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This book is written to acknowledge the Year of The Blues, 2003. The story is set in the south during the late 1950's. A teenager from New England joins the carnival and meets a girl while traveling through Alabama. They befriend an aging black blues musician and vow to get him recorded. Oblivious to the challenges of the southern culture and the music industry they are undaunted in their determination to get him a record deal. The perils they face bond them closer together as they travel throughout the south. The fact that it is written by a career musician lends the story more authenticity.
Java and jazz: the perfectNew Orleans blend When coffee executive Parker Jamesstorms into the hotel bar after afrustrating business meeting, hespots the beautiful woman whosang at his wedding ten years ago. Holly Carlyle has never forgotten that booking. Hours beforethe vows, she'd walked in on the bride-to-be having sex withsomeone other than Parker.The marriage is long over, and Parker is ready to move on—with Holly. The jazz they both love draws them together, butParker's ex-wife threatens Holly with blackmail to keep themapart. Holly knows she's been silent too long. There's a risk intelling the truth, but it's one she has to take.
Updated and expanded, this indispensable guidebook maps out the blues birthplaces, juke joints and crossroads of the Mississippi Delta.
Stuart Woods brings back small-town police chief Holly Barker—and her extraordinary Doberman, Daisy—for another exhilarating adventure in this New York Times bestseller. When Holly Barker’s wedding festivities are shattered by a brutal robbery, she vows to find the culprits. With nothing to go on but the inexplicable killing of an innocent bystander, Holly discovers evidence that leads her into the midst of a clan whose members are as mysterious as they are zealous. Holly’s father, Ham, a retired army master sergeant, is her ticket into their strange world. What he finds there boggles the mind and sucks them all—Holly, Ham, and Daisy—into a whirlpool of crazed criminality from which even the FBI can’t save them...
This innovative guide will lead you through the birthplace of the blues, covering the world-famous attractions, historic sites, funky shops, and gold record legacies of Memphis and the surrounding Mississippi Delta. With a strong focus on modern-day arts and music enclaves, as well as the storied sites where the blues got their start; hundreds of top-notch dining, lodging, and recreational recommendations; over one hundred illuminating photos and maps; and travel logistics, this is the most comprehensive guide to the region to-date.
Arriving on the music scene in 2003, the Kings of Leon embarked on a sex, drug and booze-fuelled rampage through the London music and fashion scene, never afraid to reveal all to the press and somehow surviving to tell the tale. Joel McIver's new book, the first ever Kings of Leon biography, digs deep into their history to reveal a band like no other.
Stuart Woods brings back small-town police chief Holly Barker—and her extraordinary Doberman, Daisy—for another exhilarating adventure in this New York Times bestseller. When Holly Barker’s wedding festivities are shattered by a brutal robbery, she vows to find the culprits. With nothing to go on but the inexplicable killing of an innocent bystander, Holly discovers evidence that leads her into the midst of a clan whose members are as mysterious as they are zealous. Holly’s father, Ham, a retired army master sergeant, is her ticket into their strange world. What he finds there boggles the mind and sucks them all—Holly, Ham, and Daisy—into a whirlpool of crazed criminality from which even the FBI can’t save them...
A quietly influential force in African American literature and art, Clarence Major makes his Penguin Classics debut with the twenty-fifth-anniversary edition of Dirty Bird Blues The PRH Audio book of Dirty Bird Blues by Clarence Major won a 2022 EARPHONE AWARD. Narrated by Dion Graham. A Penguin Classic Set in post-World War II Chicago and Omaha, the novel features Manfred Banks, a young, harmonica-blowing blues singer who is always writing music in his head. Torn between his friendships with fellow musicians and nightclub life and his responsibilities to his wife and child, along with the pressures of dealing with a racist America that assaults him at every turn, Manfred seeks easy answers in "Dirty Bird" (Old Crow whiskey) and in moving on. He moves to Omaha with hopes of better opportunities as a blue-collar worker, but the blues in his soul and the dreams in his mind keep bringing him back to face himself. After a nightmarish descent into his own depths, Manfred emerges with fresh awareness and possibility. Through Manfred, we witness and experience the process by which modern American English has been vitalized and strengthened by the poetry and the poignancy of the African-American experience. As Manfred struggles with the oppressive constraints of society and his private turmoil, his rich inner voice resonates with the blues.
This new collection brings together plays and monologues from the National Black Theatre Festival, one of the most historic and culturally significant events—not only in the history of Black theater but in American theater. Held every two years in Winston-Salem, North Carolina, this gathering of Black theater companies and artists from around the country and across the globe features an extraordinary array of performances, workshops, films, spoken-word poetry, and more. Established in 1989 by Larry Leon Hamlin and the North Carolina Black Repertory Company, this volume includes three full-length plays produced at the Festival: Maid’s Door by Cheryl L. Davis Berta, Berta by Angelica Chéri Looking for Leroy by Larry Muhammad This collection also includes seventeen monologues and scenes selected from each year of the Festival, featuring the artists and playwrights: Jackie Alexander, Ifa Bayeza, Pearl Cleage, Kamilah Forbes, Endesha Ida Mae Holland, Javon Johnson, Rhodessa Jones, and others.
All too often an incident or accident, such as the eruption in Crown Heights with its legacy of bitterness and recrimination, thrusts Black-Jewish relations into the news. A volley of discussion follows, but little in the way of progress or enlightenment results--and this is how things will remain until we radically revise the way we think about the complex interactions between African Americans and Jews. A Right to Sing the Blues offers just such a revision. Black-Jewish relations, Jeffrey Melnick argues, has mostly been a way for American Jews to talk about their ambivalent racial status, a narrative collectively constructed at critical moments, when particular conflicts demand an explanation. Remarkably flexible, this narrative can organize diffuse materials into a coherent story that has a powerful hold on our imagination. Melnick elaborates this idea through an in-depth look at Jewish songwriters, composers, and perfomers who made Black music in the first few decades of this century. He shows how Jews such as George Gershwin, Irving Berlin, Al Jolson, and others were able to portray their natural affinity for producing Black music as a product of their Jewishness while simultaneously depicting Jewishness as a stable white identity. Melnick also contends that this cultural activity competed directly with Harlem Renaissance attempts to define Blackness. Moving beyond the narrow focus of advocacy group politics, this book complicates and enriches our understanding of the cultural terrain shared by African Americans and Jews.