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One of the pioneers of American Zen Buddhism tells his own story of spiritual evangelism on American shores, from his wanderings in the American West to his troublesome dealings with the FBI and his eventual founding of the First Zen Institute of America.
Distant Islands is a modern narrative history of the Japanese American community in New York City between America's centennial year and the Great Depression of the 1930s. Often overshadowed in historical literature by the Japanese diaspora on the West Coast, this community, which dates back to the 1870s, has its own fascinating history. The New York Japanese American community was a composite of several micro communities divided along status, class, geographic, and religious lines. Using a wealth of primary sources—oral histories, memoirs, newspapers, government documents, photographs, and more—Daniel H. Inouye tells the stories of the business and professional elites, mid-sized merchants, small business owners, working-class families, menial laborers, and students that made up these communities. The book presents new knowledge about the history of Japanese immigrants in the United States and makes a novel and persuasive argument about the primacy of class and status stratification and relatively weak ethnic cohesion and solidarity in New York City, compared to the pervading understanding of nikkei on the West Coast. While a few prior studies have identified social stratification in other nikkei communities, this book presents the first full exploration of the subject and additionally draws parallels to divisions in German American communities. Distant Islands is a unique and nuanced historical account of an American ethnic community that reveals the common humanity of pioneering Japanese New Yorkers despite diverse socioeconomic backgrounds and life stories. It will be of interest to general readers, students, and scholars interested in Asian American studies, immigration and ethnic studies, sociology, and history. Winner- Honorable Mention, 2018 Immigration and Ethnic History Society First Book Award
When Sasaki Sokei-an founded his First Zen Institute of North America in 1930 he suggested that bringing Zen Buddhism to America was like "holding a lotus against a rock and waiting for it to set down roots." Today, Buddhism is part of the cultural and religious mainstream. Flowers on the Rock examines the dramatic growth of Buddhism in Canada and questions some of the underlying assumptions about how this tradition has changed in the West. Using historical, ethnographic, and biographical approaches, contributors illuminate local expressions of Buddhism found throughout Canada and relate the growth of Buddhism in Canada to global networks. A global perspective allows the volume to overcome the stereotype that Asia and the West are in opposition to each other and recognizes the continuities between Buddhist movements in Asia and the West that are shaped by the same influences of modernity and globalization. Flowers on the Rock studies the fascinating and ingenious changes, inflections, and adaptations that Buddhists make when they set down roots in a local culture. It is essential reading for anyone interested in Buddhism, religious life in Canada, and the broader issues of multiculturalism and immigration. Contributors include Michihiro Ama (University of Alaska), D. Mitra Barua (University of Saskatchewan), Paul Crowe (Simon Fraser University), Melissa Anne-Marie Curley (University of Iowa), Mavis Fenn (University of Waterloo), Kory Goldberg (Champlain College), Sarah F. Haynes (Western Illinois University), Jackie Larm (University of Edinburgh), Paul McIvor (independent), James Placzek (University of British Columbia), and Angela Sumegi (Carleton University).
This new updated edition of How the Swans Came to the Lake includes much new information about recent events in Buddhist groups in America and discusses such issues as spiritual authority, the role of women, and social action.
Ruth Fuller Sasaki, who died in 1967, was a pivotal figure in the emergence and development of Zen Buddhism in the United States. She is the only Westerner — and woman — to be made a priest of a Daitoku–ji temple and was mentor to Burton Watson, Philip Yampolsky, and Gary Snyder, and mother–in–law of Alan Watts. This is the first biography of her remarkable life. Few devoted their lives to Zen Buddhism as Ruth Fuller did. As a senior student of Sokei — an Sasaki in New York — Ruth helped him develop the infrastructure of what would eventually become The First Zen Institute in New York City. She married Sasaki in 1944, and it was her mission to maintain the Institute and later, to establish The First Zen Institute of America in Japan. Her legacy remains today in the Zen facilities she helped build in New York and abroad and in the many texts she saw through translation, published from the 1950s to the 1970s. For the first time in book form, three of her writings are included here — Zen: A Religion, Zen: A Method for Religious Awakening, and Rinzai Zen Study for Foreigners in Japan.
From the very earliest manifestations of civilization in China in the late Neolithic period, a strictly organized political and social hierarchy was in place. Within such a society, the position of individuals was defined through social codes and regulations, both written and unwritten. Chinese civilization thus provides an excellent opportunity to examine how personal ornaments functioned as symbols that identified social and cultural status through the materials used and the decorative motifs chosen. The decoration is, in fact, a language to be seen, read, and interpreted. In THE LANGUAGE OF ADORNMENT, Myrna and Samuel Myers'¬?s collection of Chinese personal ornaments is presented and explored in stunning, full-color plates. A catalog of Chinese adornments from the collection of Myrna and Samuel Myers. Includes full-page color plates of all the pieces.
Explore a fresh telling of the inspiring, mysterious, and magical life of the great master Padmasambhava—the Lotus-Born—who planted the seed of Buddhism in Tibet that is still blossoming today, beautifully illustrated for kids ages 8–12. The Lotus-Born is one of the most iconic and important figures in Tibetan history. Here, his magical life story is outlined in colorful and captivating detail, offering young readers a rare glimpse into his adventures that transformed Tibet, a land of malevolent spirits and wild folk, into a fertile ground for Buddhism. The rich and vibrant spiritual tradition that resulted in Tibet has thrived for over one thousand years. This timeless tale is sure to capture the imagination of future generations, just as the oral, theatrical, and written accounts of it have in the Himalayas for centuries.
First, fully illustrated, presentation of a large but generally little known assemblage of petroglyphic rock art from the Western Desert of Egypt. Rock art in Dakhleh was produced for perhaps as long as 10 millennia, resulting in the formation of hundreds of sites displaying thousands of images. In some places, petroglyphs form a true melting pot of iconographic creations, elsewhere only isolated depictions appear on rock surfaces. Various rock art traditions, from prehistoric, through pharaonic, Graeco-Roman, and mediaeval, have all added to a tremendous variety of petroglyphs, their formal traits and subject matter. This book is the first ever monograph on Dakhleh Oasis rock art, providing both an introduction to the versatile topic as well as an overview of the current state of research. It is designed as a collection of essays that deal with specific aspects of the research. The reader is offered here not only old and new documentation, much of it previously unpublished, but also a great deal of innovative interpretation. All chapters, although devoted to different case studies, revolve around an all-encompassing concept of landscape of motion. It is argued here that rock art, regardless of its date of origin, was (and is) always involved in certain dynamic contexts. In Dakhleh, the majority of petroglyphs – especially during historical periods – were produced in spatial contexts of paths and routes, and thus by people on the move. It is argued here that various kinds of movement were often a significant factor contributing to the meaning and function of the images. The intention of this book is to explore and unveil such contexts, which may prove somewhat elusive if we focus our analyses exclusively on the representational aspects of rock art. Such a type of integration of rock art, landscape and motion is the major aim of this work, and has hopefully been achieved by merging perspectives and concepts derived from Egyptology, Anthropology, and other social sciences.
Graffiti, dipinti, rock-inscriptions and other additions to walls and rocks are integral to the landscape and writing practices of ancient Egypt. This book focuses on the margins of traditional ancient Egyptian epigraphic corpora. It aims to provide an all-encompassing view of graffiti practices and corpora in ancient Egypt, ranging from predynastic rock art in the Eastern Desert, to hieratic inscriptions in Middle Egyptian tombs, and demotic signatures in Karnak temple. A range of specialists present primary data from three different environments-deserts, tombs, and temples-following common lines of inquiry that aim to look beyond their textual or iconographic content and address graffiti's agency more closely. Accordingly, this book investigates the interplay between secondary inscriptions and images, the space in which they were embedded, and the audiences for whom they were intended. Despite the diversity inherent in the nature of graffiti, common paths and shared threads of discussion emerge once these inscriptions are considered as material objects and socio-cultural practices.