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Storytelling in Opera and Musical Theater is the first systematic exploration of how sung forms of drama tell stories. Through examples from opera's origins to contemporary musicals, Nina Penner examines the roles of character-narrators and how they differ from those in literary and cinematic works, how music can orient spectators to characters' points of view, how being privy to characters' inner thoughts and feelings may evoke feelings of sympathy or empathy, and how performers' choices affect not only who is telling the story but what story is being told. Unique about Penner's approach is her engagement with current work in analytic philosophy. Her study reveals not only the resources this philosophical tradition can bring to musicology but those which musicology can bring to philosophy, challenging and refining accounts of narrative, point of view, and the work-performance relationship within both disciplines. She also considers practical problems singers and directors confront on a daily basis, such as what to do about Wagner's Jewish caricatures and the racism of Orientalist operas. More generally, Penner reflects on how centuries-old works remain meaningful to contemporary audiences and have the power to attract new, more diverse audiences to opera and musical theater. By exploring how practitioners past and present have addressed these issues, Storytelling in Opera and Musical Theater offers suggestions for how opera and musical theater can continue to entertain and enrich the lives of 21st-century audiences.
Celebrate the legacy of Bruce Willis's career in a book the Los Angeles Times calls "a thoughtful guide." On a nondescript Wednesday morning in the waning days of March 2023, one of the biggest movie stars on the planet called it quits. No press conference had been organized, the Hollywood trades received no advance notice, and there was a conspicuous lack of the fanfare that usually accompanies such bombshell announcements. Instead, the news that Bruce Willis was retiring from acting came in a simple statement on his ex-wife Demi Moore’s Instagram page—along with the tragic news that Willis was suffering from aphasia, a cognitive disorder that subsequently worsened to become frontotemporal dementia. It was a sad conclusion to the storied career of a man who had at one point been the highest-paid actor in Hollywood. That career is the subject of Sean O’Connell’s definitive survey of Bruce Willis the actor, the cultural icon, and the man. Here, O’Connell compiles exclusive, original interviews with directors who have worked with Willis, as well as film critics and journalists who have analyzed his career, into a celebratory compendium. It also features the author’s analysis of Willis’s films, his career arc, and the industry that made him a star. And it includes capsule reviews of every Bruce Willis film, making this a complete handbook to a true American original.
First came video and more recently high definition home entertainment, through to the internet with its streaming videos and not strictly legal peer-to-peer capabilities. With so many sources available, today’s fan of horror and exploitation movies isn’t necessarily educated on paths well-trodden — Universal classics, 1950s monster movies, Hammer — as once they were. They may not even be born and bred on DAWN OF THE DEAD. In fact, anyone with a bit of technical savvy (quickly becoming second nature for the born-clicking generation) may be viewing MYSTICS IN BALI and S.S. EXPERIMENT CAMP long before ever hearing of Bela Lugosi or watching a movie directed by Dario Argento. In this world, H.G. Lewis, so-called “godfather of gore,” carries the same stripes as Alfred Hitchcock, “master of suspense.” SPINEGRINDER is one man’s ambitious, exhaustive and utterly obsessive attempt to make sense of over a century of exploitation and cult cinema, of a sort that most critics won’t care to write about. One opinion; 8,000 reviews (or thereabouts.
Feed is an electrifying and critically acclaimed novel of a world a half-step from our own that the New York Times calls “Astonishing” — a novel of zombies, geeks, politics, social media, and the virus that runs through them all — from New York Times bestseller Mira Grant. The year was 2014. We had cured cancer. We had beat the common cold. But in doing so we created something new, something terrible that no one could stop. The infection spread, virus blocks taking over bodies and minds with one, unstoppable command: FEED. Now, twenty years after the Rising, Georgia and Shaun Mason are on the trail of the biggest story of their lives—the dark conspiracy behind the infected. The truth will out, even if it kills them. More from Mira Grant: Newsflesh Feed Deadline Blackout Feedback Rise Praise for Feed: "I can't wait for the next book."―N.K. Jemisin "It's a novel with as much brains as heart, and both are filling and delicious."―The A. V. Club "Gripping, thrilling, and brutal... McGuire has crafted a masterpiece of suspense with engaging, appealing characters who conduct a soul-shredding examination of what's true and what's reported."―Publishers Weekly (Starred Review) “Feed is a proper thriller with zombies.” —SFX
2011 was an extraordinary year. And the Guardian was at the very heart of it. It was a year that will be remembered for the phone hacking scandal, uncovered only by the persistence and skill of Guardian investigative reporter Nick Davies, and the seismic changes it forced in the relationship between parliament, the media and the police. It was a year that will be remembered because a Guardian reporter was passed a memory stick, small enough to hang on a key ring, but which contained 250.000 US diplomatic cables whose publication provoked reverberations around the world. And it was a year packed with drama, tragedy and inspiration: the Arab spring; the tsunami in Japan; the August riots; the killing of Bin Laden, the capture of Mladic, and a royal wedding. The year's events are vividly documented and debated here by writers including David Leigh, Nick Davies, Marina Hyde, Polly Toynbee, Hadley Freeman, Simon Jenkins and Jonathan Freedland. George Monbiot explains why the Fukushima nuclear disaster affirmed his faith in atomic energy, Charlie Brooker brilliantly satirises the case of a Twitter user convicted over a joke, and Margaret Drabble lambasts the coalition's plans for the NHS. Richard Williams celebrates the life of Seve Ballesteros, Declan Walsh reveals the truth about Osama bin Laden's last hours, and Jack Shenker reports on being caught in a roundup by Egypt's notorious security services just before the fall of Hosni Mubarak - in a revolution documented here by Ahdaf Soueif from Tahrir Square. Away from the big news stories, Decca Aitkenhead reveals another side of Ann Widdecombe, poet Simon Armitage has a difficult encounter with his musical hero Morrissey, and Steve Bell looks back over 30 years of cartooning for the Guardian. Martin Kettle contemplates whether MI5 were right to spy on his father, and regular Guardian correspondent David Hockney dashes off another iPad-composed letter to the paper - this time not about smoking.
Gothiniad of Surazeus - Oracle of Gotha presents 150,792 lines of verse in 1,948 poems, lyrics, ballads, sonnets, dramatic monologues, eulogies, hymns, and epigrams written by Surazeus 1993 to 2000.
 The birth and rise of popular Italian cinema since the early 1950s can be attributed purely to necessity. The vast number of genres, sub-genres, currents and crossovers and the way they have overlapped, died out or replaced each other has been an attempt, in postwar years, to contain the invasion of U.S. product while satisfying the demands the American industry had created in Italy. The author explores one of the most multi-faceted and contradictory industries cinema has ever known through the careers of those most closely associated with it. His recorded interviews were conducted with directors and actors both well-known and upcoming.
Rooted in the creative success of over 30 years of supermarket tabloid publishing, the Weekly World News has been the world's only reliable news source since 1979. The online hub www.weeklyworldnews.com is a leading entertainment news site.