Download Free Hollywoods Detectives Book in PDF and EPUB Free Download. You can read online Hollywoods Detectives and write the review.

The study of Hollywood detectives has often overlooked the B-Movie mystery series in favour of hard-boiled film. Hollywood's Detectives redresses this oversight by examining key detective series of the 1930s and 1940s to explore their contributions to the detective genre.
Winner of the 2018 Anthony Award for Best First Novel Winner of the 2017 Agatha Award for Best First Novel Also a Lefty Award Winner and a Barry Award-Nominated Title The Surprise Hit of the Season! Actress Dayna Anderson's Deadly New Role: Homicide Detective Dayna Anderson doesn't set out to solve a murder. All the semifamous, mega-broke actress wants is to help her parents keep their house. So after witnessing a deadly hit-and-run, she pursues the fifteen grand reward. But Dayna soon finds herself doing a full-on investigation, wanting more than just money—she wants justice for the victim. She chases down leads at paparazzi hot spots, celeb homes, and movie premieres, loving every second of it—until someone tries to kill her. And there are no second takes in real life. Praise: "[A] winning first novel and series launch...Garrett writes with humor and insight about the Hollywood scene. Readers will look forward to Day's further adventures."—Publishers Weekly (starred review) "A smart, sassy debut, introducing an appealing protagonist with amusing friends."—Library Journal (starred review) and Debut of the Month "Veteran TV writer Garrett uses her Cold Case experience to inform her debut, which sets up more than one charming character and isn't afraid to go cynical on all things LA."—Kirkus Reviews "Funny, lively characters populate this new Detective by Day series...this will be an entertaining entry into the amateur sleuth genre."—RT Book Reviews "Fun, smart, endearingly flawed, and impressively determined, Dayna Anderson is a heroine readers will fall in love with...I relished every unexpected twist and turn of this highly entertaining mystery!"—Kyra Davis, New York Times bestselling author
Detecting Men examines the history of the Hollywood detective genre and the ways that detective films have negotiated changing social attitudes toward masculinity, heroism, law enforcement, and justice. Genre film can be a site for the expression and resolution of problematic social issues, but while there have been many studies of such other male genres as war films, gangster films, and Westerns, relatively little attention has been paid to detective films beyond film noir. In this volume, Philippa Gates examines classical films of the thirties and forties as well as recent examples of the genre, including Die Hard, the Lethal Weapon films, The Usual Suspects, Seven, Devil in a Blue Dress, and Murder by Numbers, in order to explore social anxieties about masculinity and crime and Hollywood's conceptions of gender. Up until the early 1990s, Gates argues, the primary focus of the detective genre was the masculinity of the hero. However, from the mid-1990s onward, the genre has shifted to more technical portrayals of crime scene investigation, forensic science, and criminal profiling, offering a reassuring image of law enforcement in the face of violent crime. By investigating the evolution of the detective film, Gates suggests, perhaps we can detect the male.
Finalist for the 2012 Edgar Award in the Best Critical/Biographical Category presented by the Mystery Writers of America In this extensive and authoritative study of over 300 films, Philippa Gates explores the "woman detective" figure from her pre-cinematic origins in nineteenth century detective fiction through her many incarnations throughout the history of Hollywood cinema. Through the lens of theories of gender, genre, and stardom and engaging with the critical concepts of performativity, masquerade, and feminism, Detecting Women analyzes constructions of the female investigator in the detective genre and focuses on the evolution of her representation from 1929 to today. While a popular assumption is that images of women have become increasingly positive over this period, Gates argues that the most progressive and feminist models of the female detective exist in mainstream film's more peripheral products such as 1930's B-picture and 1970's Blaxploitation films. Offering revisions and new insights into peripheral forms of mainstream film, Gates explores this space that allows a fantasy of resolution of social anxieties about crime and, more interestingly, gender, in the 20th and early 21st centuries. The author's innovative, engaging, and capacious approach to this important figure within feminist film history breaks new ground in the field of gender and film studies.
And the award goes to... ...Dayna Anderson, the semi-famous actress turned PI who steps up her sleuthing swagger in this follow-up to breakout hit Hollywood Homicide, winner of the Lefty Award and the Agatha Award for Best First Novel! Tinseltown's awards season is in full swing, and everyone is obsessed with dressing up, scoring free swag, and getting invited to the biggest awards shows of the year. But when celebrity publicist Lyla Davis is killed, the festive mood comes to an abrupt halt. Apprentice private eye Dayna Anderson thinks she's uncovered the killer. Unfortunately, what starts as an open-and-shut case turns out to be anything but. Diving deeper into the investigation, Dayna gets a backstage look at gossip blogging, Hollywood royalty, and one of entertainment's most respected awards shows—all while trying to avoid her own Hollywood ending. Praise for Hollywood Ending: A 2019 Lefty Award Nominee Named Best of 2018 by Suspense Magazine "Garrett continues to build an appealingly quirky crime-solving team."—Kirkus Reviews "Garrett, who wrote for TV's Cold Case, brings a smart insider's view of contemporary Hollywood to this lighthearted series."—Publishers Weekly "Fans of Janet Evanovich's Stephanie Plum series will feel right at home."—Library Journal "Day's funny and determined, the sort of woman who really WOULD make a wisecrack when faced with danger."—Donna Andrews, New York Times bestselling author of the Meg Langslow series "Kellye Garrett's Hollywood Ending glitters with stardust. A fun, fast-paced mystery, it's definitely an A-lister."—Elaine Viets, author of the Dead-End Job mysteries "Fasten your seatbelts. A star is born!"—Nancy Martin, author of the Blackbird Sisters mysteries "An entertaining whodunit that provides readers a peek behind Hollywood's star-studded curtain."—Diane Kelly, award-winning author Praise for Hollywood Homicide: Winner of the 2018 Agatha Award for Best First Novel Winner of the 2018 Anthony Award for Best First Novel Winner of the 2018 Lefty Award for Best Debut Winner of the 2018 IPPY Gold Medal for Best First Book "[A] winning first novel and series launch...Garrett writes with humor and insight about the Hollywood scene."—Publishers Weekly (starred review) "A smart, sassy debut."—Library Journal (starred review) and Debut of the Month "Veteran TV writer Garrett uses her Cold Case experience to inform her debut, which sets up more than one charming character and isn't afraid to go cynical on all things LA."—Kirkus Reviews "Funny, lively characters populate this new Detective by Day series."—RT Book Reviews "Dayna Anderson is a heroine readers will fall in love with."—Kyra Davis, New York Times bestselling author "A non-stop, fun read with humor sharp as a stiletto heel."—Ellen Byron, USA Today bestselling author "Toss in a hit-and-run, a steep reward, and more one-liners than a Marx Brothers marathon and you've got Hollywood Homicide."—Catriona McPherson, Agatha Award-winning author "Has a heart as big as Los Angeles."—Rachel Howzell Hall, author of the LAPD Detective Elouise Norton series "Garrett has written a novel with great voice, characters, hilarious moments, and a lot of Hollywood."—BookRiot
Black Cat Comics: Hollywood's Glamorous Detective Star. The Black Cat is a comic book adventure heroine published by Harvey Comics from 1941 to 1951. Harvey also published reprints of the character in both the mid-1950s and the early 1960s.
The remarkable story of the Jewish moguls in Hollywood who established the first anti-Nazi Jewish resistance organization in the country in the 1930s. Finalist, Celebrate 350 Award in American Jewish Studies The 1939 film Confessions of a Nazi Spy may have been the first cinematic shot fired by Hollywood against Nazis in America, but it by no means marked the political awakening of the film industry’s Jewish executives to the problem. Hollywood’s Spies tells the remarkable story of the Jewish moguls in Hollywood who paid private investigators to infiltrate Nazi groups operating in Los Angeles, establishing the first anti-Nazi Jewish resistance organization in the country—the Los Angeles Jewish Community Committee (LAJCC). Drawing on more than 15,000 pages of archival documents, Laura B. Rosenzweig offers a compelling narrative illuminating the role that Jewish Americans played in combating insurgent Nazism in the United States in the 1930s. Forced undercover by the anti-Semitic climate of the decade, the LAJCC partnered with organizations whose Americanism was unimpeachable, such as the American Legion, to channel information regarding seditious Nazi plots to Congress, the Justice Department, the FBI and the Los Angeles Police Department. Hollywood’s Spies corrects the decades-long belief that American Jews lacked the political organization and leadership to assert their political interests during this period in our history and reveals that the LAJCC was one of many covert “fact finding” operations funded by Jewish Americans designed to root out Nazism in the United States. “A remarkable tale.” —The Wall Street Journal “Expose[s] a buried story about underground plots waged by Nazis against major Hollywood figures.” —Los Angeles Review of Books
Bizarre inside stories of Hollywood's most beautiful women who were doomed for death. Hollywood's Babylon Women takes the reader behind closed doors and beyond the official reports of law enforcement agencies and studio public relations departments to reveal the sordid romantic, sexual, political and financial factors behind these tragedies. Photos.
Widespread law enforcement or formal policing outside of cities appeared in the early 20th century around the same time the early film industry was developing--the two evolved in tandem, intersecting in meaningful ways. Much scholarship has focused on portrayals of the criminal in early American cinema, yet little has been written about depictions of the criminal's antagonist. This history examines how different on-screen representations shifted public perception of law enforcement--initially seen as a suspicious or intrusive institution, then as a power for the common good.