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The period 1829-1856 witnessed the introduction of the 'New Police' to Great Britain and Ireland. Via a series of key legislative acts, traditional mechanisms of policing were abolished and new, supposedly more efficient, forces were raised in their stead. Subsequently, the introduction of the 'New Police' has been represented as a watershed in the development of the systems of policing we know today. But just how sweeping were the changes made to the maintenance of law and order during the nineteenth century? The articles collected in this volume (written by some of the foremost criminal justice historians) show a process which, while cumulatively dramatic, was also at times protracted and acrimonious. There were significant changes to the way in which Britain and Ireland were policed during the nineteenth century, but these changes were by no means as straightforward or as progressive as they have at times been represented.
Based on vivid court records and newspaper advertisements, this 2003 book is a pioneering account of the expectations and experiences of married life among the middle and labouring ranks in the long eighteenth century. Its original methodology draws attention to the material life of marriage, which has long been dominated by theories of emotional shifts or fashionable accounts of spouses' gendered, oppositional lives. Thus it challenges preconceptions about authority in the household, by showing the extent to which husbands depended upon their wives' vital economic activities: household management and child care. Not only did this forge co-dependency between spouses, it undermined men's autonomy. The power balance within marriage is further revised by evidence that the sexual double standard was not rigidly applied in everyday life. The book also shows that ideas about adultery and domestic violence evolved in the eighteenth century, influenced by new models of masculinity and femininity.
Early nineteenth-century Ireland witnessed widespread and prolonged rural unrest, as groups of labourers and smallholders formed secret societies demanding land reform, fair rents, the protection of wages and an end to tithes. One of the most active of these groups - the Rockites - waged a vigorous and sustained campaign of arson, intimidation and houghing (maiming of animals) across the southern half of Ireland during the 1820s, quickly attracting the attention of the authorities in both Ireland and Britain. Combining analyses of local and economic concerns with wider national political dimensions, this book offers an in-depth and alternative interpretation of the Rockites. Attaching particular importance to the political dimensions of the Rockites, Katsuta demonstrates how their political mindset was created by local circumstances. Styling themselves descendants of the United Irishmen, Rockites drew on the memories of the bitter political struggles in Cork during the 1790s, as well as current political events such as Daniel O’Connell’s mass mobilisation to oppose the Catholic relief bill in 1821. As well as situating the Rockites within the Irish context, the book also offers insights into how British politicians dealt with Ireland in the early years of the Union. The Rockite disturbances prompted the Tory government to adopt a new course that proved less a remedy to problems in Ireland than as a response to events within parliament. In turn Rockites became a useful tool for Whigs and radicals in Westminster to blame the Tories for the misgovernment of Ireland, revealing how the Irish question in the early nineteenth-century UK was regarded first and foremost as a parliamentary issue.
This book begins with a simple observation - that just as the theatre resurfaced during the late Renaissance, so too government as we understand it today also began to appear. Their mutually entwining history was to have a profound influence on the development of the modern British stage. This volume proposes a new reading of theatre's relation to the public sphere. Employing a series of historical case studies drawn from the London theatre, Tony Fisher shows why the stage was of such great concern to government by offering close readings of well-known religious, moral, political, economic and legal disputes over the role, purpose and function of the stage in the 'well-ordered society'. In framing these disputes in relation to what Michel Foucault called the emerging 'art of government', this book draws out - for the first time - a full genealogy of the governmental 'discourse on the theatre'.
Examines pretrial rituals of accusation that enabled colonial law and order to support possessive settler-colonialism across western Canada.
Offers a fascinating view of the social history of Georgian London through the workings of the Summary courts. By analyzing the summary proceedings and the use of the law by ordinary citizens - to prosecute theft, violence and resolve disputes - this study represents an important addition to our understanding of the criminal justice system.
Focusing on the ports, dockyards and garrison towns of Kent, this study examines the social and economic factors that could cause a woman to turn to prostitution, and how such women were policed.