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This book investigates the experiences of second- and third-generation Italians living in South Africa, exploring how nostalgia for Italy influences their sense of identity and belonging. The Italian community in South Africa is a unique diaspora, with a complex history, including roots in Italian colonial activities in Africa, and in World War II. This book looks at how the descendants of these early migrants take pride in being Italian and value the Italian language. They also ascribe much importance to their family roots, and have often created a romanticized image of Italy, mostly based on childhood vacation visits. The longing for an imaginary idealized version of Italy is closely linked to their wider search for a sense of identity and belonging against the backdrop of South African society, currently still grappling with its own multicultural identity. Interdisciplinary by design, this book draws on insights from both cultural studies and psychology in order to shine a light on an important and under-studied diasporic community. The book will be of interest to scholars from across migration studies and the Humanities in general. The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
During the Second World War, British and Imperial forces captured more than half a million Italian soldiers, sailors and airmen. Although a symbol of military success, these prisoners created a multitude of problems for the authorities throughout the war. This book looks at how the British addressed these problems and turned liabilities into assets by using the Italians as a labour force, a source of military intelligence and as a political warfare tool before their final repatriation in 1946-47.
For the first time, the 92-metre frieze of the Voortrekker Monument in Pretoria, one of the largest historical narratives in marble, has been made the subject of a book. The pictorial narrative of the Boer pioneers who conquered South Africa’s interior during the 'Great Trek' (1835-52) represents a crucial period of South Africa’s past. Conceptualising the frieze both reflected on and contributed to the country’s socio-political debates in the 1930s and 1940s when it was made. The book considers the active role the Monument played in the rise of Afrikaner nationalism and the development of apartheid, as well as its place in post-apartheid heritage. The frieze is unique in that it provides rare evidence of the complex processes followed in creating a major monument. Based on unpublished documents, drawings and models, these processes are unfolded step by step, from the earliest discussions of the purpose and content of the frieze, through all the stages of its design, to its shipping to post-war Italy to be copied into marble from Monte Altissimo, up to its final installation in the Monument. The book examines how visual representation transforms historical memory in what it chooses to recount, and the forms in which it is depicted. The second volume expands on the first, by investigating each of the twenty-seven scenes of the frieze in depth, providing new insights into not only the frieze, but also South Africa’s history. François van Schalkwyk of African Minds, co-publisher with De Gruyter writes: From Memory to Marble is an open access monograph in the true sense of the word. Both volumes of the digital version of the book are available in full and free of charge from the date of publication. This approach to publishing democratises access to the latest scholarly publications across the globe. At the same time, a book such as From Memory to Marble, with its unique and exquisite photographs of the frieze as well as its wealth of reproduced archival materials, demands reception of a more traditional kind, that is, on the printed page. For this reason, the book is likewise available in print as two separate volumes. The printed and digital books should not be seen as separate incarnations; each brings its own advantages, working together to extend the reach and utility of From Memory to Marble to a range of interested readers. For more material you can browse at Stanford's database "Voortrekker Monumentality: a digital archive".
Bringing together contributions from established scholars from multiple disciplines and countries, Volume XIX of Studies in Contemporary Jewry offers a comparative view of alliances between Jewish communities and the state. Together, the volume's contents show the price Jews paid for allying with unpopular regimes. The essays cover the American South, South Africa, Canada, Algeria, Morocco, Poland, Hungary, Romania, and Russia.
This volume presents a selection of papers from the 13th International Conference on Military Geosciences (ICMG), held 24-28 June 2019 in Padua, Italy. It covers a wide range of subjects within the confines of military geoscience written by scientists with a variety of different backgrounds from many countries throughout the world. Many of the papers focus on subjects related to Italy and World War I, but additional subject areas include international perspectives in the military geosciences, international security, geospatial intelligence and remote sensing, subterranean and underground warfare, analyses of historical battlefields and fortifications, and military archaeology. The book will be of interest to academics (e.g., military historians, military archaeologists, military geographers and geologists), applied geoscientists (e.g., engineering geologists and geologists working in other areas of applied geology), professional geoscientists, and those with a general interest in military geoscience and history.
The first thorough account of South African Jewish religious, political, and educational institutions in relation to the apartheid regime.
The world's most comprehensive, well documented, and well illustrated book on this subject. With extensive subject and geographic index. 20 photographs and illustrations - many color. Free of charge in digital PDF format.