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By David A. Mendeloff.
Kathleen E. Smith examines the use of collective memories in Russian politics during the Yeltsin years, surveying the various issues that became battlegrounds for contending notions of what it means to be Russian.
This study explores the evolution of Lomonosov's imposing stature in Russian thought from the middle of the eighteenth century to the closing years of the Soviet period. It reveals much about the intersection in Russian culture of attitudes towards the meaning and significance of science, as well as about the rise of a Russian national identity, of which Lomonosov became an outstanding symbol. Idealized depictions of Lomonosov were employed by Russian scientists, historians, and poets, among others, in efforts to affirm to their countrymen and to the state the pragmatic advantages of science to a modernizing nation. In setting forth this assumption, Usitalo notes that no sharply drawn division can be upheld between the utilization of the myth of Lomonosov during the Soviet period of Russian history and that which characterized earlier views. The main elements that formed the mythology were laid down in the eighteenth and nineteenth centuries; Soviet scholars simply added more exaggerated layers to existing representations.
“This is the essential backstory, the history book that you need if you want to understand modern Russia and its wars with Ukraine, with its neighbors, with America, and with the West.” —Anne Applebaum, author of Twilight of Democracy and Red Famine Named a Most Anticipated Book of the Year by Publishers Weekly and Kirkus Reviews From “the great storyteller of Russian history” (Financial Times), a brilliant account of the national mythologies and imperial ideologies that have shaped Russia’s past and politics—essential reading for understanding the country today The Story of Russia is a fresh approach to the thousand years of Russia’s history, concerned as much with the ideas that have shaped how Russians think about their past as it is with the events and personalities comprising it. No other country has reimagined its own story so often, in a perpetual effort to stay in step with the shifts of ruling ideologies. From the founding of Kievan Rus in the first millennium to Putin’s war against Ukraine, Orlando Figes explores the ideas that have guided Russia’s actions throughout its long and troubled existence. Whether he's describing the crowning of Ivan the Terrible in a candlelit cathedral or the dramatic upheaval of the peasant revolution, he reveals the impulses, often unappreciated or misunderstood by foreigners, that have driven Russian history: the medieval myth of Mother Russia’s holy mission to the world; the imperial tendency toward autocratic rule; the popular belief in a paternal tsar dispensing truth and justice; the cult of sacrifice rooted in the idea of the “Russian soul”; and always, the nationalist myth of Russia’s unjust treatment by the West. How the Russians came to tell their story and to revise it so often as they went along is not only a vital aspect of their history; it is also our best means of understanding how the country thinks and acts today. Based on a lifetime of scholarship and enthrallingly written, The Story of Russia is quintessential Figes: sweeping, revelatory, and masterful.
The 1943 battle to free the Soviet Black Sea port of Novorossiisk from German occupation was fought from the beach head of Malaia zemlia, where the young Colonel Leonid Brezhnev saw action. Despite widespread scepticism of the state's appropriation and inflation of this historical event, the heroes of the campaign are still commemorated in Novorossiisk today by an amalgam of memoir, monuments and ritual. Through the prism of this provincial Russian town, Vicky Davis sheds light on the character of Brezhnev as perceived by his people, and on the process of memory for the ordinary Russian citizen. Davis analyses the construction and propagation of the local war myth to link the individual citizens of Novorossiisk with evolving state policy since World War II and examines the resultant social and political connotations. Her compelling new interdisciplinary evidence reveals the complexity of myth and memory, challenging existing assumptions to show that there is still scope for the local community - and even the individual - in memory construction in an authoritarian environment. This book represents a much-needed departure from the study of myth and memory in larger cities of the former Soviet Union, adding nuance to the existing portrait of Brezhnev and demonstrating the continued importance of war memory in Russia today.
The contributors to this book discuss the new conjunctions that have emerged between foreign policy events and politicized expressions of Russian nationalism since 2005. The 2008 war with Georgia, as well as conflicts with Ukraine and other East European countries over the memory of the Soviet Union, and the Russian interpretation of the 2005 French riots have all contributed to reinforcing narratives of Russia as a fortress surrounded by aggressive forces, in the West and CIS. This narrative has found support not only in state structures, but also within the larger public. It has been especially salient for some nationalist youth movements, including both pro-Kremlin organizations, such as "Nashi," and extra-systemic groups, such as those of the skinheads. These various actors each have their own specific agendas; they employ different modes of public action, and receive unequal recognition from other segments of society. Yet many of them expose a reading of certain foreign policy events which is roughly similar to that of various state structures. These and related phenomena are analyzed, interpreted and contextualized in papers by Luke March, Igor Torbakov, Jussi Lassila, Marlène Laruelle, and Lukasz Jurczyszyn.
The break-up of the Soviet Union is a key event of the twentieth century. The 39th IIS congress in Yerevan 2009 focused on causes and consequences of this event and on shifts in the world order that followed in its wake. This volume is an effort to chart these developments in empirical and conceptual terms. It has a focus on the lands of the former Soviet Union but also explores pathways and contexts in the Second World at large. The Soviet Union was a full scale experiment in creating an alternative modernity. The implosion of this union gave rise to new states in search of national identity. At a time when some observers heralded the end of history, there was a rediscovery of historical legacies and a search for new paths of development across the former Second World. In some parts of this world long-repressed legacies were rediscovered. They were sometimes, as in the case of countries in East Central Europe, built around memories of parliamentary democracy and its replacement by authoritarian rule during the interwar period. Some legacies referred to efforts at establishing statehood in the wake of the First World War, others to national upheavals in the nineteenth century and earlier. In Central Asia and many parts of the Caucasus the cultural heritage of Islam in its different varieties gave rise to new markers of identity but also to violent contestations. In South Caucasus, Georgia, Armenia and Azerbaijan have embarked upon distinctly different, but invariably contingent, paths of development. Analogously core components of the old union have gone through tumultuous, but until the last year and a half largely bloodless, transformations. The crystallization of divergent paths of development in the two largest republics of that union, i.e. Russia and Ukraine, has ushered in divergent national imaginations but also in series of bloody confrontations.
A “supremely entertaining” (The New Yorker) exploration of who gets to record the world’s history—from Julius Caesar to William Shakespeare to Ken Burns—and how their biases influence our understanding about the past. There are many stories we can spin about previous ages, but which accounts get told? And by whom? Is there even such a thing as “objective” history? In this “witty, wise, and elegant” (The Spectator), book, Richard Cohen reveals how professional historians and other equally significant witnesses, such as the writers of the Bible, novelists, and political propagandists, influence what becomes the accepted record. Cohen argues, for example, that some historians are practitioners of “Bad History” and twist reality to glorify themselves or their country. “Scholarly, lively, quotable, up-to-date, and fun” (Hilary Mantel, author of the bestselling Thomas Cromwell trilogy), Making History investigates the published works and private utterances of our greatest chroniclers to discover the agendas that informed their—and our—views of the world. From the origins of history writing, when such an activity itself seemed revolutionary, through to television and the digital age, Cohen brings captivating figures to vivid light, from Thucydides and Tacitus to Voltaire and Gibbon, Winston Churchill and Henry Louis Gates. Rich in complex truths and surprising anecdotes, the result is a revealing exploration of both the aims and art of history-making, one that will lead us to rethink how we learn about our past and about ourselves.
After the collapse of Communist rule in 1991, those loyal to the old regime tried to salvage their political dreams by rejecting some aspects of their history and embracing others. Yeltsin and the democrats, although initially hesitant to rely on the patriotic mythmaking they associated with Communist propaganda, also turned to the national past in times of crisis, realizing they needed not only to create new institutions, but also to encourage popular support for them.Kathleen E. Smith examines the use of collective memories in Russian politics during the Yeltsin years, surveying the various issues that became battlegrounds for contending notions of what it means to be Russian. Both the new establishment and its opponents have struggled to shape versions of past events into symbolic political capital. What parts of the Communist past, Smith asks, have proved useful for interpreting political options? Which versions of their history have Russians chosen to cling to, and which Soviet memories have they deliberately tried to forget? What symbols do they hold up as truly Russian? Which will help define the attitudes shaping Russian policy for decades to come?Smith illustrates the potency of memory debates across a broad range of fields—law, politics, art, and architecture. Her case studies include the changing interpretations of the attempted coups of 1991 and 1993, the recasting of the holiday calendar, the controversy over the national anthem, the status of "trophy art" brought to Russia at the end of World War II, and the partisan use of historical symbols in elections.