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Revised edition of: Asatru for beginners.
A comparative study of Polish migrants in the Ruhr Valley and in northeastern Pennsylvania, The Borders of Integration questions assumptions about race and white immigrant assimilation a hundred years ago, highlighting how the Polish immigrant experience is relevant to present-day immigration debates.
Alphabetically listed entries identify and explain the characters, events, and important places of Norse mythology.
The gods may have been restored to their rightful seats of power—but the end of the Time of Troubles does not mark the end of all strife Although the gods have regained their powers and no longer walk in the mortal world, there is still little peace between them. When their deeply engrained power struggles erupt once more, ex-comrades Mystra—formerly known as Midnight and recently elevated to godhood—and Cyric are bound together in conflict. Cyric, now the god of strife, murder, and the dead, has become even more obsessed with power and revenge. No longer content with just the Tablets of Fate, he wants the Forgotten Realms all to himself—and to rule them in the name of evil. Only Mystra, the new goddess of magic, has the ability to defeat him and restore the balance that has been lost.
This study researches the development of the self-understanding of the Old Catholic Churches of the Union of Utrecht and the Iglesia Filipina Independiente during the 20th century, with special attention for their ecclesiologies of the local and national church.
First Published in 1987. Routledge is an imprint of Taylor & Francis, an informa company.
"Gary Carden is a folklorist and storyteller. He was raised by his grandparents in a house filled with the past. He grew up listening to Grady Cole and Renfro Valley on the radio while his grandfather tuned musical instruments with a tuning fork and sang hymns from a shape-note songbook. He grew up with cows, June apple trees, comic books, the Farmers' Federation, and Saturday movies. He told his first stories to 150 white leghorn chickens in a dark chicken-house when he was six years old. His audience wasn't terribly attentive and tended to get hysterical during the dramatic parts."--