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Some people are born with it. Meet the new Hollywood Royalty: Amelie, the no-so-innocent starlet; Myla and Ash, the golden couple; Jacob, the geek turned hottie; and Jojo, the outsider who'll do anything to get on the A-List.
Behind the "lights, camera, action" of Hollywood lies a world of deception, love, and seduction. Are you ready for Hollywood Royalty? Jessica An entertainment journalist was the last thing I thought I would be doing.I thought once I got my degree, I would be reporting on stories that made a difference, but now all I do is report on who broke up with who and who is dating who.I was over it.Then I got my next assignment. He's Hollywood's bad boy.He works hard, and he plays even harder.He's rude, he's condescending, and he's made it known he doesn't want me on the tour. With one month on the road with him, two things might happen.One, I may never work in this industry again.Two, I may just be like everyone else and fall for Hollywood's Playboy.
Journalist Gregory Speck--best known for his interviews originally published in Interview magazine--has woven hundreds of quotes from his articles together into one single, unforgettable conversation. Everyone from Helen Hayes and James Cagney to Joan Fontaine and Marcello Mastroianni confides personal memories of their peers. Photographs, many rare.
Behind the "lights, camera, action" of Hollywood lies a world of deception, love, and seduction. Are you ready for Hollywood Royalty?KellieAn Oscar, a Tony, an Emmy, a Grammy-she has them all.She's the most sought-after woman in Hollywood.Even if her rise to fame was a fluke, you can't deny the camera loves her.The problem is so does everyone else, and she's about to leave on the biggest concert tour of her life. Headlining for the first time in five years.Around the world in ninety days. Should be a piece of cake.Until her new security detail walks in the room and she's looking into the eyes of the only man who didn't fall for her charm.It's only a matter of time till he falls for Hollywood's Princess.
Carter: A blonde, a brunette, a redhead...he can have his pick of them all on any given night and he knows it. They wait, hoping he looks up and gives them his signature smirk, choosing them over the others because that's his game. Except now he's signed the contract of a lifetime, one with a pesky little clause that says his zipper must stay up and his playboy image has got to tamp down. It'll be fine-a piece of cake, even-he can do this and he's almost convinced himself of that ... and then she walks in the room The new PR girl whom they've hired to change his image, she's the star of all his dreams, but there's one tiny little problem ... she can't stand him and all of his player ways. He knows he only has thirty days to show her why they call him Hollywood's Prince. He's up for the challenge, so game on.
"Just when I think no more books can be written about early Hollywood and its beginning from a personal and intimate perspective, along comes Hollywood Royalty: a Family in Films. The author has taken personal letters written from the hand of a true Hollywood pioneer to his son and woven them into an illuminating view inside one of early Hollywood's most influential families. A rare and unique perspective of a man who shaped the film industry. Intimate details about the Lasky family; Lasky's complex relationship with his wife; with Adolph Zukor, Samuel Goldwyn, Cecil B. DeMille; behind-the-scenes negotiations and development of some of Hollywood's finest classics; and perhaps most interesting, fatherly advice Lasky gives his son about life in general and his son's career in films. The beauty of the book is Silver-Lasky's use of personal letters between Jesse Sr. and Jesse Jr. and her own personal recollections and anecdotes provided her by husband Jesse Jr. Of wide appeal to fans of classic cinema. Beginnings of Hollywood and the film industry, silent films, transition to sound films, day-to-day development of a film (from adaptation to premier)." Kevin Brownlow Film historian/preservationist
Few lives provide as much history or drama as those of monarchs. Filmmakers from the silent era to onward have displayed a deep fascination with the lives of royalty and with queens in particular. Still, the question remains: what do these films really tell us about the women beneath the crowns? Drawing on films from the 1930s to those of today, Royal Portraits in Hollywood: Filming the Lives of Queens investigates the ways in which these films reproduce history and represent women. Though hardly progressive in nature, many early films offered an acceptable, nonthreatening way to present strong female characters in an economic and social landscape run almost exclusively by men. Authors Elizabeth Ford and Deborah Mitchell track the evolution of queens on film, noting how depictions of prominent women have changed over the past several decades and calling attention to the ways in which films both reflect and dictate the social norms of their eras. By comparing historical records of monarchs such as Queen Christina of Sweden, Catherine the Great, Cleopatra, and Elizabeth I with their onscreen personas, and examining the biographical details of the actresses who portrayed these women, Ford and Mitchell present a fascinating inquiry into issues of historical accuracy and gender politics in film.
Intimate details about the Lasky family; Lasky's complex relationship with his wife; with Adolph Zukor, Samuel Goldwyn, Cecil B. DeMille; behind-the-scenes negotiations and development of some of Hollywood's finest classics.
A narrative account of Elizabeth Taylor's career, with particular attention paid to how the consummate movie star influenced and crafted her image over the years.
Cleopatra faced countless problems during its filming and production: passionate casting disputes, broken contracts, a costly re-location from London to Rome, an emergency tracheotomy for its star, Elizabeth Taylor, scandal-ridden gossip surrounding relationships on set, and a budget of $2 million that ballooned to final costs of $44 million. Legendary producer Walter Wanger recalls the drama that occurred both on and off the set, including the incredible obstacles he had to overcome and the exhilaration of producing a cinematic triumph. A revealing story about Elizabeth Taylor and Richard Burton’s tempestuous romance and an insightful filmmaker’s journal, now back in print for the 50th anniversary of Cleopatra’s release, My Life with Cleopatra shares the true story of the relationship and film that enthralled the world. “I have been told by responsible journalists that there was more world interest in Cleopatra, which I produced, and in its stars—Elizabeth Taylor, Richard Burton, and Rex Harrison—than in any event of 1962.” —Walter Wanger