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"Holland Frozen in Time is the first publication in a long time which offers an overview of this typically Dutch phenomenon. In addition to elucidating the art-historical aspects, this catalogue treats various winter pleasures engaged in on the ice, the role played by winter in seventeenth-century literature, and of course the climatic conditions prevailing at that time. Finally, there is an account of the fascinating early history of the winter landscape, from medieval illuminated manuscripts via the winter scenes of Pieter Bruegel the Elder to the beginning of the seventeenth century."--BOOK JACKET.
The true story of Barbara Hoffman is a tale of money, men, and the Madison, Wisconsin, massage parlor where a biochemistry major turned into a murderer. On a freezing Christmas morning, a distraught young man named Gerald Davies led Madison police to Tomahawk Ridge, where they found the body of Harold Berge, naked, bloody, and beaten. Davies insisted that he hadn’t killed the man, but that he and his fiancée had simply buried the corpse in a snowbank. The investigation confirmed that the victim had died in the apartment of Barbara Hoffman—a young woman who had dropped out of the University of Wisconsin and had worked at Jan’s Health Studio, a local massage parlor. She and Davies, whom she met at Jan’s, had recently become engaged. The circumstances were suspicious already. But when the police discovered that Berge was Hoffman’s ex-lover, that he had signed over his house and an insurance policy to her—and that Davies had also made her his beneficiary—they began to suspect that Davies might also be in danger . . . The police kept him under watch, but eventually had to stop surveillance. Soon after, Davies turned up dead in his bathtub, a Valium bottle nearby, in an apparent suicide. But, an accomplished student of chemistry, Hoffman knew how tricky it could be to detect cyanide poisoning. It would take a dedicated effort by detectives to sort out the truth about the highly intelligent masseuse, her work in the shadowy local sex trade, and the real circumstances that led two of her clients to their deaths. Winter of Frozen Dreams is the full story of the case that would become a sensational televised trial and inspire a film of the same name starring Thora Birch. It’s a “snappy read” by an author with a “talent for sleuthy description and psychological insight” (Kirkus Reviews).
This beloved account about an intrepid young Englishman on the first leg of his walk from London to Constantinople is simply one of the best works of travel literature ever written. At the age of eighteen, Patrick Leigh Fermor set off from the heart of London on an epic journey—to walk to Constantinople. A Time of Gifts is the rich account of his adventures as far as Hungary, after which Between the Woods and the Water continues the story to the Iron Gates that divide the Carpathian and Balkan mountains. Acclaimed for its sweep and intelligence, Leigh Fermor’s book explores a remarkable moment in time. Hitler has just come to power but war is still ahead, as he walks through a Europe soon to be forever changed—through the Lowlands to Mitteleuropa, to Teutonic and Slav heartlands, through the baroque remains of the Holy Roman Empire; up the Rhine, and down to the Danube. At once a memoir of coming-of-age, an account of a journey, and a dazzling exposition of the English language, A Time of Gifts is also a portrait of a continent already showing ominous signs of the holocaust to come.
The author explores dozens of scriptural passages from the psalms, offering personal ideas and insights and sharing his testimony that "no matter what the trouble and trial of the day may be, we start and finish with the eternal truth that God is for us."--
Can aesthetics and ethics be integrated for the good of habitats, places, and spaces? How can the arts widen our perception of nature and deepen environmental ethics? Should the political meaning of a landscape be defined solely in terms of its economic and ecological values? Questions like these are explored from the angles of arts, environmental ethics, ecology, religious studies, theology, art history, and philosophy. The book prompts discussion about the aesthetic and spiritual dimension in the environmental humanities, and it offers transdisciplinary insights into the challenge of sustainability and ongoing changes in society and the environment. (Series: Studies in Religion and the Environment / Studien zur Religion und Umwelt - Vol. 7)
A Companion to Renaissance and Baroque Art provides a diverse, fresh collection of accessible, comprehensive essays addressing key issues for European art produced between 1300 and 1700, a period that might be termed the beginning of modern history. Presents a collection of original, in-depth essays from art experts that address various aspects of European visual arts produced from circa 1300 to 1700 Divided into five broad conceptual headings: Social-Historical Factors in Artistic Production; Creative Process and Social Stature of the Artist; The Object: Art as Material Culture; The Message: Subjects and Meanings; and The Viewer, the Critic, and the Historian: Reception and Interpretation as Cultural Discourse Covers many topics not typically included in collections of this nature, such as Judaism and the arts, architectural treatises, the global Renaissance in arts, the new natural sciences and the arts, art and religion, and gender and sexuality Features essays on the arts of the domestic life, sexuality and gender, and the art and production of tapestries, conservation/technology, and the metaphor of theater Focuses on Western and Central Europe and that territory's interactions with neighboring civilizations and distant discoveries Includes illustrations as well as links to images not included in the book
In this first comprehensive full length study in English on the art of Jan Brueghel the Elder, Leopoldine Prosperetti illuminates how the work of this painter relates to a philosophical culture prevailing in the Antwerp of his time. She shows that no matter what scenery, figures or objects stock the pictorial field, Brueghel's diverse pictures have something in common: they all embed visual trajectories that allow for the viewer to craft out of the raw material of the picture a moment of spiritual repose. Rooted in the art of Hieronymus Bosch and Pieter Bruegel the Elder these vistas are shown to meet the expectation of viewers to discover in their mazes a rhetorically conceived path to wisdom. The key issue is the ambition of pictorial images to bring into practice the humanist belief that philosophy and rhetoric are inseparable. This original study analyzes the patterns of thought and recurrent optical tropes that constitute a visual poetics for shifting genres - no longer devotional, yet sharing in the meditative goal of redirecting the soul toward an intuitive knowledge of what is good in life. This book reveals how everyday life is the preferred vehicle for delivering the results of philosophical pursuits. One chapter is dedicated to Brueghel's innovative attention to the experience of traveling in a variety of wheeled vehicles along the roads of his native Brabant. He is unique, and surprisingly modern, in giving contemporary viewers an accurate account of all the different types of conveyances that clutter the roads. It makes for lively versions of one of his favorite themes: The Traveled Road. By taking the pursuit of wisdom as its theme, the book succeeds in presenting a new model for the interpretation of a range of visual genres in the Antwerp picture trade.
These information-packed volumes provide comprehensive overviews of each nation's people, geography, history, government, economy, and culture
"To accompany the exhibition 'Theatres of life: drawings from the Rothschild Collection at Waddesdon Manor' at the Wallace Collection, London, 8 November 2007-27 January 2008, at the Djanogly Museum and Art Gallery, Nottingham, 12 April 2007-1 June 2008, at Waddesdon Manor, Buckinghamshire, during 2009"--T.p. verso.