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An Architectural Digest Hall of Famer and interior designer to the stars showcases his rare and much-admired ability to set the perfect scene. See inside the beautiful homes of Hollywood icons like Jennifer Aniston, Robert Altman, and Ryan Murphy—with stunning full-color photographs and a foreword by Diane Keaton. Designer extraordinaire Stephen Shadley began his working life as a scenic artist at 20th Century Fox. Throughout a celebrated career (landing a coveted spot on the AD100), his work has been marked continually by the glamour of Hollywood as well as by a kind of visual storytelling that is richly informed by the world of the movie screen and by the artifice and allure of film’s great cinematographers. Inside, you’ll find numerous beautifully designed homes of Hollywood royalty, including: • Diane Keaton’s classic Beverly Hills abode • Robert Altman’s apartment in the legendary Pythian building on New York’s Upper West Side • Jennifer Aniston’s luxurious 1970s home in Beverly Hills • Three greenrooms Shadley designed for the Oscars and Emmy Awards • Plus much more in Southern California, New York, and beyond! Notable for their expression of an exquisite sense of style, Shadley’s designed homes are all expressions of a masterful sense of scale and an appreciation for understated beauty and refined materials that are ultimately warm, inviting, and serene.
Interior designer Jeff Andrews reveals his decorating secrets in a refreshing, youthful, and livable take on what glamour today can be. Kourtney Kardashian. Kris Jenner. Kaley Cuoco. These Hollywood stars and more have turned to Jeff Andrews to deliver his trademark high style to their homes. In his first book, Jeff Andrews guides us through the bold spaces he has created for his celebrity clients, while sharing his philosophy on design, exploring topics such as creating a vision and keeping unexpected choices elegant and cohesive; cultivating cinematic style with sweeping staircases and a feeling of extravagance, while never insisting on buttoned-up formality. Throughout, Andrews reminds us that interiors must be balanced--whether it's making sure that even the most sophisticated house has a sense of welcome, or adding an element of rusticity, like grasscloth walls, to an otherwise sleek modern space. Captivating light fixtures, luxe-yet-comfortable furniture, and carefully curated collections come together for a modern take on old Hollywood glamour that will inspire and instruct. Colorful and fun, this is a sourcebook of cool California living at its best.
Takes readers on an insider's tour of some of the most beautiful private homes, classic residences, and historic hotels in Hollywood, featuring design creativity, inventive architecture, and interiors created with elegance and a sense of fun. 15,000 first printing.
During their twenty-year heyday, 16mm motion pictures were used for a wide variety of purposes, including public relations, fundraising, sales education, training, and motivation. Fred Frechette was fortunate enough to become involved in this field during the height of popularity for the 16mm industrial film. "In making them," writes Mr. Frechette, "we performed the same functions Hollywood filmmakers performed in their 35mm movies. But our films could be made at far less cost-and we probably enjoyed it more". Hollywood-Home Style, by Fred L. Frechette, is an often amusing, generously spirited memoir as the author looks back at his years writing, directing, and producing 16mm industrial films. The journey begins with Mr. Frechette's first script, for Richmond's United Givers Fund in 1960, and follows his work experience through his final effort, for Philip Morris in 1981. Along the way, the author relates interesting and entertaining stories of the frequent trials and tribulations the film crew faced, as well as the jubilant, triumphal moments. Fred Frechette and his colleagues gave every job their best effort. They worked and laughed together for twenty years for the love of the job they were doing. Hollywood-Home Style tells their fascinating and unique story. Book jacket.
The Interior Design Styles Lookbook (c) is an awesome tool & reference for interior designers, homeowners, and anyone who is interested in the design field. It contains 24 of the most popular interior design styles. The styles in this book are the following: Arabian, Art Deco, Art Nouveau, Bohemian, Coastal, Contemporary, Eclectic, Farmhouse, Hollywood Regency, Industrial, Japanese, Mediterranean, Mid-Century Modern, Minimal, Modern, Moroccan, Parisian, Rustic, Scandinavian, Shabby Chic, Traditional, Transitional, Tribal, and Tropical. For each style, you will find the definition, bullet points of the characteristics, as well as illustrations to represent the style, with tips to apply it on your projects, and keywords to use with your clients, paired with a tool that helps you mix and match interior design styles!
Over a career spanning six decades, architect Paul Revere Williams came to define what gracious living looked like for the Hollywood elite. Williams mastered an array of architectural idioms—including American Colonial, Spanish Mediterranean, English Tudor, French Normandy, Art Deco, and, of course, the California ranch style—to create the sophisticated yet understated showplaces that are featured here in all new full-color photography. Among the most celebrated architects of his generation, Williams was also the first African-American member of the American Institute of Architects, and he was deeply involved in the black community in Los Angeles and in African-American affairs nationally. Williams moved among many worlds, and with celebrity clients such as Frank Sinatra, Lucille Ball and Desi Arnaz, Tyrone Power, and Barbara Stanwyck, as well as clients who made Hollywood run behind the scenes, not to mention members of Los Angeles high society, Williams left his mark in the city’s most glamorous and exclusive enclaves—Beverly Hills, Brentwood, Bel Air, and the Hollywood Hills. Paul R. Williams: Classic Hollywood Style is a dazzling tour of this prolific architect’s most spectacular houses, by his granddaughter Karen Hudson, with a special focus on their roles not only as places for high living but also as venues for world-class entertaining.
Classic Hollywood Style explores iconic looks from the golden era of Hollywood, covering 35 films from the 1920s to the end of the 1960s. Caroline Young looks at the history and social context of the costumes through stories from the production, photos, interviews and original costume design sketches, and tips on how to 'get the look' today. While we celebrate the glacial elegance of Grace Kelly and the skin-tight sexiness of Marilyn Monroe, behind every look on screen was the costume designer who shaped the image. In the golden age of Hollywood, designers like Edith Head, Adrian and Travis Banton became stars in their own right. Women queued up to see the latest Joan Crawford and Greta Garbo release to lust after the glamorous costumes the stars would wear on screen. Department stores shamelessly mass-produced copies of gowns, film magazines would preview the new looks and women ran up their own versions on their sewing machines. In the 1960s women lowered their hems and sported berets to look just like Faye Dunaway in Bonnie and Clyde. Even today, an article on the little black dress will inevitably make mention of Audrey Hepburn. Every one of these films has perfectly captured a moment of fashion zeitgeist or has become an indelible image of cinema, whether it is Garbo in a trenchcoat in A Woman of Affairs, Joan Crawford's shoulder pads in Mildred Pierce, Rita Hayworth's strapless dress in Gilda, James Dean's red windbreaker in Rebel Without a Cause or Steve McQueen's ivy league style in The Thomas Crown Affair. Through archived records, studio press releases, behind the scenes memos, costume designer sketches and notes, censorship records and articles from magazines of the time, this is a behind-the-scenes look at the classic costumes of the silver screen.
MGM Style is an overview of the career and achievements of Hollywood’s most famous art director. Cedric Gibbons was the supervisor in charge of the art department at Metro-Goldwyn-Mayer film studios from its inception in 1924 until Gibbons chose to retire in 1956. Lavishly illustrated with over 175 pristine duotone photographs, the vast majority of which have never before been published, this is the first volume to trace Gibbons’ trendsetting career. At its height in the late 1930s and early 1940s, Gibbons was regularly acknowledged by his peers as having shaped the craft of art direction in American film; his work was recognized as representing the finest in motion picture sets and settings. Gibbons and his associates constructed the villages, towns, streets, squares and edifices that later appeared in hundreds of films, and whose mixed architecture stood in for army camps and the wild west, Dutch New York and Dickensian London, ancient China and modern Japan. Inspired by the work of Le Corbusier and the Bauhaus masters, as well as the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris and Frank Lloyd Wright’s experiments with open planning, Gibbons championed the notion that movie decor should move beyond the commercial framework of the popular cinema
"Revised edition of 'The architecture of John Lautner,' first published in 1999 ... by Rizzoli ..."--T.p. vers