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Dr. Harry Kent likes to keep himself busy—juggling hospital duties with his work as a police surgeon for the London Metropolitan Police—anything to ward off the memories of his time as an army medic.Usually the police work means minor injuries and mental health assessments. But teenager Solomon Idris’s case is different. Idris has taken eight people hostage in a fast-food restaurant, and is demanding to see a lawyer and a BBC reporter. Harry is sent in to treat the clearly-ill teenager . . . before the siege goes horribly wrong.When Solomon’s life is put in danger again at a critical care ward, it becomes clear he knows something people will kill to protect. Determined to uncover the secret that drove the boy to such desperate action, Harry soon realizes that someone in the medical world, someone he may even know, has broken the doctors’ commandment to “do no harm” many times over . . .
Very convincingly done... Sykes sounds the alarm against current academic abuses with much perception, wit, and skill.--Kirkus Reviews
Analyzes texts and art objects from the 15th to the late 16th centuries to show that Renaissance theories of emulating classical heroes generated a deep skepticism about representation, as these theories forced men to construct a public image that seemed fixed but could adapt to changing circumstances.
At the turning point of the Dominion War, Captain Benjamin Sisko of Starbase Deep Space 9 ™, facing certain defeat by the relentless forces of the Jem'Hadar and the Cardassians, went through with a secret plan to secure the aid of the Federation's longtime adversaries, the Romulans. What began as a desperate attempt to save lives became a descent into an abyss of deception, moral compromises, and outright criminal acts, as Sisko sacrificed every ideal he held dear in order to preserve the civilization that espoused those selfsame principles. Now the aftermath of that choice is revealed for the first time as Sisko is summoned to Earth to take part in the first Allied talks to come out of the Federation's new partnership with the Romulans. But Sisko's conscience weighs heavily on him, compelling him to seek some kind of penance for what he has done...while elements within Starfleet itself set in motion a scheme to use Elim Garak as a pawn against a human political dissident who may hold the key to the outcome of the war. HOLLOW MEN A TALE OF THE DOMINION WAR
In Hollow Men, Strange Women, Robin Baker provides a masterly reappraisal of Israel's experience during its Settlement of Canaan as narrated in the Book of Judges. Written under Assyrian suzerainty in the reign of Manasseh, Judges is both a theological commentary on the Settlement and an esoteric work of prophecy. Its apparent historicity subtly encrypts a grim forewarning of Judah's future, and, in its extensive treatment of otherness, Judges explores the meaning of God’s covenant with Israel. Robin Baker's scholarly and perceptive reading draws on a deep understanding of ancient Hebrew and Mesopotamian symbolic codes to interpret the riddles in this many-layered text. The Book of Judges reveals complex literary configurations from which past, present, and future are simultaneously presented.
This book goes to the heart of why many New Zealanders feel disillusioned about politics. Nicky Hager believes that the way politicians and others in politics conduct themselves - the games they play to advance themselves - can harm the whole political system. Exposing their activities is the first step towards change.
At the turning point of the Dominion War, Captain Benjamin Sisko, facing certain defeat by the overwhelming and relentless forces of the Dominion, initiated a secret plan to secure the aid of the Romulans, the Federation's longtime adversaries. What began as a desperate attempt to save lives became a descent into an abyss of deception, moral compromise and outright criminal acts, as Sisko became compelled to sacrifice every ideal he believed in - in order to preserve those same ideals. In HOLLOW MEN the aftermath of those events is explored as Sisko returns to Earth to answer for his actions. But to his surprise, no one intends to punish him. The course he took is viewed instead as a necessary and lesser evil which may yet prove to be the salvation of the Federation way of life. But Sisko's own conscience haunts him, and as he continues to seek some kind of penance for what he has done, opportunists within Starfleet itself set in motion a scheme which uses his actions as a springboard from which the Federation will emerge from the war as an imperial power.
"The children of Hexen Bridge are gifted and clever, but insanity and murder follow in their wake. The Doctor has a special interest in the village, but on his return to England in the early twenty-first century, events seem to be escalating out of control. Kidnapped and taken to Liverpool, the Doctor realizes that developments in Hexen Bridge have horrifying repercussions for the rest of the country. Ace is left in the village, where small-minded prejudices and unsettled scores are flaring into violence. As scarecrows fashioned from the bodies of the recent and ancient dead stalk the country lanes around Hexen Bridge, a sinister dark stain is spreading over the surrounding fields. And as the fierce evil grows ever stronger, can the Doctor and Ace prevent it from engulfing the entire world?"--Page 4 of cover.
The last major verse written by Nobel laureate T. S. Eliot, considered by Eliot himself to be his finest work Four Quartets is a rich composition that expands the spiritual vision introduced in “The Waste Land.” Here, in four linked poems (“Burnt Norton,” “East Coker,” “The Dry Salvages,” and “Little Gidding”), spiritual, philosophical, and personal themes emerge through symbolic allusions and literary and religious references from both Eastern and Western thought. It is the culminating achievement by a man considered the greatest poet of the twentieth century and one of the seminal figures in the evolution of modernism.
"The poems, . . . some of the poetic drama (particularly Sweeney Agonistes), and relevant sections of prose criticism, are discussed in detail and placed in relation to the development of Eliot's oeuvre, and more briefly to his life and a wider context of philosophical and religious enquiry" --Introduction.