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Excerpt from History of the American Theatre, Vol. 2 of 2 Of the most important personages in this list we have already spoken, except Mrs. S. Powell. This lady's early history is unknown to us. She came to this country as Miss Harrison in the first company that played in the Federal Street theatre, Boston. She was an elegant woman, and a good actress. She was exemplary in her social duties, and, if now living, enjoys competency and all the fruits of prudence 'and virtue. She filled respect ably the highest lines of tragedy and comedy, and will long live in the memories of the public of Boston, as well as in the affections of those who knew her private worth. Mr. Villiers was the low comedian of the com pany, and an actor of force and merit. He of course could only expect to play such charac ters as the manager thought unworthy of his attention; as must have been the case in respect to every portion of the drama where Hodgkin son was the director, and in the greater part of every branch he had no competitor in this country at that time. Moreton was dead. Cooper, far his superior in tragedy, was yet negligent, and his great excellence confined to a few characters. Fennell's walk was very confined, and his pursuits irregular. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from History of the American Theatre, Vol. 1 of 2 Colley cibber, in his Apology, the best book ever written on the subject of the Theatre, thus speaks of the increase of Playhouses in London, and the effect on the actors and the public Their extraordinary number, of course, reduced them to live upon the gratification of such hearers as they knew would be best pleased with public offence; and public offence, of what kind soever, will always be a good reason for making laws to restrain it. We have seen acted over and over again, in America, that which Cibber describes and laments as occurring in his time They were reduced to have recourse to foreign novelties; l'abbe, Balon, and Mademoiselle Subligny, three of the most famous dancers of the French Opera at that period, were at several times brought over, at extraordinary rates, to revive that sickly appetite which plain sense and nature had satiated. But, alas! There was no recovering to a sound constitution by those merely costly cordials; the novelty of a dance was but of a short duration, and perhaps hurtful in its consequence; for it made a play without a dance less eu dured than it had been before, when such dancing was not to be had and the same may be said of every deviation from plain sense and nature. Colley Gibber's Apology is one of those books in which a man finds all that he wants to know or say on the subject he is considering. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from A History of the Theatre in America, From Its Beginnings to the Present Time, Vol. 2 Jonathan Ploughboy, was later made very popular by J. H. Hackett. The following year Mr. Barriere, the proprietor. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from History of the American Theatre These extracts sufficiently indicate the literary and dramatic quality of the production, and Show that the loss Of The Mercenary Match need not be deplored. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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Excerpt from Players and Plays of the Last Quarter Century, Vol. 2: An Historical Summary of Causes and a Critical Review of Conditions as Existing in the American Theatre at the Close of the Nineteenth Century; The Theatre of to-Day N a little book called The Dramatic Swag; Unities, which was published in w 1874, Edwin Simpson wrote: On reading over these Old plays (the dramas of the Restoration), it is melancholy to see what a noble heritage has been bequeathed to us, and how sadly we have disgraced it. For two hun dred years the English stage was as much above the French as the French, in the present day, is above our own. But, it is said, the. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from The Wallet of Time, Containing Personal, Biographical, and Critical Reminiscence of the American Theatre, Vol. 2 Ada Rehan as Katharine Minola, in The Taming of the Shrew, and as Peggy Thrift, in The Country Girl. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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