Download Free Hollywood In The Klondike Book in PDF and EPUB Free Download. You can read online Hollywood In The Klondike and write the review.

In this exciting first-hand account of an unexpected cinematic discovery, Michael Gates delves into the history behind a hoard of silent films found buried beneath the permafrost of an Arctic gold rush town. In 1978, hundreds of reels of silent films were unearthed from beneath the demolished site of an old hockey arena in Dawson City, Yukon. Author Michael Gates witnessed the cinematic discovery of these once-lost films—and in this book excavates and illuminates the history of a gold rush town like no other. An event in the most unlikely of places and circumstances, the Klondike gold rush was unique in the history of Canada and the development of the North. Dawson City, the “Paris of the North,” was the hub of the Klondike gold rush 125 years ago. There were more saloons, gambling halls and theatres than there were places serving food, and the live theatre was at the centre of it all. Discover the icons who went from the Klondike to Hollywood: Robert Service, Jack London, Charlie Chaplin, Alexander Pantages, Sid Grauman, Roscoe "Fatty" Arbuckle, Marjorie Rambeau and more. Join Gates on this cinematic journey as he ponders the question: Did the Klondike help make Hollywood, or did Hollywood make the Klondike? Crafted from Gates’s first-hand experience and extensive research, Hollywood in the Klondike casts a spotlight on an exciting piece of Canadian history.
In this exciting first-hand account of an unexpected cinematic discovery, Michael Gates delves into the history behind a hoard of silent films found buried beneath the permafrost of an Arctic gold rush town. In 1978, hundreds of reels of silent films were unearthed from beneath the demolished site of an old hockey arena in Dawson City, Yukon. Author Michael Gates witnessed the cinematic discovery of these once-lost films--and in this book excavates and illuminates the history of a gold rush town like no other. An event in the most unlikely of places and circumstances, the Klondike gold rush was unique in the history of Canada and the development of the North. Dawson City, the "Paris of the North," was the hub of the Klondike gold rush 125 years ago. There were more saloons, gambling halls and theatres than there were places serving food, and the live theatre was at the centre of it all. Discover the icons who went from the Klondike to Hollywood: Robert Service, Jack London, Charlie Chaplin, Alexander Pantages, Sid Grauman, Roscoe "Fatty" Arbuckle, Marjorie Rambeau and more. Join Gates on this cinematic journey as he ponders the question: Did the Klondike help make Hollywood, or did Hollywood make the Klondike? Crafted from Gates's first-hand experience and extensive research, Hollywood in the Klondike casts a spotlight on an exciting piece of Canadian history.
This book examines major British and American missionary films during the Golden Age of Hollywood to explore the significance of race, gender, and spirituality in relation to the lives of the missionaries portrayed in film during the middle third of the twentieth century. Film both influences and reflects culture, and racial, gender, and religious identities are some of the most debated issues globally today. In the movies explored in this book, missionary interactions with various people groups reflect the historical changes which took place during this time.
After a series of sex scandals rocked the film industry in 1922, movie moguls hired Will Hays to clear the image of movies. Hays tried a variety of ways to regulate movies before adopting what became known as the production code. Written in 1930 by a St Louis priest, the code stipulated that movies stress proper behaviour, respect for government, and 'Christian values'. The Catholic Church reinforced these efforts by launching its Legion of Decency in 1934. Intended to force Hays and Hollywood to censor films, the Legion of Decency engineered the appointment of Joseph Breen as head of the Production Code Administration. For the next three decades, Breen, Hays, and the Catholic Legion of Decency virtually controlled the content of all Hollywood films.
No event in our history is more legendary than the Yukon Gold Rush of 1896. On August 16, when rich gold deposits were discovered in Bonanza Creek, 100,000 prospectors set off for the newly created Dawson City in search of instant wealth. Hungry miners hoped for the one big strike; others, for prosperity in this instant boom town; some, for the adventure of a lifetime. Charlotte Gray, one of our best writers of non-fiction, tells the story of the Gold Rush through the intimate lives of six extraordinary people: the saintly priest Father Judge; the feisty entrepreneur Belinda Mulrooney; the struggling writer Jack London; the imperious British journalist Flora Shaw; the legendary Sam Steele of the Mounties; and the prospector William Haskell. Brilliantly interweaving their stories, Gray creates a fascinating panorama of a frontier town where desperados, saloon keepers, gamblers, dance hall girls, churchmen and law-makers were thrown together in a volatile time. Beautifully illustrated with period photographs and documents of the Gold Rush, Gold Diggers is a colourful and entertaining journey into a world gone mad for gold.
Before Madonna, before Marilyn, there was Mae. The impact of Mae West - through her films, attitude, and aphorisms ("Too much of a good thing can be wonderful"; "Is that a gun in your pocket, or are you just glad to see me?") - continues to reverberate through American popular culture more than fifteen years after her death. In Too Much of a Good Thing, Ramona Curry examines the interplay between West's bawdy, worldly persona and twentieth-century gender and media politics. Although West has remained an important figure, her image has fulfilled varied cultural functions. In the thirties, she was a lightning rod for debates over morality and censorship. In the seventies, the complexity of her portrayal of gender made her a controversial figure for both the gay rights and feminist movements. Curry not only analyzes the symbolic roles West has occupied, arguing that the entertainer represents a carefully orchestrated transgression of race, class, and gender expectations, she also illustrates how icons of pop culture often distill contested social issues, serving diverse and even contradictory political functions. A pithy and innovative look at what Mae West means, Too Much of a Good Thing is must reading for fans, film buffs, and anyone interested in how popular culture evolves and circulates in the United States.
“No part of the Empire has given up more completely of her splendid men than Yukon ... Such being the case, the Dominion should not be forgetful of this region—the Empire’s farthest North, and take pride in the encouragement of the spirit that dominates the people of the Land of the Midnight Sun.” —Dawson Daily News, May 15, 1918 Nearly a thousand Yukoners, a quarter of the population, enlisted before the end of the Great War. They were lawyers, bankers, piano tuners, dockworkers and miners who became soldiers, nurses and snipers; brave men and women who traded the isolated beauty of the north for the muddy, crowded horror of the battlefields. Those who stayed home were no less important to the war’s outcome—by March of 1916, the Dawson Daily News estimated that Yukoners had donated often and generously at a rate of $12 per capita compared to the dollar per person donated elsewhere in the country. Historian Michael Gates tells us the stories of both those who left and those on the home front, including the adventures of Joe Boyle, who successfully escorted the Romanian crown jewels on a 1,300-kilometre journey through Russia in spite of robbers, ambushes, gunfire, explosions, fuel shortages and barricades. Gates also recounts the home-front efforts of Martha Black, who raised thousands of dollars and eventually travelled to Europe where she acted as an advocate for the Yukon boys. Stories of these heroes and many others are vividly recounted with impeccable research.
Hollywood celebrities feared her. William Randolph Hearst adored her. Between 1915 and 1960, Louella Parsons was America's premier movie gossip columnist and in her heyday commanded a following of more than forty million readers. This first full-length biography of Parsons tells the story of her reign over Hollywood during the studio era, her lifelong alliance with her employer, William Randolph Hearst, and her complex and turbulent relationships with such noted stars, directors, and studio executives as Orson Welles, Joan Crawford, Louis B. Mayer, Ronald Reagan, and Frank Sinatra—as well as her rival columnists Hedda Hopper and Walter Winchell. Loved by fans for her "just folks," small-town image, Parsons became notorious within the film industry for her involvement in the suppression of the 1941 film Citizen Kane and her use of blackmail in the service of Hearst's political and personal agendas. As she traces Parsons's life and career, Samantha Barbas situates Parsons's experiences in the broader trajectory of Hollywood history, charting the rise of the star system and the complex interactions of publicity, journalism, and movie-making. Engagingly written and thoroughly researched, The First Lady of Hollywood is both an engrossing chronicle of one of the most powerful women in American journalism and film and a penetrating analysis of celebrity culture and Hollywood power politics.
The history of the Klondike, with its harrowing narratives of climbing the Chilkoot and White passes, braving the rapids of the Yukon River and striking it rich only to go broke again, has become legend. Yet there are still more untold stories that linger in the boarded-up ghost towns, forgotten wilderness cabins and along overgrown trails. Yukon historian Michael Gates has made a career of poking around both the archives and the outdoors of the North. Used as a trading route by the Chilkat Tlingit for centuries, the Dalton Trail was taken over by Jack Dalton, a hard driving, murdering, entrepreneurial adventurer, who built bridges and way stations and set up a toll booth. For a fee he would pack passengers and freight to and from Dawson, gaining a reputation for a difficult but safe passage. This is the trail where starry-eyed financiers first dreamed of building a railroad to Dawson City, where thousands of head of cattle were regularly driven north--with only some reaching their destination--and where reindeer were unsuccessfully introduced to the Yukon as pack animals. Despite its short existence--from 1897 to 1903, when it was superceded by the relative ease of the Chilkoot and White trails--the Dalton Trail was also a flashpoint for conflict with the local Natives, border disputes between Canada and the US, and the jumping-off point for yet another gold strike at Porcupine Creek. While the Klondike stories are (nearly) all true, just remember--it happened first on the Dalton.
This is the first book-length study of the career and life of Ann Savage, whose performance in Detour earned her a place in Time Magazine's list of the top 10 greatest movie villains. The biography covers her abused childhood and her career as a studio contract player, pin-up queen, B movie star, jetsetter and award-winning aviatrix. A complete annotated filmography with release date, credits, cast, synopsis and commentary for each of her films is included.