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In this work, Nagorski chronicles Hitler's rise to power and Germany's march to the abyss, as seen by Americans--diplomats, military, expats, visiting authors, Olympic athletes--who watched horrified and up close.
Bestselling historian Andrew Nagorski takes a fresh look at the decisive year 1941, when Hitler’s miscalculations and policy of terror propelled Churchill, FDR, and Stalin into a powerful new alliance that defeated Nazi Germany. In early 1941, Hitler’s armies ruled most of Europe. Churchill’s Britain was an isolated holdout against the Nazi tide, but German bombers were attacking its cities and German U-boats were attacking its ships. Stalin was observing the terms of the Nazi-Soviet Pact, and Roosevelt was vowing to keep the United States out of the war. Hitler was confident that his aim of total victory was within reach. \By the end of 1941, all that changed. Hitler had repeatedly gambled on escalation and lost: by invading the Soviet Union and committing a series of disastrous military blunders; by making mass murder and terror his weapons of choice, and by rushing to declare war on the United States after Japan’s attack on Pearl Harbor. Britain emerged with two powerful new allies—Russia and the United States. By then, Germany was doomed to defeat. Nagorski illuminates the actions of the major characters of this pivotal year as never before. 1941: The Year Germany Lost the War is a stunning examination of unbridled megalomania versus determined leadership. It also reveals how 1941 set the Holocaust in motion, and presaged the postwar division of Europe, triggering the Cold War. 1941 was a year that forever defined our world.
"Describes the small group of men and women who sought out former Nazis all over the world after the Nuremberg trials, refusing to let their crimes be forgotten or allowing them to quietly live inconspicuous, normal lives,"--NoveList.
What modern authoritarian leaders have in common (and how they can be stopped). Ruth Ben-Ghiat is the expert on the "strongman" playbook employed by authoritarian demagogues from Mussolini to Putin—enabling her to predict with uncanny accuracy the recent experience in America and Europe. In Strongmen, she lays bare the blueprint these leaders have followed over the past 100 years, and empowers us to recognize, resist, and prevent their disastrous rule in the future. For ours is the age of authoritarian rulers: self-proclaimed saviors of the nation who evade accountability while robbing their people of truth, treasure, and the protections of democracy. They promise law and order, then legitimize lawbreaking by financial, sexual, and other predators. They use masculinity as a symbol of strength and a political weapon. Taking what you want, and getting away with it, becomes proof of male authority. They use propaganda, corruption, and violence to stay in power. Vladimir Putin and Mobutu Sese Seko’s kleptocracies, Augusto Pinochet’s torture sites, Benito Mussolini and Muammar Gaddafi’s systems of sexual exploitation, and Silvio Berlusconi and Donald Trump’s relentless misinformation: all show how authoritarian rule, far from ensuring stability, is marked by destructive chaos. No other type of leader is so transparent about prioritizing self-interest over the public good. As one country after another has discovered, the strongman is at his worst when true guidance is most needed by his country. Recounting the acts of solidarity and dignity that have undone strongmen over the past 100 years, Ben-Ghiat makes vividly clear that only by seeing the strongman for what he is—and by valuing one another as he is unable to do—can we stop him, now and in the future.
The bestselling first authoritative account of the first colossal World War II battle between Germany and the USSR—based on previously unavailable documents, this is the battle that decided the war, and the one that Stalin tried to cover up. The battle for Moscow was the biggest battle of World War II—the biggest battle of all time. And yet it is far less known than Stalingrad, which involved about half the number of troops. From the time Hitler launched his assault on Moscow on September 30, 1941, to April 20, 1942, seven million troops were engaged in this titanic struggle. The combined losses of both sides—those killed, taken prisoner, or severely wounded—were two and a half million, of which nearly two million were on the Soviet side. But the Soviet capital narrowly survived, and for the first time the German Blitzkrieg ended in failure. This shattered Hitler's dream of a swift victory over the Soviet Union and radically changed the course of the war. The full story of this epic battle has never been told because it undermines the sanitized Soviet accounts of the war, which portray Stalin as a military genius and his people as heroically united against the German invader. Stalin's blunders, incompetence, and brutality made it possible for German troops to approach the outskirts of Moscow. This triggered panic in the city—with looting, strikes, and outbreaks of previously unimaginable violence. About half the city's population fled. But Hitler's blunders would soon loom even larger: sending his troops to attack the Soviet Union without winter uniforms, insisting on an immediate German reign of terror, and refusing to heed his generals' pleas that he allow them to attack Moscow as quickly as possible. In the end, Hitler's mistakes trumped Stalin's mistakes. Drawing on declassified documents from Soviet archives, including files of the dreaded NKVD; on accounts of survivors and of children of top Soviet military and government officials; and on reports of Western diplomats and correspondents, The Greatest Battle finally illuminates the full story of a clash between two systems based on sheer terror and relentless slaughter. Even as Moscow's fate hung in the balance, the United States and Britain were discovering how wily a partner Stalin would turn out to be in the fight against Hitler—and how eager he was to push his demands for a postwar empire in Eastern Europe. In addition to chronicling the bloodshed, Andrew Nagorski takes the reader behind the scenes of the early negotiations between Hitler and Stalin, and then between Stalin, Roosevelt, and Churchill. This is a remarkable addition to the history of World War II.
A sweeping yet intimate narrative about the last hundred years of turbulent European history, as seen through one of Mitteleuropa’s greatest houses—and the lives of its occupants When Norman Eisen moved into the US ambassador’s residence in Prague, returning to the land his mother had fled after the Holocaust, he was startled to discover swastikas hidden beneath the furniture in his new home. These symbols of Nazi Germany were remnants of the residence’s forgotten history, and evidence that we never live far from the past. From that discovery unspooled the twisting, captivating tale of four of the remarkable people who had called this palace home. Their story is Europe’s, and The Last Palace chronicles the upheavals that transformed the continent over the past century. There was the optimistic Jewish financial baron, Otto Petschek, who built the palace after World War I as a statement of his faith in democracy, only to have that faith shattered; Rudolf Toussaint, the cultured, compromised German general who occupied the palace during World War II, ultimately putting his life at risk to save the house and Prague itself from destruction; Laurence Steinhardt, the first postwar US ambassador whose quixotic struggle to keep the palace out of Communist hands was paired with his pitched efforts to rescue the country from Soviet domination; and Shirley Temple Black, an eyewitness to the crushing of the 1968 Prague Spring by Soviet tanks, who determined to return to Prague and help end totalitarianism—and did just that as US ambassador in 1989. Weaving in the life of Eisen’s own mother to demonstrate how those without power and privilege moved through history, The Last Palace tells the dramatic and surprisingly cyclical tale of the triumph of liberal democracy.
From the New York Times reporters who first uncovered S.S. officer Aribert Heim’s secret life in Egypt comes the never-before-told story of the most hunted Nazi war criminal in the world. Dr. Aribert Heim worked at the Mauthausen concentration camp for only a few months in 1941 but left a devastating mark. According to the testimony of survivors, Heim euthanized patients with injections of gasoline into their hearts. He performed surgeries on otherwise healthy people. Some recalled prisoners' skulls set out on his desk to display perfect sets of teeth. Yet in the chaos of the postwar period, Heim was able to slip away from his dark past and establish himself as a reputable doctor and family man in the resort town of Baden-Baden. His story might have ended there, but for certain rare Germans who were unwilling to let Nazi war criminals go unpunished, among them a police investigator named Alfred Aedtner. After Heim fled on a tip that he was about to be arrested, Aedtner turned finding him into an overriding obsession. His quest took him across Europe and across decades, and into a close alliance with legendary Nazi hunter Simon Wiesenthal. The hunt for Heim became a powerful symbol of Germany's evolving attitude toward the sins of its past, which finally crested in a desire to see justice done at almost any cost. As late as 2009, the mystery of Heim’s disappearance remained unsolved. Now, in The Eternal Nazi, Nicholas Kulish and Souad Mekhennet reveal for the first time how Aribert Heim evaded capture--living in a working-class neighborhood of Cairo, praying in Arabic, beloved by an adopted Muslim family--while inspiring a manhunt that outlived him by many years. It is a brilliant feat of historical detection that illuminates a nation’s dramatic reckoning with the crimes of the Holocaust.
From the author of the #1 New York Times bestseller The Monuments Men: "An astonishing account of a little-known American effort to save Italy's…art during World War II." —Tom Brokaw When Hitler’s armies occupied Italy in 1943, they also seized control of mankind’s greatest cultural treasures. As they had done throughout Europe, the Nazis could now plunder the masterpieces of the Renaissance, the treasures of the Vatican, and the antiquities of the Roman Empire. On the eve of the Allied invasion, General Dwight Eisenhower empowered a new kind of soldier to protect these historic riches. In May 1944 two unlikely American heroes—artist Deane Keller and scholar Fred Hartt—embarked from Naples on the treasure hunt of a lifetime, tracking billions of dollars of missing art, including works by Michelangelo, Donatello, Titian, Caravaggio, and Botticelli. With the German army retreating up the Italian peninsula, orders came from the highest levels of the Nazi government to transport truckloads of art north across the border into the Reich. Standing in the way was General Karl Wolff, a top-level Nazi officer. As German forces blew up the magnificent bridges of Florence, General Wolff commandeered the great collections of the Uffizi Gallery and Pitti Palace, later risking his life to negotiate a secret Nazi surrender with American spymaster Allen Dulles. Brilliantly researched and vividly written, the New York Times bestselling Saving Italy brings readers from Milan and the near destruction of The Last Supper to the inner sanctum of the Vatican and behind closed doors with the preeminent Allied and Axis leaders: Roosevelt, Eisenhower, and Churchill; Hitler, Göring, and Himmler. An unforgettable story of epic thievery and political intrigue, Saving Italy is a testament to heroism on behalf of art, culture, and history.
Adolf Hitler's obsession with art not only fueled his vision of a purified Nazi state--it was the core of his fascist ideology. Its aftermath lives on to this day. Nazism ascended by brute force and by cultural tyranny. Weimar Germany was a society in turmoil, and Hitler's rise was achieved not only by harnessing the military but also by restricting artistic expression. Hitler, an artist himself, promised the dejected citizens of postwar Germany a purified Reich, purged of "degenerate" influences. When Hitler came to power in 1933, he removed so-called "degenerate" art from German society and promoted artists whom he considered the embodiment of the "Aryan ideal." Artists who had produced challenging and provocative work fled the country. Curators and art dealers organized their stock. Thousands of great artworks disappeared--and only a fraction of them were rediscovered after World War II. In 2013, the German government confiscated roughly 1,300 works by Henri Matisse, George Grosz, Claude Monet, and other masters from the apartment of Cornelius Gurlitt, the reclusive son of one of Hitler's primary art dealers. For two years, the government kept the discovery a secret. In Hitler's Last Hostages, Mary M. Lane reveals the fate of those works and tells the definitive story of art in the Third Reich and Germany's ongoing struggle to right the wrongs of the past.
'A compelling tale... a narrative that makes such a brave effort to see history as it evolves and not as it becomes.' SPECTATOR Suffused with the tense atmosphere of the times, and with brilliant portraits of Hitler, Goebbels, Goering and Himmler amongst others, Erik Larson's new book sheds unique light on events as they unfold, resulting in an unforgettable, addictively readable work of narrative history. Berlin,1933. William E. Dodd, a mild-mannered academic from Chicago, has to his own and everyone else's surprise, become America's first ambassador to Hitler's Germany, in a year that proves to be a turning point in history. Dodd and his family, notably his vivacious daughter, Martha, observe at first-hand the many changes - some subtle, some disturbing, and some horrifically violent - that signal Hitler's consolidation of power. Dodd has little choice but to associate with key figures in the Nazi party, his increasingly concerned cables make little impact on an indifferent U.S. State Department, while Martha is drawn to the Nazis and their vision of a 'New Germany' and has a succession of affairs with senior party players, including first chief of the Gestapo, Rudolf Diels. But as the year darkens, Dodd and his daughter find their lives transformed and any last illusion they might have about Hitler are shattered by the violence of the 'Night of the Long Knives' in the summer of 1934 that established him as supreme dictator . . .