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Illuminates one of Holbein's most famous portraits with a combination of scholarly scrutiny and fictional narrative.
Join the curators of the Frick as they present engaging histories of works of art paired with creatively inspired cocktails—a crash course in art history and a delightful introduction to the treasures of the esteemed New York collection. Based on the critically acclaimed video series of the same name, Cocktails with a Curator is a collection of lively and informative essays. Paintings, sculpture, furniture, and porcelain—from medieval times through the glorious Renaissance to the early twentieth century—are discussed for their exemplary status. The creators are some of the greatest artists and include Rembrandt, Vermeer, Whistler, Manet, Velázquez, and Veronese, and the stories (of both artists and subjects) are tantalizing. Cocktails, with recipes, are thematically paired with the works: a Jaded Countess (absinthe, vodka, lemon juice, and simple syrup) with Ingres’s portrait Comtesse d’Haussonville; a classic Pimm’s Cup with Gainsborough’s depiction of English beauty Grace Dalrymple Elliott; and a Bloody Mary (named after the last Catholic regnant queen of England) with Holbein’s painting of Sir Thomas More, who opposed the Reformation of Mary’s father, Henry VIII. The perfect addition to any art connoisseur’s library, this book is an innovative and intoxicating way to enjoy the treasures of a world-renowned art collection.
Utopia is a work of fiction and socio-political satire by Thomas More published in 1516 in Latin. The book is a frame narrative primarily depicting a fictional island society and its religious, social and political customs. Many aspects of More's description of Utopia are reminiscent of life in monasteries.
Discusses the life and work of Hans Holbein the Younger, the artist most responsible for preserving in his portraits the court of King Henry VIII.
Part One: The History (What do we know?) This brief historical introduction to Thomas More explores the social, political and religious factors that formed the original context of his life and writings, and considers how those factors affected the way he was initially received. What was his impact on the world at the time and what were the key ideas and values connected with him? Part Two: The Legacy (Why does it matter?) This second part explores the intellectual and cultural ‘afterlife’ of Thomas More, and considers the ways in which his impact has lasted and been developed in different contexts by later generations. Why is he still considered important today? In what ways is his legacy contested or resisted? And what aspects of his legacy are likely to continue to influence the world in the future?
Stunning portraits by the renowned Renaissance artist illuminate fascinating figures from the European merchant class, intellectual elite, and court of King Henry VIII. Nobles, ladies, scholars, and merchants were the subjects of Hans Holbein the Younger (1497/98–1543), an inventive German artist best known for his dazzling portraits. Holbein developed his signature style in Basel and London amid a rich culture of erudition, self-definition, and love of luxury and wit before becoming court painter to Henry VIII. Accompanying the first major Holbein exhibition in the United States, this catalogue explores his vibrant visual and intellectual approach to personal identity. In addition to reproducing many of the artist's painted and drawn portraits, this volume delves into his relationship with leading intellectuals, such as Erasmus of Rotterdam and Thomas More, as well as his contributions to publishing and book culture, meticulous inscriptions, and ingenious designs for jewels, hat badges, and other exquisite objects. This volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from October 19, 2021, to January 9, 2022 and at the Morgan Library & Museum from February 11 to May 15, 2022.
Hans Holbein is regarded as one of the greatest artists of the 16th century. Accompanying a major Tate exhibition, this work gives insights into the artist's movements between the 1520s and '40s, when he moved from Germany and Switzerland to England, with insights into his working methods and techniques.
Forty-four of Holbein's finest portrait drawings, created while he worked as court painter to Henry VIII, including Sir Thomas More, Jane Seymour, the Prince of Wales, Anne Boleyn, and dozens more.