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She was a monastic person, one who would be happy to live as a recluse, a hermit . . . if only the other caves would hold occasional yard sales. Ay, there was the rub. Jane had to put up with all those other people because people begat stuff, and stuff, for Jane, was what brought people palatably to life. It made others interesting, warm, human. It was what people kept and what they discarded that guided Jane through the confusion of human emotions. But how could Jane go along on her anonymously merry way, scouting junk in alleys and yards, on rummage sale tables, and auction house floors, if she was involved in some ego-wrenching nonsense in, for the love of Pete, Hollywood? Soon after a TV magazine profiles antique collector Jane Wheel for her role as an amateur sleuth, her story catches the eye of Wren Bixby, owner of Bix Pix Flix in Los Angeles. Bixby wants the rights to Jane's story for her offbeat independent film company and eventually persuades Jane to leave behind her newfound hometown celebrity in Kankakee, Illinois, and head west for Hollywood. But Jane's time in Tinseltown is interrupted when she discovers that someone has targeted Bix and her partners, and Jane resumes her role as detective, determined to stop a killer. In Hollywood Stuff, Sharon Fiffer captures the light and dark sides of Hollywood as Jane discovers that in the buying and selling of Hollywood memories and memorabilia, it's a murderous marketplace where the price can kill.
This little book aims to help you figure out how to get your story told on big screens or small. It offers nearly thirty years of observation of how things happen in the business of entertainment. Dr. Ken Atchity's Hollywood experience ranges from writing to managing to producing; he's seen Hollywood from nearly every angle.
Film and television create worlds, but they are also of a world, a world that is made up of stuff, to which humans attach meaning. Think of the last time you watched a movie: the chair you sat in, the snacks you ate, the people around you, maybe the beer or joint you consumed to help you unwind—all this stuff shaped your experience of media and its influence on you. The material culture around film and television changes how we make sense of their content, not to mention the very concepts of the mediums. Focusing on material cultures of film and television reception, The Stuff of Spectatorship argues that the things we share space with and consume as we consume television and film influence the meaning we gather from them. This book examines the roles that six different material cultures have played in film and television culture since the 1970s—including video marketing, branded merchandise, drugs and alcohol, and even gun violence—and shows how objects considered peripheral to film and television culture are in fact central to its past and future.
In this one-of-a-kind Hollywood history, the creator of Instagram's celebrated @ThisWasHollywood reveals the forgotten past of the film world in a dazzling visual package modeled on the classic fan magazines of yesteryear. From former screen legends who have faded into obscurity to new revelations about the biggest movie stars, Valderrama unearths the most fascinating little-known tales from the birth of Hollywood through its Golden Age. The shocking fate of the world's first movie star. Clark Gable's secret love child. The film that nearly ended Paul Newman's career. A former child star who, at ninety-three, reveals her #metoo story for the first time. Valderrama unfolds these stories, and many more, in a volume that is by turns riveting, maddening, hilarious, and shocking. Drawing on new interviews, archival research, and an exhaustive library of photographs, This Was Hollywood is a compelling and visually stunning catalogue of the lost history of the movies.
Everyone who has ever thought about writing or working in Hollywood will want to read this book. These are the personal and often outrageous adventures of a veteran screenwriter who has worked extensively for the major studios, as well as with major directors such as Richard Donner and James Cameron. There are abundant writing lessons to be learned here, but "life" lessons, as well. In fact, this story is about "getting over" Hollywood, more than just "getting into" Hollywood. Readers looking past the material or superficial (e.g., celebrity) for something more meaningful in their lives, will find this book truly uplifting. "If youre thinking of being a screenwriter, jamming all your possessions into a subcompact and driving cross-country, then it behooves you to read Carters experiences." Tim CliftonRenaissance Magazine
From the Gates of Babylon to the Kodak Center, what does Hollywood have in common with the creation of civilization? Where there is royalty there are subjects and slaves. Learn how pop culture is a magickal spell leading humanity down the path of social Darwinian stratification and class warfare. See how the military uses the entertainment industry for propaganda and covert operations. Are celebrities victims of mind control? Who is the Scarlet Woman and how many times can she be incarnated at one awards ceremony? Learn about the revelation of the occult method, the Super Bowl-Grammy Ritual Spectacular, and much more!
This book reveals the sinister true story of the Mafia in Hollywood. Crammed with legends, myths, murders, madness, mayhem, superstar tantrums, super-sexed starlets, power brokers and politics, it is an ambitious account of Hollywood’s hidden history, from the rogue cops who took on the Mob on the streets of Los Angeles to the stars who became stars because Mafia Godfathers said they would. In The Dark Heart of Hollywood, seasoned crime and entertainment writer Douglas Thompson reveals how all is masterminded by the money-obsessed Mafia, for whom everything and everyone is simply a commodity. The intense saga charges across America: from Hollywood bedrooms to the Oval Office, from California’s twenty-first century computer capital to the cocaine-connection HQs stretching from the Sunset Strip to Marseilles, Milan, Moscow, Tokyo and Beijing. In this magnificent and highly compelling volume, Hollywood is unveiled as Tinseltown without the tinsel.
Examining autobiographical texts by Malcolm X (The Autobiography of Malcolm X), Oscar Zeta Acosta (The Autobiography of a Brown Buffalo and Revolt of the Cockroach People), Amiri Baraka (The Autobiography of LeRoi Jones), and Richard Rodriguez (Hunger of Memory, Days of Obligation, and Brown), Walker questions the often rosy views and simplistic binary conceptions of religious conversion. Her reading of these texts takes into account the conflict and serial changes the authors experience in a society that marginalizes them, the manner in which religious conversion offers ethnic Americans “salvation” through cultural assimilation or cultural nationalism, and what conversion, anticonversion, and deconversion narratives tell us about the problematic effects of religion that often go unremarked because of a code of “special respect” and political correctness. Walker asserts that critics have been too willing to praise religion in America as salutary or beyond the ken of criticism because religious belief is seen as belonging to an untouchable arena of cultural identity. The Trouble with Sauling Around goes beyond traditional literary criticism to pay close attention to the social phenomena that underlie religious conversion narratives and considers the potentially negative effects of religious conversion, something that has been likewise neglected by scholars.