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This book is about HOLDEN on to your family history. It is not a typical type of book. It begins with the Great-grandfather and works it way down thru the children. This is a family history from the perspective of a granddaughter. Since 1992, I have been working on my family genealogy and talked about publishing my manuscript. I procrastinated and over the years I saw several books published that mentioned my family in them. Finally I decided to have my manuscript published so that those who were already familiar with my family could actually read short stories and some history about my family and not just focus on music as well as share the uniqueness of my family with anyone. Briefly, I come from a family of musicians: 1. Granddaughter of Oscar Holden - Patriarch of Seattle - http://www.amazon.com/Jackson-Street-After-Hours-Seattle/dp/0912365927/ref=sr_1_1?ie=UTF8&s=books&qid=1242151327&sr=8-1 2. Daughter of Dave L. Holden, Sr. - Musician around Seattle - http://historylink.org/index.cfm?DisplayPage=output.cfm&file_id=2562 3. Sister of David L. Holden, Jr. - Musician around Seattle (currently play in the band GruvBox) - http://www.gruvbox.com 4. Niece of Ron Holden - Hit song in 1960 called: ´Love you so´ - http://en.wikipedia.org/wiki/Ron_Holden 5. Niece of Jimmy Holden - Musician around Seattle - http://profile.myspace.com/index.cfm?fuseaction=user.viewProfile&friendID=450105699 6. Sister of Darrelle Holden – Background singer for Tom Jones - http://tomjonesinternational.com/toms-music/behind-the-scenes/backup-singers 7. Cousin of MarJean Holden - http://marjeanholden.com There have been several books that have mentioned my family in them and on the front cover of ‘Jackson Street After Hours’ is my grandfather because he has been called: ´The Patriarch of Seattle´, the one that brought jazz to Seattle. The following are a few named books that mention my grandfather, father and uncle: 1. The Fortunes of Jelly Roll Morton, New Orleans Creole and ‘Inventor of jazz’, Alan Lomax 2. Dead Man Blues Jelly Roll Morton Way out West, Phil Pastras 3. The Lost History of Jazz in Canada (1914-1949) Such Melodious Racket, Mark Miller 4. The Roots of Jazz in Seattle - Jackson Street After Hours, Paul de Barros (grandfather on cover of book)
In recent years, the media has attributed the increasing numbers of people producing family trees to the aging of baby boomers, a sense of mortality, a proliferation of Internet genealogy sites, and a growing pride in ethnicity. A spate of new genealogy-themed television series and Internet-driven genetic ancestry testing services have now emerged, capitIn recent years, the media have attributed the increasing numbers of people producing family trees to the aging of baby boomers, a sense of mortality, a proliferation of Internet genealogy sites, and a growing pride in ethnicity. A spate of new genealogy-themed television series and Internet-driven genetic ancestry testing services have now emerged, capitalizing on the mapping of the human genome in 2003. This genealogical trend poses a need for critical analysis, particularly along lines of race and ethnicity. In contextual ways, as she intersperses an account of her own journey chronicling her Italian and Italian American family history, Christine Scodari lays out how family historians can understand intersections involving race and/or ethnicity and other identities inflecting families. Through engagement in and with genealogical texts and practices, such as the classic television series Roots, Ancestry.com, and Henry Louis Gates’s documentaries, Scodari also explains how to interpret their import to historical and ongoing relations of power beyond the family. Perspectives on hybridity and intersectionality gesture toward making connections not only between and among identities, but also between localized findings and broader contexts that might, given only cursory attention, seem tangential to chronicling a family history. Given current tools, texts, practices, cultural contexts, and technologies, Scodari’s study determines whether a critical genealogy around race, ethnicity, and intersectional identities is viable. She delves into the implications of adoption, orientation, and migration while also investigating her own genealogy, examining the racial, ethnic experiences of her forebears and positioning them within larger, cross-cultural contexts. There is little research on genealogical media in relation to race and ethnicity. Thus, Scodari blends cultural studies, critical media studies, and her own genealogy as a critical pursuit to interrogate issues bound up in the nuts-and-bolts of engaging in family history.alizing on the mapping of the human genome in 2003. This genealogical trend poses a need for critical analysis, particularly along lines of race and ethnicity. In contextual ways, Christine Scodari lays out how family historians can understand intersections involving race and/or ethnicity within families. Through engagement in and with genealogical texts and practices, such as the classic television series Roots, Ancestry.com, and Henry Louis Gates’ documentaries, Scodari also explains how to decipher their import to historical and ongoing relations of power beyond the family. Perspectives on hybridity and intersectionality gesture toward making connections not only between and among identities, but also between localized findings and broader contexts that might, given only cursory attention, seem tangential to chronicling a family history. Given current tools, texts, practices, cultural contexts, and technologies, Scodari’s study determines whether a critical genealogy around race, ethnicity, and intersectional identities is viable. She delves into the implications of adoption, orientation, and migration while also investigating her own genealogy, examining the racial, ethnic experiences of her forebears and positioning them within larger, cross-cultural contexts. There is little research on genealogical media in relation to race and ethnicity. Thus, Scodari blends cultural studies, critical media studies, and her own genealogy as a critical pursuit to interrogate issues bound up in the nuts-and-bolts of engaging in family history.
Offers a nuanced account of the multiple aspects of women’s lives and their roles in American society American Women's History presents a comprehensive survey of women's experience in the U.S. and North America from pre-European contact to the present. Centering women of color and incorporating issues of sexuality and gender, this student-friendly textbook draws from cutting-edge scholarship to provide a more inclusive and complicated perspective on the conventional narrative of U.S. women’s history. Throughout the text, the authors highlight diverse voices such as Matoaka (Pocahontas), Hilletie van Olinda, Margaret Sanger, and Annelle Ponder. Arranged chronologically, American Women's History explores the major turning points in American women’s history while exploring various contexts surrounding race, work, politics, activism, and the construction of self. Concise chapters cover a uniquely wide range of topics, such as the roles of Indigenous women in North American cultures, the ways women participated in the American Revolution, the lives of women of color in the antebellum South and their experiences with slave resistance and rebellion, the radical transformation brought on by Black women during Reconstruction, the activism of women before and after suffrage was won, and more. Discusses how Indigenous women navigated cross-cultural contact and resisted assimilation efforts after the arrival of Europeans Considers the construction of Black female bodies and the implications of the slave trade in the Americas Addresses the cultural shifts, demographic changes, and women’s rights movements of the early twentieth century Highlights women’s participation in movements for civil rights, workplace justice, and equal educational opportunities Explores the feminist movement and its accomplishments, the rise of anti-feminism, and women’s influence on the modern political landscape Designed for both one- and two-semester U.S. history courses, American Women's History is an ideal resource for instructors looking for a streamlined textbook that will complement existing primary sources that work well in their classes. Due to its focus on women of color, it is particularly valuable for community colleges and other institutions with diverse student populations.
This book gives an insight into how our Lancashire ancestors lived and interacted with the environment in which they existed, over the centuries. Apart from a general history of Darwen life, this volume covers not only the very first ancestral tree but follows the story of one particular family branch through to the twentieth century and into living memory. The story includes detailed information of many other families which whom the Harwoods have intermingled over the centuries, and it would be a rare Darwener, who could not find some connection to his own ancestors within these pages. “Enthusiasm, in-depth research, and a unique authorial voice: this book is what genealogy should result in. It locates the Harwood family in a specific historical place and then watches them grow up and move out. Family journeys are explored from the paper mills of Kent to the goldfields of Ballarat and Maori massacres. “The sheer numbers of documents illustrated show both their value as evidence and the breadth of Mike’s research. There are fruitful and informative diversions into work, leisure, and religion, with excursions into the history of education, nonconformity, and workhouses, among many other things. It’s a story of Lancashire, and a Lancashire in the world. And it’s hard to argue with its announcement of itself not as a history but as the history of the Lancashire Harwoods. They are both typical and unique, and in tracing the development of Lancashire from a rural to an industrial economy, Mike never loses focus on his ancestors’ place in it.” —Neil Sayer, archive access manager, Lancashire Archives
When the Lincoln Alexander Parkway was named, it was a triumph not only for this distinguished Canadian, but for all African Canadians, It had indeed been a long journey from the days in the 1880s when a Blacks woman named Julia Berry operated one of the tollgates leading up to Hamilton Mountain. The Journey from Tollgate to Parkway examines the history of Blacks in the Hamilton-Wentworth area, from their status as slaves in Upper Canada to their settlement and development of community, their struggle for justice and equality, and their achievements, presented in a fascinating and meticulously researched historical narrative. Adrienne Shadd's original research offers new insights into urban Black history, filling in gaps on the background of families and individuals, while also exploding stereotypes of poverty and underachievement of early Black Hamiltonians. For the very first time, their contributions to the building and development of the city are heralded and take centre stage.