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Be Seduced . . . An exclusive collection of never-published color photographs of today's most beautiful stars captured in pinup style, including Gina Gershon, Kate Hudson, Susan Sarandon, Molly Sims, Vanessa Williams, and many more . . .
A collection of 25 photographs of fair-haired female performers, both famous and obscure, from the Hollywood of the 1940s-60s. The photographer, Bruno Bernard, was well-known for his portraits of Hollywood stars, and is credited with promoting pin-up photography to a recognized art form.
On screen, Sophia Heart Valentine is the toast of Tinseltown. She’s the entire package, after all. She can sing, act, dance—you name it. But off screen, she’s dealing with personal drama that feels awfully like a movie. Her dad is marrying a woman that she absolutely abhors. Her best guy friend is ignoring her feelings for him. And her agent is forcing her to star in a movie with Axel Brooks, Hollywood’s Prince and all around annoying guy on set. Who wants to be Hollywood’s Princess when you could be drama queen, right? But then again, Hollywood’s Princess does have a nicer ring
In photographs only seen briefly as part of studio press kits distributed upon release of a new film, these long-lost stills of Hollywood’s leading ladies have been reverently rendered into color portraits that not only evoke a treasured past of beauty and glamour, but also seem comfortably familiar to the contemporary eye. These posed photos have been chosen not only for their bespoke sensuality, but also for how the discrete addition of color has elevated a black and white still to a kind of artistic grace, prompting rediscovery of classic Hollywood’s most beautiful women. Actresses portrayed here include Julie Andrews, Anna Mae Wong, Audrey Hepburn, Ingrid Bergman, Bette Davis, Carole Lombard, Carroll Baker, Joan Crawford, Marion Davies, Angie Dickinson, Eva Marie Saint, and many others.
Gathers 3-D photographs of Hollywood actors, actresses, and celebrities
Women have been involved with jazz since its inception, but all too often their achievements were not as well known as those of their male counterparts. Some Liked It Hot looks at all-girl bands and jazz women from the 1920s through the 1950s and how they fit into the nascent mass culture, particularly film and television, to uncover some of the historical motivations for excluding women from the now firmly established jazz canon. This well-illustrated book chronicles who appeared where and when in over 80 performances, captured in both popular Hollywood productions and in relatively unknown films and television shows. As McGee shows, these performances reflected complex racial attitudes emerging in American culture during the first half of the twentieth century. Her analysis illuminates the heavily mediated representational strategies that jazz women adopted, highlighting the role that race played in constituting public performances of various styles of jazz from "swing" to "hot" and "sweet." The International Sweethearts of Rhythm, Hazel Scott, the Ingenues, Peggy Lee, and Paul Whiteman are just a few of the performers covered in the book, which also includes a detailed filmography.
Pinups: Past and Present is a curated reference survey of the state of pinup art among contemporary graphic artists, tattooists, and cartoonists. With more than 100 artists from the United States, Europe, Australia, Japan, and China included, this collection offers an unrivaled look at every different direction pin-up art design has taken since the heady days of Bettie Page. More than 200 images from the best practitioners betray the influences of the greats, such as Gil Elvgren and Olivia De Berardinis, but also show new trends, including a revival in 1980s-influenced line work in the vein of Patrick Nagel, and of biomech-influenced approaches. Every image is accompanied by a caption detailing the artist, name of work, and major influences, making this an invaluable source of information and inspiration for all graphic artists and cartoonists in the genre. In the past, pinup women were considered to be a low bar for artists and were generally taboo in the art community. The current appeal of old pinup art is the unpretentious, often naive, and joyful whimsy that celebrates the sensuality of the women depicted. Whether they're real or imaginary, pinup women are a celebration of feminine sexuality. The sheer breadth and span of pinup art today is amazing and every major genre is represented within, including: Classic American Sci-Fi and Fantasy Cartoon and Comic Book Hot Rod Neo-Surreal Pinups: Past and Present features the best contemporary artists, such as Enric Badia Romero, Carlos Cartagena, Fiona Stephenson, Chris Wahl, ONEQ, David Nakayama, Andrew Hickinbottom, Zach Gardia, Ben Tan, Marta Nael, Jan Meininghaus, David Vincente, Screaming Demons, Syd Brak, Loopydave, Natalie Shau, Jasmine Becket-Griffith, Elias Chatzoudis, and many more. For the pinup aficionado and artist, this non-stop, eye-popping book is an essential source of inspiration.
In the '40s and '50s, the bold, breathtaking glamour girls who stepped into the spotlight were a special group, almost magical, and they captured the imagination of men (and the secret admiration of women) like never before. In this book, more than 100 of these women are profiled, including Mamie Van Doren, Betty Brosmer, Jayne Mansfield, and Blaze Starr. Photos, many in color.
Throughout the nation-defining decades of the 1930s and 1940s, the famous bodies of models, starlets, and movie stars were often found clad in sexy sunwear and swimwear for the eager eyes of the world. In this book, you are bathed in the glowing images of swimwear and the bathing beauties that prompted our beach-bound desires.
This collection of over 250 contemporary retro-style cheesecake, glamour, and hot rod pinup photographs by Northern California artist Marilee Caruso takes women from all backgrounds and transforms them into the classy yet stimulating bombshells of our parents' and grandparents' day. Inspired by icons such as Marilyn Monroe, Bettie Page, or Sophia Loren, each portrait provides a nostalgic glance into the mood, style, and sex appeal of the 1930s, '40s, '50s, and '60s era pin-up girl. From black and white Hollywood starlets to greasy hot rod honeys, this bevy of gorgeous gals has been revamped with vintage hair and makeup, wardrobe, and posing. Shot with high-quality digital technology of the 21st century, each image is reminiscent of the drawings of Gil Elvgrin and Alberto Vargas.