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A Washington Post Notable Book With a new chapter on eugenicist Madison Grant’s The Passing of the Great Race In this brilliant and original exploration of some of the formative influences in Adolf Hitler’s life, Timothy Ryback examines the books that shaped the man and his thinking. Hitler was better known for burning books than collecting them but, as Ryback vividly shows us, books were Hitler’s constant companions throughout his life. They accompanied him from his years as a frontline corporal during the First World War to his final days before his suicide in Berlin. With remarkable attention to detail, Ryback examines the surviving volumes from Hitler’s private book collection, revealing the ideas and obsessions that occupied Hitler in his most private hours and the consequences they had for our world. A feat of scholarly detective work, and a captivating biographical portrait, Hitler’s Private Library is one of the most intimate and chilling works on Hitler yet written.
This work "browses" into Hitler's library: it investigates the collection by shedding new lights on the readings and reading habits of Hitler.
A Washington Post Notable Book With a new chapter on eugenicist Madison Grant’s The Passing of the Great Race In this brilliant and original exploration of some of the formative influences in Adolf Hitler’s life, Timothy Ryback examines the books that shaped the man and his thinking. Hitler was better known for burning books than collecting them but, as Ryback vividly shows us, books were Hitler’s constant companions throughout his life. They accompanied him from his years as a frontline corporal during the First World War to his final days before his suicide in Berlin. With remarkable attention to detail, Ryback examines the surviving volumes from Hitler’s private book collection, revealing the ideas and obsessions that occupied Hitler in his most private hours and the consequences they had for our world. A feat of scholarly detective work, and a captivating biographical portrait, Hitler’s Private Library is one of the most intimate and chilling works on Hitler yet written.
A leading expert on the 20th-century history of Berlin, employing new and little-known German sources to track Hitler's attitudes and plans for the city, presents a fascinating new account of Hitler's relationship with Berlin, a place filled with grandiose architecture and imperial ideals, which he used as a platform for his political agenda.
Madman, tyrant, animal—history has given Adolf Hitler many names. In Mein Kampf (My Struggle), often called the Nazi bible, Hitler describes his life, frustrations, ideals, and dreams. Born to an impoverished couple in a small town in Austria, the young Adolf grew up with the fervent desire to become a painter. The death of his parents and outright rejection from art schools in Vienna forced him into underpaid work as a laborer. During the First World War, Hitler served in the infantry and was decorated for bravery. After the war, he became actively involved with socialist political groups and quickly rose to power, establishing himself as Chairman of the National Socialist German Worker's party. In 1924, Hitler led a coalition of nationalist groups in a bid to overthrow the Bavarian government in Munich. The infamous Munich "Beer-hall putsch" was unsuccessful, and Hitler was arrested. During the nine months he was in prison, an embittered and frustrated Hitler dictated a personal manifesto to his loyal follower Rudolph Hess. He vented his sentiments against communism and the Jewish people in this document, which was to become Mein Kampf, the controversial book that is seen as the blue-print for Hitler's political and military campaign. In Mein Kampf, Hitler describes his strategy for rebuilding Germany and conquering Europe. It is a glimpse into the mind of a man who destabilized world peace and pursued the genocide now known as the Holocaust.
Robert F. Sibert Award-winner Susan Campbell Bartoletti explores the riveting and often chilling story of Germany's powerful Hitler Youth groups. In her first full-length nonfiction title since winning the Robert F. Sibert Award, Susan Campbell Bartoletti explores the riveting and often chilling story of Germany's powerful Hitler Youth groups."I begin with the young. We older ones are used up . . . But my magnificent youngsters! Look at these men and boys! What material! With them, I can create a new world." --Adolf Hitler, Nuremberg 1933 By the time Hitler became Chancellor of Germany in 1933, 3.5 million children belonged to the Hitler Youth. It would become the largest youth group in history. Susan Campbell Bartoletti explores how Hitler gained the loyalty, trust, and passion of so many of Germany's young people. Her research includes telling interviews with surviving Hitler Youth members.
Hitler and the Holocaust is the product of a lifetime’s work by one of the world’s foremost authorities on the history of anti-Semitism and modern Jewry. Robert S. Wistrich begins by reckoning with Europe’s long history of violence against the Jews, and how that tradition manifested itself in Germany and Austria in the early twentieth century. He looks at the forces that shaped Hitler’s belief in a "Jewish menace" that must be eradicated, and the process by which, once Hitler gained power, the Nazi regime tightened the noose around Germany’s Jews. He deals with many crucial questions, such as when Hitler’s plans for mass genocide were finalized, the relationship between the Holocaust and the larger war, and the mechanism of authority by which power–and guilt–flowed out from the Nazi inner circle to "ordinary Germans," and other Europeans. He explains the infernal workings of the death machine, the nature of Jewish and other resistance, and the sad story of collaboration and indifference across Europe and America, and in the Church. Finally, Wistrich discusses the abiding legacy of the Nazi genocide, and the lessons that must be drawn from it. A work of commanding authority and insight, Hitler and the Holocaust is an indelible contribution to the literature of history.
(Originally published as: Hitler's Ideology: A Study in Psychoanalytic Sociology) Why did Hitler initiate the Final Solution and take Germany to war? Based on analysis of Hitler’s rhetoric—the words, images and metaphors contained within his writing and speeches—Koenigsberg’s study reveals the “hidden narratives” that were the source of Hitler’s ideology and the Holocaust. Koenigsberg’s book was the first to study political rhetoric from the perspective of embodied metaphor. Conceiving of the Jew as a “force of disintegration,” parasite, and as a bacteria within the German body politic, the Final Solution represented a struggle to destroy the source of Germany’s disease—and thereby to save the nation. Hitler often is thought of as an anomaly. Koenigsberg’s classic study demonstrates that Hitler acted based on the conventional ideology of nationalism: devotion to one’s nation and a desire to destroy its enemies; willingness to die and kill—to sacrifice lives—in the name of a sacred object. Hitler’s actions—the history he created—followed as a logical consequence of the ideology that he promoted. Hitler imagined that by destroying the Jewish disease—source of death—Germany might live forever. The Final Solution grew out of a fantasy about an immortal body (politic). Richard Koenigsberg received his Ph.D. in Social Psychology from the Graduate Faculty of the New School for Social Research. He has been writing and lecturing on Hitler, Nazism and the Holocaust for nearly forty years. Formerly a Professor of Behavioral Science, he presently is Director of the Center for the Study of War, Genocide and Terrorism. His online writings have generated excitement throughout the world.
Adolf Hitler's obsession with art not only fueled his vision of a purified Nazi state--it was the core of his fascist ideology. Its aftermath lives on to this day. Nazism ascended by brute force and by cultural tyranny. Weimar Germany was a society in turmoil, and Hitler's rise was achieved not only by harnessing the military but also by restricting artistic expression. Hitler, an artist himself, promised the dejected citizens of postwar Germany a purified Reich, purged of "degenerate" influences. When Hitler came to power in 1933, he removed so-called "degenerate" art from German society and promoted artists whom he considered the embodiment of the "Aryan ideal." Artists who had produced challenging and provocative work fled the country. Curators and art dealers organized their stock. Thousands of great artworks disappeared--and only a fraction of them were rediscovered after World War II. In 2013, the German government confiscated roughly 1,300 works by Henri Matisse, George Grosz, Claude Monet, and other masters from the apartment of Cornelius Gurlitt, the reclusive son of one of Hitler's primary art dealers. For two years, the government kept the discovery a secret. In Hitler's Last Hostages, Mary M. Lane reveals the fate of those works and tells the definitive story of art in the Third Reich and Germany's ongoing struggle to right the wrongs of the past.
Provides a guide to the extensive literature on the war in the East, including largely unknown Soviet writing on the subject. Sections on policy and strategy, the military campaign, the ideologically motivated war of annihilation in the East, the occupation, and coming to terms with the results of the war offer a wealth of bibliographic citations, and include introductions detailing history of the period and related issues. For military historians, and for scholars who approach this period in history from a socio-economic or cultural perspective. No index. Annotation copyrighted by Book News, Inc., Portland, OR