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The PREEN FAMILY HISTORY STUDY GROUP exists to research the family. It organises an Annual Reunion and is preparing a History of the Preen Family in four volumes. DNA analysis has shown that the Preen Family is divided into three groups, each with a common ancestor in the seventeenth century. Volume One will discuss the early history of the family and then Volumes Two to Four will each cover one of the three groups. This book is Volume Three describing the Kings Stanley Group. They are descended from John and Margery Preen who lived in Stone in the 1600s and the book traces their descendants as they spread throughout the Gloucestershire and later throughout the world. It ends with the families who appeared in the 1911 census. For more details of the Group, see our website www.preen.org.uk
The author traces the course of literary criticism from its foundations in classical and medieval precepts to the theorising of the present day. He explores the texts which have been milestones in the history of critical thought, placing them firmly in the context of their time.
This Bulletin and the exhibition it accompanies, "The Nelson A. Rockefeller Vision: In Pursuit of the Best in Arts of Africa, Oceania, and the Americas," reflect on an extraordinary act of philanthropy that was also a catalyst for momentous change in the art world. In establishing the Museum of Primitive Art (MPA) in 1956—the precursor to what is today the Department of the Arts of Africa, Oceania, and the Americas (AAOA) at the Metropolitan Museum—Nelson Rockefeller was a true pioneer, assembling what remains the greatest collection of fine art from these disparate fields. Perhaps even more important than this singular achievement, however, was Rockefeller's long campaign to place his collection at the Metropolitan Museum as a gift to the city and to the world, which he finally achieved in 1969 after nearly forty years of effort. Rockefeller's gift carried the unequivocal message that artists from Africa, Oceania, and the Americas are equal in every respect to those of their peers across the globe and throughout history. Yet until that time there was, famously, skepticism in the Western art world on this point as well as resistance from earlier generations of Metropolitan directors in viewing non-Western art as part of the institution's mission. Relying on his formidable powers of persuasion, Rockefeller eventually brokered an agreement to transfer the collections, staff, and library of the of the MPA to the Metropolitan, an astounding triumph that fundamentally changed the character of the museum, making the collections truly encyclopedic.
This is a comprehensive study of the early history and inhabitants of Isle of Wight County. It begins with a graphic description of the early settlers--including accounts of Quakers and Cavaliers--and is followed by detailed histories of the various Isle of Wight families. Nearly 200 pages of this voluminous work are devoted to abstracts of deeds, land records, and quit rents. Besides a place and subject index, the work further includes a 38-page name index of several thousand entries.