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"Consequently, to fill the gaps within the correspondence, 542 editorial entries are chronologically interspersed for letters both by and to Melville for which no full text has been located but for which some evidence survives. These entries, like the editorial headnotes for the known letters, flesh out the specific historical and biographical contexts for the unlocated letters. Both supply Horth's full annotations, placing circumstances, persons, and allusions, from a wide range of documentary and scholarly sources, and drawing upon family archives of both Melville and his wife, including the recently recovered portion, now in the New York Public Library, of a trove preserved by his sister Augusta." "The aim of this edition, volume fourteen in the Northwestern-Newberry Edition of The Writings of Herman Melville, is to present a text as close to the author's intention at the time of inscription as his difficult handwriting or other surviving evidence permits. On this basis, the texts earlier presented in The Letters of Herman Melville (1960), edited by Merrell R. Davis and William H. Gilman, have been revised, with differences in almost every letter in spelling and punctuation, and some forty-five differences in wording. Fifty-two newly discovered letters by Melville, more than half of which are first published here, are added to those printed in the 1960 edition. This text of Correspondence is an Approved Text of the Committee on Scholarly Editions (Modern Language Association of America)."--BOOK JACKET.
In Hans Christian Andersen in American Literary Criticism of the Nineteenth Century, Herbert Rowland argues that the literary criticism accompanying the publication of Hans Christian Andersen’s works in the United States compares favorably in scope, perceptiveness, and chronological coverage with the few other national receptions of Andersen outside of Denmark. Rowland contends that American commentators made it abundantly evident that, in addition to his fairy tales, Andersen wrote several novels, travelogues, and an autobiography which were all of more than common interest. In the process, Rowland shows that American commentators “naturalized” Andersen in the United States by confronting the sensationalism in the journalism and literature of the time with the perceived wholesomeness of Andersen’s writing, deploying his long fiction on both sides of the debate over the nature and relative value of the romance and the novel, and drawing on three of his works to support their positions on slavery, the Civil War, and Reconstruction.