persecution and the death camps.
978-1438477213 978-1503601956 978-0815636328
Daniel, whose family suffers as the Nazis rise to power in Germany, describes his imprisonment in a concentration camp and his eventual liberation.
Many books on Holocaust survivors deal with their lives in the Displaced Persons camps, with memory and remembrance, and with the nature of their testimonies. Representing scholars from different countries and different disciplines such as history, sociology, demography, psychology, anthropology, and literature, this collection explores the survivors’ return to everyday life and how their experience of Nazi persecution and the Holocaust impacted their process of integration into various European countries, the United States, Argentina, Australia, and Israel. Thus, it offers a rich mix of perspectives, disciplines, and communities.
Multidirectional Memory brings together Holocaust studies and postcolonial studies for the first time to put forward a new theory of cultural memory and uncover an unacknowledged tradition of exchange between the legacies of genocide and colonialism.
Ellen Cassedy’s longing to recover the Yiddish she’d lost with her mother’s death eventually led her to Lithuania, once the “Jerusalem of the North.” As she prepared for her journey, her uncle, sixty years after he’d left Lithuania in a boxcar, made a shocking disclosure about his wartime experience, and an elderly man from her ancestral town made an unsettling request. Gradually, what had begun as a personal journey broadened into a larger exploration of how the people of this country, Jews and non-Jews alike, are confronting their past in order to move forward into the future. How does a nation—how do successor generations, moral beings—overcome a bloody past? How do we judge the bystanders, collaborators, perpetrators, rescuers, and ourselves? These are the questions Cassedy confronts in We Are Here, one woman’s exploration of Lithuania’s Jewish history combined with a personal exploration of her own family’s place in it. Digging through archives with the help of a local whose motives are puzzling to her; interviewing natives, including an old man who wants to “speak to a Jew” before he dies; discovering the complications encountered by a country that endured both Nazi and Soviet occupation—Cassedy finds that it’s not just the facts of history that matter, but what we choose to do with them.
Anna Ornstein is a Holocaust survivor. After emigrating to the U.S., she seldom spoke of the experiences she suffered while a young girl. Twenty-five years ago, at the family Seder gathering, her family asked for a story from her past. In an evocative, understated passage, she shared a bit of the tragedy she saw through the eyes of a child. Every year she has added to this tradition by sharing another chapter of the tragedies she witnessed and the small moments of grace in her survival. Through her family's support, Orenstein gained enough strength to share her experiences in My Mother's Eyes, in hopes of keeping the nightmare from ever happening again.