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In the early days of the twentieth century, movies weren't made in California. As America's film pioneers traveled westward, Colorado became a beacon to them, contributing to the early motion picture business with all the relish and gusto of a western saga. The gorgeous natural scenery was perfect for the country's (and the world's) growing infatuation with the West, turning Colorado itself into a bigger star of the early cinema than any particular actor. Using rare photos and contemporary accounts, writer and filmmaker Michael J. Spencer explores the little-known filmmaking industry that flourished in the Rocky Mountains between 1895 and 1915--west of New York but east of Hollywood.
The storied town of Durango is situated on the farmlands of the Ancestral Puebloans, which later became the hunting grounds for the Southern Utes, in the Animas River Valley of southwestern Colorado. Founded in 1880 as the headquarters of the Silverton branch of the Denver and Rio Grande Railroad, Durango became the supply depot for gold and silver mines up and down the Western Slope. One of the few old-time cowboy towns in Colorado that retains the vibrancy of a self-supporting downtown of hotels, restaurants, and retail businesses, Durango has worked actively to restore and remodel historic buildings. Enhanced by stories of Spanish explorers, miners, settlers, early entrepreneurs, and the desperadoes of Western lore as well as Hollywood myth, Durango has earned a reputation as one of the Rocky Mountains' favorite travel destinations.
An incisive portrait of the American landscape that shows how geography continues to determine America’s role in the world Book Club Pick for Now Read This, from PBS NewsHour and The New York Times • “There is more insight here into the Age of Trump than in bushels of political-horse-race journalism.”—The New York Times Book Review (Editors’ Choice) At a time when there is little consensus about who we are and what we should be doing with our power overseas, a return to the elemental truths of the American landscape is urgently needed. In Earning the Rockies, New York Times bestselling author Robert D. Kaplan undertakes a cross-country journey, traversing a rich and varied landscape that still remains the primary source of American power. Traveling west, in the same direction as the pioneers, Kaplan witnesses both prosperity and decline, and reexamines the history of westward expansion in a new light: as a story not just of genocide and individualism but also of communalism and a respect for the limits of a water-starved terrain. Concluding at the edge of the Pacific Ocean with a gripping description of an anarchic world, Earning the Rockies shows how America’s foreign policy response ought to be rooted in its own geographical situation. Praise for Earning the Rockies “Unflinchingly honest . . . a lens-changing vision of America’s role in the world . . . a jewel of a book that lights the path ahead.”—Secretary of Defense James Mattis “A sui generis writer . . . America’s East Coast establishment has only one Robert Kaplan, someone as fluently knowledgeable about the Balkans, Iraq, Central Asia and West Africa as he is about Ohio and Wyoming.”—Financial Times “Kaplan has pursued stories in places as remote as Yemen and Outer Mongolia. In Earning the Rockies, he visits a place almost as remote to many Americans: these United States. . . . The author’s point is a good one: America is formed, in part, by a geographic setting that is both sanctuary and watchtower.”—The Wall Street Journal “A brilliant reminder of the impact of America’s geography on its strategy. . . . Kaplan’s latest contribution should be required reading.”—Henry A. Kissinger “A text both evocative and provocative for readers who like to think … In his final sections, Kaplan discusses in scholarly but accessible detail the significant role that America has played and must play in this shuddering world.”—Kirkus Reviews
A female movie star on the decline finds that she and her opportunistic agent want the same things.
“Do you think you could teach Rock Hudson to talk like you do?” The question came from famed Hollywood director George Stevens, and an affirmative answer propelled Bob Hinkle into a fifty-year career in Hollywood as a speech coach, actor, producer, director, and friend to the stars. Along the way, Hinkle helped Rock Hudson, Dennis Hopper, Carroll Baker, and Mercedes McCambridge talk like Texans for the 1956 epic film Giant. He also helped create the character Jett Rink with James Dean, who became a best friend, and he consoled Elizabeth Taylor personally when Dean was killed in a tragic car accident before the film was released. A few years later, Paul Newman asked Hinkle to do for him what he’d done for James Dean. The result was Newman’s powerful portrayal of a Texas no-good in the Academy Award–winning film Hud (1963). Hinkle could—and did—stop by the LBJ Ranch to exchange pleasantries with the president of the United States. He did likewise with Elvis Presley at Graceland. Good friends with Robert Wagner, Hinkle even taught Wagner’s wife Natalie Wood how to throw a rope. He appeared in numerous television series, including Gunsmoke, Bonanza, Dragnet, and Walker, Texas Ranger. On a handshake, he worked as country music legend Marty Robbins’s manager, and he helped Evel Knievel rise to fame. From his birth in Brownfield, Texas, to a family so poor “they could only afford a tumbleweed as a pet,” Hinkle went on to gain acclaim in Hollywood. Through it all, he remained the salty, down-to-earth former rodeo cowboy from West Texas who could talk his way into—or out of—most any situation. More than forty photographs, including rare behind-the-scenes glimpses of the stars Hinkle met and befriended along the way, complement this rousing, never-dull memoir.
“For fans of The Matrix and Memento, a twisty, exciting adventure!”—Diana Gabaldon, #1 New York Times bestselling author of the Outlander series The basis for the major motion picture Infinite Discovered as three notebooks in an antique store in Rome at the turn of the millennium, The Reincarnationist Papers offers a tantalizing glimpse into the Cognomina, a secret society of people who possess total recall of their past lives. Evan Michaels struggles with being different, with having the complete memories of two other people who lived sequentially before him. He fights loneliness and believes he is unique until he meets Poppy. She recognizes his struggle because she is like him, except that she is much older, remembering seven consecutive lives. But there is something else she must share with Evan—she is a member of the secretive Cognomina. They are, in effect, immortals—compiling experiences and skills over lifetimes into near superhuman abilities that they have used to drive history over centuries. Poppy invites Evan into the Cognomina, but he must face their tests before entering this mysterious society as their equal.
From the time of Coronado?s discovery to the era of modern ski resorts and sport climbing routes, adventurers have been lured irresistibly to the Rocky Mountains. In this book distinguished writer David Lavender traces the colorful history of the Rockies, focusing on the period that began in 1859 with the first gold strikes. The real and fabled attractions of gold, silver, furs, lumber, and lead brought swarms of people into the mountains, eagerly seeking wealth. A get-rich-quick spirit pervaded the Rockies, leading to lawlessness, violence, vigilantism, and political expediency. The Rockies is particularly revealing about the struggles which resulted in codes peculiar to the mountainous West. Duane A. Smith provides a new introduction to this Bison Books edition of The Rockies.
They made fans go crazy and censors apoplectic, spent fortunes faster than they made them, forged Rembrandts and hung them in major museums, went on trial for committing statutory rape with necrophiliac teenage girls, reinterpreted Hamlet as an incestuous mama's boy,and swilled immeasurable quantities of spirits during week-long parties on wobbly yachts. They were "The Bundy Drive Boys," and they made the Rat Pack look like Cub Scouts. Their self-destructiveness was spectacular, the misanthropy profound, but behind the boozy bravado was a devoted mutual affection. The Bundy Drive Boys' un-bowdlerized stories have never been illustrated so well or told so completely as within Hollywood's Hellfire Club. Author Gregory William Mank also wrote It's Alive!: The Classic Cinema Saga of Frankenstein and Hollywood Cauldron.
This clear, well illustrated text takes the reader through the basics of film analysis, drawing on a wide range of film for discussion. Questions of genre and the contexts and meanings of film are considered.