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Garrison Keillor meets Jack Kerouac meets Mahatma Gandhi in this wry, roadwise scripture. Hobo Sapien is a series of freight train parables born out of the author's twelve-plus years riding freight trains, combined with lessons learned in his seven-year stint as a Self-Realization Fellowship monk, plus the added bonus of fascinating railroad history. Non-fiction readers buy books to learn something, for reference, or to be entertained. Hobo Sapien fills all three bills. Readers will get a unique immersion into the underground world of the hobo. The spiritual takes are written with a subtle humor that helps the medicine go down. It is not your parent's self-help book.Armchair adventurers, rail fans, spiritual seekers, and academia nuts will all gather intriguing information from this missive. It is vastly different from other hobo books because of its unparalleled combination of adventure, rail history, humor, and spirituality. The author's background is also unique and varied. Not many hobos have gone from Yale to rail or from hunk to monk.
In retrospect the 19th century tmdoubtedly seems to be the century of evolutionism. The 'discovery of time' and therewith the experience of variability was made by many sciences: not only historians worked on the elaboration and interpretation of this discovery, but also physicists, geographers, biologists and economists, demographers, archaelogists, and even philosophers. The successful empirical fotmdation of evolutive processes by Darwin and his disciples suggested Herbert Spencer's vigorously pursued efforts in searching for an extensive' catalogue of prime and deduced evolutionary principles that would allow to integrate the most different disciplines of natural and social sciences as well as the efforts of philosophers of ethics and epistemologists. Soon it became evident, however, that the claim for integration anticipated by far the actual results of these different disciplines. Darwin I s theory suffered from the fact that in the beginning a hereditary factor which could have his theory could not be detected, while the gainings of grotmd supported in the social sciences got lost in consequence of the completely ahistorical or biologistic speculations of some representatives of the evolutionary research programm and common socialdarwinistic misinterpretations.
Receiving an implant to restore her sight, math genius Caitlin's life is changed in ways she could have never imagined when she suddenly begins to see a world beyond reality and an incredible realm that others cannot.
LANTHANUM is a long poem, set in motion one night by an unusual dream, featuring the Gateway Arch monument in St. Louis, MO. This is the first volume of a projected 3-vol. work.
Award-winning author Robert J. Sawyer continues his "wildly though- provoking" science fiction saga of a sentient World Wide Web. Webmind is an emerging consciousness that has befriended Caitlin Decter and grown eager to learn about her world. But Webmind has also come to the attention of WATCH-the secret government agency that monitors the Internet for any threat to the United States-and they're fully aware of Caitlin's involvement in its awakening. WATCH is convinced that Webmind represents a risk to national security and wants it purged from cyberspace. But Caitlin believes in Webmind's capacity for compassion-and she will do anything and everything necessary to protect her friend.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
A gritty, smoke-filled, and boozy account of musician Tom Waits’s formative decade in Los Angeles. Song Noir examines the formative first decade of Tom Waits’s career, when he lived, wrote, and recorded nine albums in Los Angeles: from his soft, folk-inflected debut, Closing Time in 1973, to the abrasive, surreal Swordfishtrombones in 1983. Starting his songwriting career in the seventies, Waits absorbed Los Angeles’s wealth of cultural influences. Combining the spoken idioms of writers like Kerouac and Bukowski with jazz-blues rhythms, he explored the city’s literary and film noir traditions to create hallucinatory dreamscapes. Waits mined a rich seam of the city’s low-life locations and characters, letting the place feed his dark imagination. Mixing the domestic with the mythic, Waits turned quotidian, autobiographical details into something more disturbing and emblematic, a vision of Los Angeles as the warped, narcotic heart of his nocturnal explorations.
How Dada is to break its cultural accommodation and containment today necessitates thinking the historical instances through revised application of critical and theoretical models. The volume Dada Culture: Critical Texts on the Avant-Garde moves precisely by this motive, bringing together writings which insist upon the continuity of the early twentieth-century moment now at the start of the twenty-first. Engaging the complex and contradictory nature of Dada strategies, instanced in the linguistic gaming and performativity of the movement’s initial formation, and subsequently isolating the specific from the general with essays focusing on Ball, Tzara, Serner, Hausmann, Dix, Heartfield, Schwitters, Baader, Cravan and the exemplary Duchamp, the political philosophy of the avant-garde is brought to bear upon our own contemporary struggle through critical theory to comprehend the cultural usefulness, relevance, validity and effective (or otherwise) oppositionality of Dada’s infamous anti-stance. The volume is presented in sections that progressively point towards the expanding complexity of the contemporary engagement with Dada, as what is often exhaustive historical data is forced to rethink, realign and reconfigure itself in response to the analytical rigour and exercise of later twentieth-century animal anarchic thought, the testing and cultural placement of thoughts upon the virtual, and the eventual implications for the once blissfully unproblematic idea of expression. From the opening, provocative proposition that historically Dada may have been the falsest of all false paths, the volume rounds to dispute such condemnation as demarcation continues not only of Dada’s embeddedness in western culture, but more precisely of the location of Dada culture. Ten critical essays – by Cornelius Partsch, John Wall, T. J. Demos, Anna Schaffner, Martin I. Gaughan, Curt Germundson, Stephen C. Foster, Dafydd Jones, Joel Freeman and David Cunningham – are supplemented by the critical bibliography prepared by Timothy Shipe, which documents the past decade of Dada scholarship, and in so doing provides a valuable resource for all those engaged in Dada studies today.
CMJ New Music Report is the primary source for exclusive charts of non-commercial and college radio airplay and independent and trend-forward retail sales. CMJ's trade publication, compiles playlists for college and non-commercial stations; often a prelude to larger success.